Showing posts with label integration. Show all posts
Showing posts with label integration. Show all posts

Thursday, January 22, 2026

Spring 2026 English Accent and Pronunciation Improvement Course (EAPIC)


Beginning two weeks from today! 

Spring 2026 English Accent and Pronunciation Improvement Course (EAPIC)

(EAPIC: pronounced "EPIC!") 

Beginning February 5, 2026 

  • Better accent or pronunciation
  • Better expressiveness in speaking
  • More confidence in speaking
  • Good method for continuing to improve
  • Works for anybody with a CLB or IELTS 5 and up

10 weeks, online (plus Introduction video on 2/5/2026)
(Free) 20~30-minute training video uploaded to YouTube every Thursday
15~30 minutes of homework every day!
(Optional) live homework follow up meeting on Zoom Wednesday at 8-9 p.m. 
EST. 

  •      15-minute Zoom interview required to enroll
  •     $250 USD additional fee. 

Weekly syllabus:

1. Basic rhythm 1 (pronunciation grammar) 
2. Fluency 1 (body rhythm)
3. Consonants 1 (common problems, such as 'th' and 'r/l')
4. Vowels 1 (short)
5. Vowels 2 (long)
6. Consonants 2 (students’ “favorite” problems)
7. Melody 1 (little pieces, phrases)
8. Melody 2 (longer pieces, sentences)
9. Fluency 2 (Public speaking and classroom stye)
10. Rhythm 2 (Conversation style)

Typical weekly schedule: 
   Thursday: Do the video along with me (20+ minutes) and keep notes!
   Friday: Do the warm up, training, embodied oral reading (EOR) and keep notes!
   Saturday: Do the warm up, training, EOR and keep notes!
              Notes: Other words or phrases you have difficulty pronouncing well
    Sunday: Take the day off with me!
   Monday: Do the warm up, EOR, practice your target words (with MT5s) and keep notes!
   Tuesday: Do the warm up, EOR,  a new one-page story you have found with MT5s, practice your target words and keep notes!
   Wednesday: Come to the live feedback 60-minute class on Zoom (or practice by yourself!) 

       Here is what goes on in the feedback session: 

                       a. Go over the EOR
                       b. Check students' individual MT5s for accuracy
                       c. Questions from and help with target words of students
                       d. Preview of the next week's lesson

So . . . How does this course work? 
  • Gesture and touch make pronunciation easier to learn and remember
  • Using your whole body (embodied) makes is easier to pay full attention
  • Rhythm and gesture together help keep learning both relaxed and energetic
  • Embodied oral reading is great for bringing what you study into conversation
  • Practicing the EOR every day trains your mind and body to move and speak more like English speakers do. 
  • Use what you know . . . 





Email me: wracton@gmail.com for more information or to enroll (via Paypal or Venmo). To enroll requires brief Zoom chat (just to make sure the course is for you!) 

For a more in depth discussion of the basis of the EAPIC course, go to: https://www.actonhaptic.com/eapic

The Summer 2026 EAPIC course is being revised to include identity protection. Students will also be using IDentityshield system. For a preview of IDentityshield go to: IDentityshield introduction, or  www.williamacton.legalshieldassociate.com 

Homework for next week 

A. Tell me a little about yourself and why you think this course would be helpful for you.

B. Give me some idea of your weekly schedule, how much time you have to practice!

C. Tell me about your experience with music, playing an instrument, etc., or just enjoying it!

D. Tell me if you'd like to join the Wednesday Zoom feedback class. (If so, I'll set up a Zoom interview just with you as soon as possible. If I do, what would be a good time for you?)




Wednesday, September 25, 2024

A new, short--but terrific-- course in Haptic Pronunciation Teaching

For all of you whose bodies are just dying to teach pronunciation "whole-bodily" and haptically . . .good news! I'll be offering a special 6-hour KINETIK Method seminar, four saturdays, 12-1:30 EST, October 19th to November 9th. $200 USD. There will be a couple of hours of optional homework assigned and all sessions will be recorded in case you miss one. Here are the topics covered:

  • October 19th - Fluency and rhythm
  • October 26th - Stress and vowels
  • November 2nd - Intonation and consonants
  • November 9th - Integration of change in spontaneous conversation

This would be especially good for those teaching CLB levels 4~6. The course will follow the first half of the coming 10-week (Haptic) English Accent and Pronunciation Course.  Will also be offering courses for CLB 1~3 and 7~9 levels next spring. 

Course includes pre-publication draft of "Manual of Haptic Pronunciation Teaching," including access to new v7.0 instructional videos. 

For more information, get in touch--soon!

 wracton@gmail.com. 

More detail shortly! 




Monday, June 21, 2021

KINETIK (Haptic Pronunciation Teaching) Method Certification Course

 Three ways to take the course!

1. (FREE) Attend the weekly Haptic(web)inars, Tuesdays at 6 p.m. PST. Learn one technique per week. Tomorrow is Week 2. The technique this week is the "TaiChi - Finger-flow-fluency,," a great procedure for encouraging overall fluency and integrating new or changed sounds into spontaneous speaking. To join, go to www.actonhaptic.com and sign up! 

2. Attend the webinars and also get the student training videos and teaching handouts. (at very minimal cost!) 

3. Take the Certification Course (available beginning August 1st!) Here are the details:

KINƐTIK METHOD™applies the basic Movement, Tone and Touch Techniques (MT3 - gesture plus touch routines) of HaPT to enhancing learning and memory for any class content and language, not just specifically pronunciation. It also promotes general intelligibility, using more pronunciation-oriented techniques. The haptic gestures serve to “complement” instruction in all skill areas, speaking, listening, reading, writing, vocabulary, grammar . . . and even pronunciation!

The course contains four modules, three lessons each. (Each lesson takes about a week to complete)

  • Module 1

  • Lesson One - Syllable Butterfly and rhythm

  • Lesson Two - Finger-flow Fluency

  • Lesson Three – Haptic phonetics: th/th, f/v, p/b, y, w, consonant clusters

  • Module 2
  • Lesson One - Single vowels, word stress, and word-final consonants

  • Lesson Two - Double vowels and phrasal and sentence stress.

  • Lesson Three – Haptic phonetics: n/ng, l, r, s/z/sh/zh, tsh/dzh

  • Module 3
  • Lesson One - Basic intonation

  • Lesson Two - Advanced intonation

  • Lesson Three - Baton integration and linking

  • Module 4
  • Lesson One - Advanced rhythm and fluency

  • Lesson Two - Tense, unstressed vowels and secondary stress,

  • Lesson Three – KINƐTIC review, advanced integration, and Certification test

The structure of a typical lesson is something like this:

(A) Attend the weekly Hapticanar on that lesson or do the video of it. (About 30 minutes),

(B) Do the training video for that lesson, the same one you would use to train you students (5-10 minutes, but you might want to do it two or three times),

(C) You identify a short section of a text of some kind from your current course content or a previous course, and figure out how you could use the MT3 of that leson with in a short embodied oral reading, usually about 25-50 words.

(D) At the end of the week, you meet for an hour or so with 3 or 4 other instructors like yourself, hopefully who are teaching the same type of students, and ME (or another experienced Haptician) to go over the Embodied Oral Readings that the four of you have come up with.

After Module 4, you take a REALLY easy little certification test where you create a video showing that you can do some of the MT3s and write up a couple of pages telling me how you would sell your KINETIK MT3s to your students, your colleagues and your boss!

The cost will vary, depending on how many students there are in a course. If there are 6 students, the cost will be about $300 per student. (There are a maximum of 6 students per course,) If there are 2 students, the cost will be $800 per student. Special programs are available for schools and larger groups.

For more information, contact info@actonhaptic.com.

The course will be rolled out in Auguet 1, 2021. It will be featured and discussed in Acton Haptic Community on Locals.com. Stay tuned here for more information as it is released!

Thursday, June 17, 2021

Haptic Webinar #2: How can a little "TaiChi" enhance uptake and speaking fluency?

Come to the next Haptic(web)inar and find out! To get there, go to the website and register. While you are there, check out videos of the Introduction to KINETIK Method and Webinar #1: The Syllable Butterfly technique!  (And, of course, Keep in Touch!



Friday, June 11, 2021

Where does really great pronunciation teaching begin? "GrammaRhythm-ing!"

Note: This is definitely NOT your "grandma's way" of teaching pronunciation or grammar!

Classroom work using the KINETIK Method of Haptic Pronunciation Teaching always begins with a  grammar and rhythm process, what we call "GrammaRhythm-ing."

  1. Breaking up a written text / of some kind / into rhythm groups / of up to seven syllables, / based primarily on grammatical structure./ In other words, /you pause at places / where one grammar structure begins / and another leaves off
    1. You also identify / what is probably the syllable / in the word with the strongest energy / or stress, usually the one off to the right
  2. Reading the text together, once through, with hands touching in some way on each stressed syllable--to get the rhythm of the text.

THEN: You work on something in there using gesture and touch, maybe some vowels or consonants, intonation, expressiveness, or maybe just so that the text is remembered better. 

FINALLY: Use a different fluency and integration-oriented gesture as you read the passage together one last time to help encourage uptake of the haptic work. 

To get a good idea of how this done, join us at Hapticanar #1, Tuesday, June 15th at 6 p.m. (PST). Click HERE to reserve a spot for that!  

In case you missed the Introductory Hapticanar this week, check HERE or earlier the Haptic Story Promo, check HERE.



Wednesday, December 23, 2020

Killing Pronunciation 14: One tip at a time (or better still . . . "pho-nunciation")

Nice new book just out by Mark Hancock, 50 tips for teaching pronunciation. Currently it is only available in hardcopy, but you can preview it off that link, the latest addition to Scott Thornbury's "Tips" series. Other than the fact that it has the "wrong" vowel system (British), it is very cool. 

It is, however, also a perfect candidate for the 14th in our "Killing" series. In that spirit, it might also be characterized, to paraphrase the 'death by a thousand cuts' notion as: Death (of pronunciation teaching) by a thousand tips.

 Hancock's book is a pretty comprehensive, self-guided short course in itself in teaching pronunciation. (I have it as recommended in my graduate applied phonology course.) The title is misleading, however. It is not just a random set of techniques; it is a relatively systematic set of principles, "tips," if you will. It is actually, read front to back, a pronunciation teaching method. 

It represents the state of the art in the field today: Go big or go home . . . either you invest a considerable amount of time in training to bring pronunciation teaching into your classroom, so you can integrate it in or teach a free standing class, or you avoid it entirely or use a few relatively ineffective techniques here and there and call it a day. In truth, there is very little middle ground left, especially with curriculum priorities in most teaching institutions, especially K-12, that allow precious little space, if any, for attention to pronunciation.  

So . . . Hancock's book is on the right track: it adds up to a method. (Since we are supposed to be all "post-method" now, Hancock probably didn't dare mention that, but I can, of course!) And the reason I do, is that Haptic Pronunciation Teaching (HaPT) is also a coherent method, one best learned from front to back, but the differences are:

  • Although you can "do" our course, yourself, and take it to the classroom, you don't have to. You can just stream the lessons to your students and let me do the initial teaching and you do the follow up. 
  • 50 Tips is designed so that you can do it on your own. The HaPT system almost has to be learned "in community." Actually, you go through the course with two or three other newbees, guided by an experienced "Haptician," somebody who is certified in HaPT and is available to help out and "test" you at each benchmark. 
  • 50 Tips is great for coming up with quick, mini-lessons, integrating in pronunciation here and there and getting a basic background in pronunciation teaching. HaPT can be used the same (old fashioned way) but it is really aimed at using pronunciation (or what we call "phonunciation") to enhance memory for regular course content, expressiveness, emphasis and (surprise!) pronunciation intelligibility. 
  • The new HaPT method, coming out next month,  Acton Haptic Pronunciation: Content Complement System (CCS, for short), focuses on "phonunciation," not pronunciation. You can use it any time you are working with content, a story, a dialogue, a word list, a song, a set of instructions. Basically, you embed HaPT techniques (gestures anchored by touch) in almost anything to enhance it and make it more memorable. 
  • CCS has been created for those with no background in pronunciation teaching and (typically) no time during the week to do it effectively. 
  • Keep in touch for more announcements. It will roll out first here and then actually go live on Locals. Go join up now and be part of the Acton Haptic Pronunciation Community when it happens! 


Wednesday, July 3, 2019

Next Advanced Hapticinar (haptic pronunciation teaching webinar)!

The next advanced webinar will be on August 8th, from 7 to 8:30 p.m. (PST).  Familiarity with haptic pronunciation teaching (HaPT) is  required, but you can do the basic Hapticanar the preceding weekend!

Cost: $25USD (limit: 30 participants)

Preliminary topics include:
  • Haptic discourse orientation
  • How to integrate pronunciation haptically
  • Primary and secondary sentence stress
  • Secondary and unstressed vowels
  • Final voiced consonants
  • Linking
  • New super warm up!
  • Transitioning from L1 to L2 pronunciation (beginning by teaching the haptic representation of the L1)
  • Haptic pronunciation homework
  • Special requests (submitted prior to the hapticinar - When you sign up, if you have some other problem you'd like addressed, let me know!)
Certification of participation provided. 

Enrolment is open until 8/1. If interested, email us at: info@actonhaptic.com


Monday, May 20, 2019

Killing pronunciation 11: Ortho-phon-a-phobia

Number 11 in the "Killing Pronunciation" series of blogposts.
Clker.com

Ortho-phon-a-phobia or OPP, fear of correcting or correct pronunciation, a term I just coined, was inspired by new research from McComb and Mills of York University on orthorexia nervosa: Orthorexia nervosa: A review of psycho-social risk factors  (To see the previous 10 posts, just enter "Killing Pronunciation" in the blog search field!) The parallel between the two psycho-social "conditions" is, well, near frightening . . . From the summary in Neuroscience News:

"Orthorexia Nervosa, an eating disorder associated with a pathological obsession with healthy eating, has been associated with OCD traits, poor body image, preoccupation with personal appearance and a prior history of eating disorders. Researchers report those who practise vegetarianism or veganism are at an increased risk of developing orthorexia."

Now, granted, I sometimes go pretty far analogically afield in exploring the dynamics of (haptic) pronunciation teaching, but the connection is not as much a stretch as it might at first appear. Two diagnostic questions for you:
  • Are you afraid of correcting pronunciation? 
  • Are you afraid of talking about "correct" pronunciation? (For fear of sounding pedagogically incorrect in suggesting a specific model of accuracy or dialect to learners?)
If so, then, you got it: OPP. My condolences . . . but there is an antidote! Notice the specific features:
  • Obsession with healthy eating (Read: just intelligible pronunciation, instead of aiming at a higher target)
  • OCD (Obsessive compulsive disorder) (Read: need to control every nanosecond of class time or tending to view L2 pronunciation as pathology)
  • Poor body image (Read: dislike of moving body when speaking or doing gesture/kinaesthetic or haptic techniques--or any number of psycho-social or cultural reasons)
  • Preoccupation with personal appearance (Read: neurosis brought on by teachers who worry excessively about relationship of pronunciation to identity, instructor's or learners'--or not quite enough)
  • Prior history of eating disorders (read: past experience with really bad or null pronunciation teaching, either as learner or instructor)
I said there is a cure. Have no fear! The meta-analysis suggests a couple basic principles that apply to both orthorexia and orthophonaphobia; (1) treatment must be multidisciplinary and integrated, psycho-social, and (2) the "problem" must be faced incrementally and systematically, with multiple methodologies, not through simple avoidance or replacement

What that means is that for effective feedback and correction of pronunciation, teaching the sound system in isolation, as a parallel discourse or channel, should be abandoned; it must be blended, instead, into all class work so that "it" becomes a normal, everyday, appreciated and low stress activity. (For examples of how to do that, see Jones, 2016, listed below.)

Most importantly, however, the idea that you can or should "ignore" or shield students from confronting or dealing with pronunciation errors or being corrected on the spot or models of the L2 that for them may not be realistic to aspire to or aim at (at least in the short term) is just fundamentally wrong.  

Instead, effective instruction requires careful, studied exposure to, not stereotypical rejection of these issues based simply on "desirability" or "achievability" criteria. The effect is to basically inform learners and provide them with controlled practice so they can understand and interact better, not the default of avoidance or uniformed biases . . . 

Integration and inoculation, the cure for orthophonaphobia . . . 

You can either "OPP out" or join those of us in field who do know how to do this and can help you do the same. In addition to taking courses or workshops in pronunciation teaching locally, online or at conferences, for starters, I now recommend two sources: Murphy's books and/or HaPT-Eng courses. 
  • Murphy, J. (2013). Teaching Pronunciation (in the English Language Development Series), available from TESOL.org. or elsewhere.
And, of course, Haptic pronunciation teaching courses or webinars!

If you have no background in teaching or pronunciation teaching, pick up at least Murphy's inexpensive 2013 book. (The 2017 text is a great reference, too. Full disclosure: I have a chapter in that book!) and then join us hapticians for the real antidote!

Sources:

 Jones, T. (Ed.) (2016). Pronunciation in the classroom: the overlooked essential. New York: TESOL

“Orthorexia nervosa: A review of psychosocial risk factors”. McComb, S. and Mills, J.  doi:10.1016/j.appet.2019.05.005

Friday, October 19, 2018

Haptic pronunciation training webinars coming UpDownUnder!

The first training webinars for Haptic Pronunciation Training - English, Version 5.0, were held on December 7th and 8th, staged from Wollongong, Australia. So, why from Wollongong? Other than being there to connect with Aussie Hapticians and meet the penguins, the webinars are follow ups to the two conferences (3rd Annual Pronunciation Symposium and ALAA conference) reported on in the previous post.

You'll be able to sign up for them again in February, 2019.

Webinar I
  • Introduction to Haptic Pronuciation Teaching
  • North American English vowels
  • Syllables and phrase grouping
  • Intonation 
  • Select consonants
Webinar II
  • Aussie English vowels and intonation
  • Fluency
  • Conversation rhythm
  • Advanced intonation and secondary stress
  • Classroom correction, feedback integration techniques
  • Consonants on demand (from participants) 
 Note: To do Webinar II you need to also sign up for Webinar I

Keep in touch!



Wednesday, February 14, 2018

Ferreting out good pronunciation: 25% in the eye of the hearer!

Clker.com
Something of an "eye opening" study, Integration of Visual Information in Auditory Cortex Promotes Auditory Scene Analysis through Multisensory Binding, by Town, Wood, Jones, Maddox, Lee, and Bizley of University College London, published on Neuron. One of the implications of the study:

"Looking at someone when they're speaking doesn't just help us hear because of our ability to recognise lip movements – we've shown it's beneficial at a lower level than that, as the timing of the movements aligned with the timing of the sounds tells our auditory neurons which sounds to represent more strongly. If you're trying to pick someone's voice out of background noise, that could be really helpful," They go on to suggest that someone with hearing difficulties have their eyes tested as well.

I say "implications" because the research was actually carried out on ferrets, examining how sound and light combinations were processed by their auditory neurons in their auditory cortices. (We'll take their word that the ferret's wiring and ours are sufficiently alike there. . . )

The implications for language and pronunciation teaching are interesting, namely: strategic visual attention to the source of speech models and participants in conversation may make a significant impact on comprehension and learning how to articulate select sounds. In general, materials designers get it when it comes to creating vivid, even moving models. What is missing, however, is consistent, systematic, intentional manipulation of eye movement and fixation in the process. (There have been methods that dabbled in attempts at such explicit control, e.g., "Suggestopedia"?)

In haptic pronunciation teaching we generally control visual attention with gesture-synchronized speech which highlights stressed elements in speech, and something analogous with individual vowels and consonants. How much are your students really paying attention, visually? How much of your listening comprehension instruction is audio only, as opposed to video sourced? See what I mean?

Look. You can do better pronunciation work.


Citation: (Open access)









Saturday, June 24, 2017

New Haptic Pronunciation Teaching "Work-inar"!

If your organization would be interested in a 2-hour, highly interactive, experiential webinar on haptic pronunciation teaching (and you should be!), we have the answer! Our new haptic "work-inar" on English pronunciation!
Dates are available beginning in mid-August. The format looks like this:
  • Introduction
  • Haptic learning
  • English vowels and word and phrasal stress
  • Rhythm groups and rhythm
  • Basic intonation
  • Fluency and feedback
  • Conversational speed and confidence
  • Advanced and discourse intonation
  • Integrating "haptic" into the classroom
  • Consonants galore (done haptically)
  • Q&A
Like all haptic workshops and presentations, it involves a great deal of participant engagement, including mirroring of the pedagogical gestures of the presenter (Bill Acton or colleague) and occasional "dancing" to the various rhythms of the webinar.

There is no charge for this basic v4.0 EHIEP (Essential Haptic-integrated English Pronunciation) webinar--other than the usual, tasteful, low key promotion of all things ActonHaptic.com--although there may be some additional fee attached if it is extensively customized for a local population or if by agreement there is some structured follow up, etc. In late Spring 2018 v5.0 of the haptic pronunciation teaching system and webinar will be rolled out as well!

The idea right now is just to further get out the "haptic word" to the profession.

If that sounds like fun, let us know!

Bill

Sunday, March 19, 2017

Killing pronunciation 4: Dis-integrated vs prior schema-based pronunciation change

Clker.com
What does it mean to "integrate" pronunciation work into "regular" instruction? And if you do, how do you know if it "worked"--or why? : Caveat emptor: Without informed, systematic follow up, most pronunciation instruction is probably a crap shoot, dicey at best. 

That thought was again inspired, in part, by a recent article in the new Handbook of  Pronunciation Teaching by Sicola and Darcy entitled: Integrating Pronunciation into the Language Classroom.  

To access the chapter you have to buy the Handbook itself, prices ranging from about $125 to $195USD, plus tax and shipping, or just the online chapter itself for about $35USD--or from about 6 vente carmel frapps up to around 40!

In essence, Sicola and Darcy argue that since there is a range of pronunciation teaching techniques and strategies that have been shown to produce some gain or results in reported practice or quasi-experimental studies, then when integrated into general classroom instruction--as opposed to being taught in a separate class or individualized work online-- they should work in that integrated context, too. Really? I think they are maybe half right, but they have almost no "hard" evidence to support that claim.

An earlier post focused on why figuring out whether or not a method works can be so problematic in education today: basically, integrated instruction can mask the actual impact of individual techniques and procedures, such as homework--or pronunciation. Context of instruction trumps technique, almost always.

The near consensus among researchers investigating in-class feedback and correction, for example, as unpacked in a recent blogpost, is now that for genuine, effective uptake to occur in pronunciation work it must be predominantly in follow up that it occurs not in initial in-class presentation and practice -- or homework, but as it followed up on later and repeatedly (Rosario et al, 2015).

So, how do you best set up the key pronunciation schema that you need to use in everyday instruction, in little vignettes or mini-lessons inserted into speaking, listening, reading and writing courses, or . . . in something like the old reliable, stand alone "pronunciation class" that provided the basic training that was then followed up on or used spontaneously during incidental "teachable moments"  by any and all instructors in the program at large?

Where are we headed? My guess: back to good "out of class" experience and basic pronunciation  training, either in the form of specific pronunciation-designated classes or something analogous, such as web-based training,  that is then referred back to by instructors in integrated pronunciation work all over the place and curriculum. In other words, pronunciation techniques should be part of everybody's tool kit but ideally the basic training should occur someplace else, before the problem is addressed in class. Our colleagues who do public speaking and voice training have had this right for decades.

The sooner some of what passes for (one-shot-mini-lesson-in-the-middle-of-something-else-with-no-clear-follow-up-based) integrated instruction disintegrates, the better! (It already has in haptic pronunciation instruction, of course, should you need a great model of how to do it!)

Sources:

Rosario, P., Nunez, J., Vallejo, G., Cunha, J., Nunes, T., Suarez, N., Fuentes, S. & Moreira, T. (2015). The effects of teachers' homework follow-up practices on students' EFL performance: a randomized-group design. Retrieved from: http://journal.frontiersin.org/article/10.3389/fpsyg.2015.01528/full.






Saturday, January 28, 2017

Killing pronunciation improvement: better heard (and felt) but not seen!

Clker.com
Fascinating study, Visual Distractors Disrupt Audiovisual Integration Regardless of Stimulus Complexity, by Gibney, et al. Department of Neuroscience, Oberlin College.

Tigger warning: This is a thick, technical read, but the conclusions of the study have potentially important implications for pronunciation teaching, especially attempts to enhance uptake of new and corrected sounds or patterns that rely on effective integration of sounds, images, movement and vocal resonance. 

In essence, what the research examined was, as the title suggests, how distractions in the visual field affected subjects attention and ability to learn and recall audio-visual stimuli (images on a computer screen accompanied by sounds). What was striking (again as evident in the title) was that no matter how complex the task of associating the targeted sound with the visual image or object in focus, with even the slightest distraction created on the screen, e.g., a object briefly appearing in a corner, the subject's ability to integrate and recall the complex target later . . .was compromised.

The implications for pronunciation teaching?  Not surprisingly, attention is critical in integrating sensory information. We know that, of course. What is more interesting is the idea that any visual distraction whatsoever that occurs when sound, movement and visual imagery (such as the orthography or phonetic representation of a word or phrase) are being "integrated" may seriously  undermine the process. In other words, visual attention and eye tracking during the process may have dramatic impact. That is a "variable" that can, in principle, be managed in the classroom, although most do not consider visual distraction to be potentially that disruptive of pronunciation instruction. But it certainly can be.

We discovered early on that in haptic pronunciation work, where not only sound, visual imagery, movement and vocal resonance are involved--but touch as well, visual distraction can seriously derail the process. This research suggests, for example, that the same effect during general pronunciation work as well, especially oral work, may be a significant impediment in some contexts. 

The sterile, featureless language laboratory booth of old may have had more going for it than we thought! In early haptic work we experimented with controlling eye tracking. Perhaps it is time we revisited that idea. It certainly deserves our undivided attention.

Original research article: Front. Integr. Neurosci., 20 January 2017 | https://doi.org/10.3389/fnint.2017.00001

Sunday, June 26, 2016

Why pronunciation should be taught "separately" (and the 15 second rule)!

Clker.com
The pendulum is swinging back, my friends. A central concern among pronunciation teachers is that what is "taught" in class, in whatever form, is so often not integrated well (or at all) into spontaneous speaking. One reason for that, I am convinced, is the general reluctance to correct spontaneous speech today.

This one is for all of you who teach a successful, stand-alone pronunciation course in the face of current theory that seems argue that pronunciation should generally be integrated in instruction, any skill concentration--not taught in isolation.

When a pronunciation problem just "pops up" in class, what do you do? Correction of pronunciation is again an important focus of research in the field. In fact, it is coming to be seen as more and more central to effective instruction. (From a haptic perspective, as developed in this blog and elsewhere, correction, especially during spontaneous speaking activities, is key to successful pronunciation work.) The other option, I suppose, is still that instruction is done so well early on that few errors in spontaneous speech occur . . . That was the dream of some early structuralist and behavioral approaches. They just forgot to factor in sufficient boredom and fear.

In-class instruction and practice is not sufficient in many contexts. Ongoing, effective feedback is essential. Research, however, has consistently revealed a strong reluctance on the part of instructors to correct learner pronunciation in any instructional context, in part a legacy of communicative language teaching and the current de-emphasis on pronunciation teaching in general (Baker, 2014; Saito, 2016).

Some of the most recent research on spontaneous correction of pronunciation in the classroom (See my blogpost focusing on delaMorandiere, 2016) has begun to point to two key features of effective correction (a) a link back to earlier instruction is "remembered." and (b) that link is used by the instructor in various ways, including a quick reference to the concept or explanation or reminder (or a question to the learner). In other words, correction works best when it is anchored back to an earlier consciously constructed schema, not just by a simple prompt, such as repeating the "correct" pronunciation.

So what does that mean in the classroom? Effective, corrective feedback on pronunciation generally depends upon good "prior knowledge" of the correct form that can be reactivated or reinforced . . . That does not suggest that rhythm, intonation and stress should not be attended to in other areas of language instruction; they should, if only to reinforce learning of meaning, structure and vocabulary. But to CORRECT some aspect of any of those, something other than or in addition to simply "repeat after me" has to be employed. In the case of adults, that should generally refer back to well-conceived explanation and focused practice, both controlled and meaning-based.

Now that can, for example, be accomplished by teaching one chapter of a student pronunciation text occasionally as part of a speaking or conversation course, but the experience of more and more intensive English programs, particularly, is that a designated pronunciation class that is used as a point of reference for all other instructors in the program to refer back to in in-class correction is far and away the best approach. In that context as well, research has identified the types of classroom interaction where such intervention by both instructor and other students is most appropriate (small group discussions, prepared oral readings, impromptu speeches, etc.)

To be in a position to intervene, interrupting the flow of conversation, generally requires an expectation that important errors will be addressed continually in an atmosphere of confidence and trust--and even collegial fun and support. Spontaneous error correction in pronunciation should be received with genuine appreciation and "uptake". The conditions for that to happen consistently are not that complicated but require for some a rethinking of the form of pronunciation instruction and its place in (virtually) every class. I think most would agree, however, that it is often exceedingly challenging to temporarily switch on and off that "safe" classroom mode or milieu in any setting other than one focused only on pronunciation. (Pronunciation classes are generally rated as the most useful and enjoyable by students.)

What research is suggesting is that effective "spontaneous" correction is very important to helping learners integrate changed forms--and that it is actually not all that spontaneous, in the sense that it relies on rapid recall of not just previously taught forms, structures, phonemes and specific words, but a concise, explicit understanding of the issue as well. That level of clarity can require more than just a brief note or simply drawing attention to a feature of pronunciation in class: a previously completed,  designated pronunciation class session or something analogous, such as complete modules, either online or f2f. 

That is a fundamental principle of most public speaking systems and, from our perspective, the Lessac method, upon which much of my work is based: explanation and practice must be carefully partitioned off from performance, so that errors in performance can be efficiently recognized at least post hoc (after the fact) and effectively recast by the learner in real time. For many pronunciation issues--and especially integration of change into spontaneous speaking-- that is best facilitated by a team approach as well, where the instructor briefly refers the learner back to not just the correct sound but also its structure and rationale (SSR), and the learner momentarily "holds that thought" and physically experiences what it feels like to produce words or phrases to be used more appropriately the next time they occur.

It is not necessary to do all three SRR components every time, of course, but the intervention used must in some sense reconnect to the in-class instructional experience in toto. Just repeating a word or phrase might accomplish that on some occasions, but the research suggests that more cognitive involvement accompanying a verbal recast is essential. I could not agree more, only adding that more somatic (body-based) engagement is essential as well.

The best option, I think, despite its limitations, is still something like the "traditional" pronunciation class taught by a well-trained and experienced instructor, where correction of all kinds, done right, is seen as immensely valuable and productive--and relatively speaking, stress-free!

Haptic work attempts to create the experience of that classroom by linking earlier training in systematic gesture to the pronunciation of the word or expression, which could also have been done in a separate class or class meeting or online, independently. The key is that it be conceptually partitioned off, by itself, without demanding thorough content and context integration, and also not requiring a  "seasoned" instructor to do the presentation, instruction and practice. (More later on the importance of such seemingly counter-intuitive conceptual partitioning to subsequent recall and utilization. In the meantime, consult your local neuroscientist or hypnotist!)

Try the 15-second rule: During spontaneous speaking and interaction with students, only pause to correct what can be effectively reconnected to previous (brilliant) instruction--which may include a bit of SSR--and practiced three times in 15 seconds. That will get you a better sense of how well your initial teaching of pronunciation "bits" is going, too.

However you approach correction and facilitating integration of pronunciation change, it should at the very least be more than just "spontaneous."




Saturday, April 2, 2016

Haptic Pronunciation Teaching - v3.5 TESOL 2016 Special!

Even if you can't make it to Baltimore next week for the TESOL Convention for one of the demos, you can still get the AHEPS "TESOL special" version 3.5 for a limited time (until this September!)

Keep in touch!
Basic cost: $100 CAD for (copying authorized), 12 months unlimited streaming and (the BIG bonus) . . . a half hour SKYPE Chat w/me after you have tried some haptic with your students.  (DVD set is also available for $60 CAD, free shipping). For immediate purchase, go here! For hard copies and special orders, contact: info@actonhaptic.com.

p.s. If you don't want to talk w/me, I'll knock of my "2 cents worth" from the price!

Thursday, February 18, 2016

44 features of effective homework!



I'm doing a workshop this weekend, "Do your homework!" at the BCTEAL
Clker.com
Regional Conference in Victoria, British Columbi
a, that focuses on good homework practices in English Language Teaching. Although there is some obvious overlap in the 44 parameters that we pulled from research on homework in general, much of it from North America and Europe (See Reference Section), it is still a helpful inventory. Here is an adapted version of the workshop handout. Just for fun, go through it and see just how many features are evident in your courses (or at least your thinking!) If you can think of more, please add them as comments!
Some parameters of effective homework 









You
do it?
1. Differentiated (for individuals)

2  Can be done independently (with no help from parents or other students)

3. Get started on homework in class

4. Students understand the purpose and value

5. Developmentally appropriate

6. Allows students choice(s) in what to do

7. Students can stop when they believe they understand the  concept well enough

8. Graded (but not figuring in to course grade)

9. Comments requiring follow up

10. Subject matter differences evident.

11. Optimal hours per week? (max 2 per day/night)

12. Integration with lesson(s) recognizable and consistent

13. Student autonomy encouraged

14. Time management required or encouraged

15. Scaffolding implicit or explicit

16. Mentoring/coaching function evident

17. “embodied practice” (Do something other than sit and think and take notes.)

18. Data management system supplied

19. Multi-modality practice

20. Overlearning (especially for beginners)

21. Homework practice interviews done with instructors



22. Tasks that cannot be performed in class

23. Predicted time required indicated

24. Tracking actual homework task time

25. Homework counts toward grades

26. Homework packets provided

27. Recognized benefits to students & teacher presented and acknowledged

28. Effective in class follow up (i.e., checking homework orally; checking homework on the board; and collecting and grading homework)

29. Student “enjoyment” of homework

30. Online applications and storage

31. Cultural expectations met or moderated

32. Gains (8 ~ 31%) evident

33. Reflective practice required

34. Meta-cognitive (planned practice)

35. “learning lexicon” developed over time by students and/or instructor

36. Incidental study recognition

37. Portfolio review

38. Student recommendations, evaluations of homework effectiveness

39. “Filing” system required and reviewed

40. Homework ethnography (f2f interviews focusing on more than just practice)

41. Group homework proposals and review

43. Demonstrates competence

44. Is aesthetically pleasing


Selected references
Cooper, H., Robinson, J., & Patall, E. (2006). Does Homework Improve Academic Achievement? A Synthesis of Research, 1987–2003 Review of Educational Research 76:1, 1-62.
Galloway, M., Conner, J., & Pope, D. (2013). Nonacademic Effects of Homework in Privileged, High-Performing High Schools, Journal of Experimental Education, 81:4, 490-510.
Ozkan E., & Henderson, D.  (2011). Are we wasting our children’s time by giving them more homework?, Economics of Education Review Economics of Education Review, 30:5, 950-961.
National Education Commission on Time and Learning (1994). Retrieved February 2, 2016, http://econpapers.repec.org/article/eeeecoedu/v_3a30_3ay_3a2011_3ai_3a5_3ap_3a950-961.htm.
The Hechinger report (2015). Retrieved from
Rosario, P., Nunez, J., Vallejo, G., Cunha, J., Nunes, T., Suarez, N., Fuentes, S., & Moreira, T. (2015) The effects of teachers' homework follow-up practices on students' EFL performance: a randomized-group design http://journal.frontiersin.org/article/10.3389/fpsyg.2015.01528/full.
ASCD (2007). The case for and against homework. Retrieved February 4, 2016,
Challenge Success (2012). Retrieved February 2, 2016, www.challengesuccess.org.
Vatterott, C. (2016). Retrieved February 2, 2016, http://www.homeworklady.com/.
Safakova, Z. (2015). Reasons for doing/not online homework: insights from EFL students, A. & Cubri, M. (Eds).  ECEL2015-14th European Conference on e-Learning, 510-518.