Showing posts with label error correction. Show all posts
Showing posts with label error correction. Show all posts

Sunday, January 9, 2022

Body-full-ness and (haptic) pronunciation teaching--make no mistake or at least fewer!

Avoiding, correcting, accepting, embracing errors . . . take your pick in pronunciation (and all) instruction as to how you respond when learners come up with something overly "creative" or slightly outside their optimal L2 target inventory. A 2019 study by Lin and colleagues, "How meditation can help you make fewer mistakes - Meditating just once proves to make a difference," summarized by ScienceDaily.com, draws a fascinating but not surprising connection between meditation (or mindfulness training) and "making fewer errors." 

In essence, subjects that were given 20-minutes of meditation and then, hooked up to brain monitors,  were better at performing an error avoidance task, a "computerized distraction test." This was a simple laboratory experiment, of course, but one implication, for the researchers at least, was more empirical support for the current widespread application of "mindfulness" training in education. 

If you have been following the blog, you'll recall that from a haptic perspective, I see mindfulness training, which basically focuses on body states to hold the conscious, modern neurotic mind at bay, is more accurately described as "body-full-ness" (BFN) training. BFN is the basis of haptic pronunciation teaching, prioritizing body-based rhythm engagement and then changing speech patterns through manipulation of upper body torso movement and gesture. In other words, in Lessac's words, "training the body first," is key to effective and efficient speech change and instruction. 

To learn how to teach more "haptically," in the new KINETIK Method system, goto: www.actonhaptic.com or email me directly: wracton@gmail.com and I'll be happy to Zoom you in!!!

Bill

Source:

Michigan State University. (2019, November 11). How meditation can help you make fewer mistakes: Meditating just once proves to make a difference. ScienceDaily. Retrieved January 9, 2022 from www.sciencedaily.com/releases/2019/11/191111124637.htm

Sunday, March 5, 2017

Killing pronunciation 3: Grit

Clker.com
To the "gritty" student, there can be nothing more frustrating than pointless, unproductive pronunciation homework--or even worse, none at all.

If you are a follower of this blog, you know I am a big fan of James Clear. If you need to change something--most anything--and you still don't need a coach or therapist to help get you there, his website is worth a visit. His latest post on "building mental toughness" linked to an earlier piece: Grit: a complete guide on being mentally tough. (Embedded in that post is a TED talk by Duckworth, on "grit" which you should also watch if you haven't already.)

Grit is defined in a number of ways but, basically, it means having the strength of character to persevere to ones goals. 

Grit is a key variable in success in pronunciation, I'm sure, although I have been unable to find a good study to verify that. My own experience with accent reduction clients is that to fix their accent  they need just two thing: grit and money (and time, of course.)

Where that especially comes into play is in homework--my current area of research in preparation for a panel at the 2017 TESOL Convention later this month. If you have a student who has real grit, in terms of pronunciation homework, can you provide him or her with sufficient direction as to what to work on and practice outside of class? I have been asking that question repeatedly of late and the overwhelming response from instructors is . . . No!

In fact some instructors have replied that monitored and required practice outside of class, such as drill and repetition and oral reading is probably not worth the effort. And even if it is, "how am I to know whether it was done well or productively?"

There you have it. One of Clear's key principles, based on current research, is that in developing grit the learner must NOT rely on motivation but on habit, on discipline. But for a student to do that, there must be clear guidance and assignments.

How do your homework assignments and guidance to your students on how to improve their pronunciation stack up with that criteria? Probably not all that well, right? This is big, actually. We are just coming out of a period where focus on motivation and meta-cognition (thought and planning about pronunciation change) have been enormously influential.

One of Clear's other principles in developing it is to: Build grit with small physical wins. There are any number of ways to do that, of course, but it takes a consistent, coherent method at least. In pronunciation work, that is or should be a "gimme!"

EHIEP is based on the idea that embodied (gesture-based) homework/practice is key. The success of the system relies on establishing cognitive schema (haptic cognition) such that subsequent in class or incidental learning or correction of pronunciation will happen efficiently, as the learn relates back to the model or rule learned earlier. (That is one of the most important findings in research on incidental correction in class of pronunciation.) In general, homework is carefully prescribed to help create such schema and students need to "homework" at least 3 times a week for 30 minutes to facilitate that, preferably every day.

It takes "true grit" to do that -- and manage it. If that is not part of your current method and "growth mindset" (Dweck, 2016), "Clear" up your current pedagogical habits and grit back to us!


Sunday, June 26, 2016

Why pronunciation should be taught "separately" (and the 15 second rule)!

Clker.com
The pendulum is swinging back, my friends. A central concern among pronunciation teachers is that what is "taught" in class, in whatever form, is so often not integrated well (or at all) into spontaneous speaking. One reason for that, I am convinced, is the general reluctance to correct spontaneous speech today.

This one is for all of you who teach a successful, stand-alone pronunciation course in the face of current theory that seems argue that pronunciation should generally be integrated in instruction, any skill concentration--not taught in isolation.

When a pronunciation problem just "pops up" in class, what do you do? Correction of pronunciation is again an important focus of research in the field. In fact, it is coming to be seen as more and more central to effective instruction. (From a haptic perspective, as developed in this blog and elsewhere, correction, especially during spontaneous speaking activities, is key to successful pronunciation work.) The other option, I suppose, is still that instruction is done so well early on that few errors in spontaneous speech occur . . . That was the dream of some early structuralist and behavioral approaches. They just forgot to factor in sufficient boredom and fear.

In-class instruction and practice is not sufficient in many contexts. Ongoing, effective feedback is essential. Research, however, has consistently revealed a strong reluctance on the part of instructors to correct learner pronunciation in any instructional context, in part a legacy of communicative language teaching and the current de-emphasis on pronunciation teaching in general (Baker, 2014; Saito, 2016).

Some of the most recent research on spontaneous correction of pronunciation in the classroom (See my blogpost focusing on delaMorandiere, 2016) has begun to point to two key features of effective correction (a) a link back to earlier instruction is "remembered." and (b) that link is used by the instructor in various ways, including a quick reference to the concept or explanation or reminder (or a question to the learner). In other words, correction works best when it is anchored back to an earlier consciously constructed schema, not just by a simple prompt, such as repeating the "correct" pronunciation.

So what does that mean in the classroom? Effective, corrective feedback on pronunciation generally depends upon good "prior knowledge" of the correct form that can be reactivated or reinforced . . . That does not suggest that rhythm, intonation and stress should not be attended to in other areas of language instruction; they should, if only to reinforce learning of meaning, structure and vocabulary. But to CORRECT some aspect of any of those, something other than or in addition to simply "repeat after me" has to be employed. In the case of adults, that should generally refer back to well-conceived explanation and focused practice, both controlled and meaning-based.

Now that can, for example, be accomplished by teaching one chapter of a student pronunciation text occasionally as part of a speaking or conversation course, but the experience of more and more intensive English programs, particularly, is that a designated pronunciation class that is used as a point of reference for all other instructors in the program to refer back to in in-class correction is far and away the best approach. In that context as well, research has identified the types of classroom interaction where such intervention by both instructor and other students is most appropriate (small group discussions, prepared oral readings, impromptu speeches, etc.)

To be in a position to intervene, interrupting the flow of conversation, generally requires an expectation that important errors will be addressed continually in an atmosphere of confidence and trust--and even collegial fun and support. Spontaneous error correction in pronunciation should be received with genuine appreciation and "uptake". The conditions for that to happen consistently are not that complicated but require for some a rethinking of the form of pronunciation instruction and its place in (virtually) every class. I think most would agree, however, that it is often exceedingly challenging to temporarily switch on and off that "safe" classroom mode or milieu in any setting other than one focused only on pronunciation. (Pronunciation classes are generally rated as the most useful and enjoyable by students.)

What research is suggesting is that effective "spontaneous" correction is very important to helping learners integrate changed forms--and that it is actually not all that spontaneous, in the sense that it relies on rapid recall of not just previously taught forms, structures, phonemes and specific words, but a concise, explicit understanding of the issue as well. That level of clarity can require more than just a brief note or simply drawing attention to a feature of pronunciation in class: a previously completed,  designated pronunciation class session or something analogous, such as complete modules, either online or f2f. 

That is a fundamental principle of most public speaking systems and, from our perspective, the Lessac method, upon which much of my work is based: explanation and practice must be carefully partitioned off from performance, so that errors in performance can be efficiently recognized at least post hoc (after the fact) and effectively recast by the learner in real time. For many pronunciation issues--and especially integration of change into spontaneous speaking-- that is best facilitated by a team approach as well, where the instructor briefly refers the learner back to not just the correct sound but also its structure and rationale (SSR), and the learner momentarily "holds that thought" and physically experiences what it feels like to produce words or phrases to be used more appropriately the next time they occur.

It is not necessary to do all three SRR components every time, of course, but the intervention used must in some sense reconnect to the in-class instructional experience in toto. Just repeating a word or phrase might accomplish that on some occasions, but the research suggests that more cognitive involvement accompanying a verbal recast is essential. I could not agree more, only adding that more somatic (body-based) engagement is essential as well.

The best option, I think, despite its limitations, is still something like the "traditional" pronunciation class taught by a well-trained and experienced instructor, where correction of all kinds, done right, is seen as immensely valuable and productive--and relatively speaking, stress-free!

Haptic work attempts to create the experience of that classroom by linking earlier training in systematic gesture to the pronunciation of the word or expression, which could also have been done in a separate class or class meeting or online, independently. The key is that it be conceptually partitioned off, by itself, without demanding thorough content and context integration, and also not requiring a  "seasoned" instructor to do the presentation, instruction and practice. (More later on the importance of such seemingly counter-intuitive conceptual partitioning to subsequent recall and utilization. In the meantime, consult your local neuroscientist or hypnotist!)

Try the 15-second rule: During spontaneous speaking and interaction with students, only pause to correct what can be effectively reconnected to previous (brilliant) instruction--which may include a bit of SSR--and practiced three times in 15 seconds. That will get you a better sense of how well your initial teaching of pronunciation "bits" is going, too.

However you approach correction and facilitating integration of pronunciation change, it should at the very least be more than just "spontaneous."




Wednesday, March 9, 2016

Incidental Correction of Pronunciation


MA Thesis defense here (Trinity Western University) today by Rebeka delaMorandiere: Incidental Correction of Pronunciation: Beliefs and Classroom Practice. The thesis itself will be accessible later this spring. Very good work.

Abstract

In English language teaching, pronunciation is making something of a “comeback”. Since the late 1970s, in part as a response to structural methods, pronunciation has generally been downplayed. Today, it is being integrated back into communicative and task-based teaching, with the recommendation that it be addressed according to an “intelligibility”, rather than “native speaker”, model. With these developments have arisen new questions about error-correction.

In the past, it was expected that errors be immediately corrected, whereas today, errors tend to be corrected when they interfere with intelligibility, providing teachable moments for learning. With a focus on intelligibility, incidental correction occurs based on observed student needs during meaning-focused tasks; this kind of error correction is well known as a subset of “focus on form” instruction (Long, 1991). It is suggested that feedback is effective if it is salient, systematic and engaging for the student. Despite several recent studies suggesting effective techniques for correcting pronunciation (Saito and Lyster, 2012; Saito, 2015; and Lee and Lyster, 2015), studies focusing on incidental correction of pronunciation in an integrated, task-based program are lacking (cf. Foote et al., 2013).

A qualitative study was conducted at an English for academic purposes institution in Vancouver, British Columbia. About six hours of instruction were observed, 54 students were surveyed, and five instructors were interviewed regarding their beliefs about pronunciation-related incidental corrective feedback in the classroom.

Overall, results suggest that incidental correction of pronunciation targeted segmental errors (e.g., consonants and vowels), mainly in student-fronted contexts such as presentations or read-aloud activities. Incidental correction focusing on suprasegmentals (e.g., focus words and connected speech), though minimal, was evident in discussion activities. The survey revealed that students prefer pronunciation correction that involves negotiation rather than direct recasts, i.e., students prefer to be prompted for the correct answer rather than being provided with it. Students, especially in the higher proficiency level classes, tended to be wary of correction that might interrupt their “thoughts”. Surprisingly, without directly being elicited, the predominant theme that arose from the instructor interviews was the need for comfort and trust in the classroom, with instructors believing that correction is necessary and important, but not if it will increase student stress and anxiety.

Based on these findings, a preliminary framework for incidental corrective feedback of pronunciation is outlined, including suggestions for when and how feedback could have occurred in the observed classes. In conclusion, the contemporary definition of “incidental” is revisited, suggesting directions for further research and practice in incidental pronunciation correction.
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There is even a "touch" of haptic pronunciation intervention as well!

Monday, June 15, 2015

Micro-aggression in (pronunciation) teaching

Photo credit:
Clker.com
One of the common responses in research as to why contemporary instructors don't deal much with pronunciation or attempt to correct it is what might be characterized as (fear of) committing a "micro-aggression." New term for you?

In a recent workshop, one of the participants stated his reason for being hesitant about correcting pronunciation (paraphrasing slightly): I'm just afraid that I might hurt their feelings or mess with their identity. He had a good point. How do you avoid that?

The topic of micro-aggression is in the news currently after comments by University of California President, Napolitano, claiming that attention to micro-aggression as an essential way to " . .  . build and nurture a productive academic climate." It is defined, according to the UC Tool: Recognizing Microaggressions and the Messages They Send)  as:

" . . . brief and commonplace daily verbal, behavioral, or environmenral indignities, whether intentional or unintentional, (emphasis, mine) that communicate hostile, de­rogatory, or negative racial slights and insults toward people of colour. Perpetrators of micro-aggressions are often unaware that they engage in such communications when they interact with racial/ethnlc minorities."

Noting that "The context of the relationship is critical," the Tool, nonetheless, lists about two dozen statements and "attitudes" (and interpretations) to be avoided such as these four language-related, examples:
  • Asking: "Where are you from or where were you born?” 
  • Attempting a compliment: "You speak English very well." 
  • Inquiring of a Latino: "Why do you have to be so loud/animated? . . . " 
  • Telling an Asian: "We want to know what you think. . . . Speak up more."
There are at least four general types of micro-aggressions, according to the original formulation by Wing, et al. (2007) of Teachers College of Columbia University: (a) micro-assaults, (b) micro-invalidations, (c) micro-insults, and (d) environmental micro-aggressions. 

We could easily add some more potentially micro-aggressive statements of the b, c and d varieties that could "hurt," related to pronunciation instruction: 

"I don't understand what you just said." 
"I have no trouble understanding you." 
"X is a good model for your pronunciation." 
"X isn't a good model for your pronunciation." 
"There is no need for you to sound like Tom or Penelope Cruise." 
"There were several pronunciation problems that came up during the discussion . . . " 
"That's a "th" at the beginning, not "d" . . .  
"Listen to your partner's pronunciation. Write down any mistakes you hear."
"You need to improve your pronunciation a little."
"You have a delightful accent."
"Stick out your tongue . . . "
"That's pronounced X, not Y."
"Repeat that after me, please."
(Nonverbal) Grimace but didn't say anything.
(Nonverbal) Smile, despite unintelligibility. 

All of those could, according to Wing, et al.'s framework,  convey the message that there is something seriously "wrong" with the learner's pronunciation--or identity. How do you insure that the target is only the former, not the latter? Or can you? Or is it better not to take the risk of "micro-agressing in the first place? Look forward to your comments. (No micro- or macro- aggression, please!) 

Full citations:
Sue, D., (2010). Microaggressions in Everyday Life: Race, Gender and Sexual Orientation, New York: Wiley & Sons.
Wing, S., Capodilupo, A., Toprlno, D., Bucceri,J., Holder, A., Nadlll, K. and Esquilin, M. (2007). Racial Micro-aggressions in Everyday Life: implications for clinical practice, American Psychologist 62:4, 271-286 



Tuesday, February 17, 2015

Flirting with pronunciation teaching: I like the way you move there!

The scientific study of flirting may have something interesting to say to us in language teaching. In a follow up to a 2010 study, Hall and Xing of University of Kansas (Full citation below, summarized by ScienceDaily) identify "verbal and nonverbal correlates of flirting styles." Their conclusion was " . . . everybody does it differently. Because flirting is low-key and varied, we're often oblivious when people send us signals of romantic attraction." 

Everybody does it differently . . . Really? The 5 styles identified are: (A) physical, (B) traditional, (C) polite, (D) sincere and (E) playful. You can check out your own style by going to Hall's website, taking a questionnaire. Those even translate into styles of pronunciation teaching (or methodological bias), as well--with a bit of unpacking:
  • Styles A, Physical, and B, Traditional, probably fit. 
  • I read C, Polite,  as "cognitive" and empirical (Think and talk first; act second, if at all!)
  • D, Sincere,  as "affective-communicative" (Enough meaningful communication and time can cure most any problem. Or: Care a great deal, but do nothing!) 
  • Style E, Playful,  implies both fun activities in class and innovation (playing with paradigms). 
One reason that pronunciation teaching and flirting appear to have so much in common is that all conceptual frameworks dealing with styles can usually be characterized using the same two dimensions or axises: External (mind) vs Internal (body), and stability vs change. (See earlier post on that and its application to haptic pronunciation work in the visual field.) The five styles can be displayed something like this:



C. Polite
(External, mind-oriented)

B. Traditional
(Stability-oriented)
D. Sincere
(Nice, but static, nondescript)
E. Playful
(Change- oriented)

A. Physical
(Internal – body oriented)


Pick any three, the first one being your dominant style and locate yourself somewhere among them. Many of us are B-A-Es or C-E-As. I know a few B-C-Ds, as well, those who only occasionally "flirt" with pronunciation teaching!

 "Haptic A-C-E Style"

Part of what a psychological "style" does is determine your default response to the unexpected. A style can be established by any number of factors.  Our haptic pronunciation teaching style is definitely A-C-E!

How is yours working for you in class, responding to pronunciation problems that may pop up spontaneously? 
    Have begun (flirting with) categorizing pronunciation instructors, textbooks and methods using that framework. (My poor graduate student "guinea pigs" will bear the brunt of some of that exploratory work soon, in fact!) 

    Keep in touch!

    Full citation
    Jeffrey A. Hall, Chong Xing. The Verbal and Nonverbal Correlates of the Five Flirting Styles. Journal of Nonverbal Behavior, 2014; 39 (1): 41 DOI: 10.1007/s10919-014-0199-8

    Sunday, August 17, 2014

    The right way to teach the "wrong" pronunciation!

     Credit: Clker/
    Library of Congress
    One of the delights of having been in the field for a few decades is seeing "new" research seemingly confirm old, out-of-fashion practices. Here's a good example, a 2014 study, summarized by Science Daily, by Herzfeld, Vaswani, Marko, and Shadmehr of Johns Hopkins University School of Medicine. The study focuses on how memory for errors facilitates effective sensory-motor learning.

    In essence, they found that the brain seems to have two parallel learning management systems in sensory-motor learning. One is the Experiencer, learning the new skill; the other, something like "the Coach," that uses previous motor patterns in adjusting and perfecting the target skill. And the "surprising" finding: the two systems appear to be much more independent than previously thought, and furthermore, "the memories of errors foster faster learning!"

    Wow. Does that mean that drawing attention to a learner's L1-influenced errors in pronunciation may, in fact, be a good thing? Apparently. Exactly how and when that is done is the question, of course. Most experienced speech professionals, especially speech pathologists, are very comfortable with occasional focus on the "error" as a point of departure, but until very recently, use of L1 pronunciation in L2 pronunciation instruction in this field has been, at least, not discussed formally in the literature.

    I recently posted a question on a discussion board of pronunciation researchers and methodologists related to L1 use in pronunciation instruction--and got no response, other than some off-list comments to the effect that it is generally not done--probably a holdover from earlier Behaviourist notions of avoiding errors at all costs.

    As noted in several earlier posts, in haptic pronunciation work, especially with vowels and intonation, anchoring of L1 structures and pronunciation is often key to quick, effective change. The Herzfield et al. study may help to explain why: haptic work is probably more strongly positioned or experienced on  the sensory-motor side or track of the brain, allowing the L1 to be "used" somewhat more in isolation, causing less potential "interference" there than typical auditory/visual processing and practice.

    Now that may be wrong, but (hopefully) helpful, nonetheless!

    Citation: Johns Hopkins Medicine. "Memories of errors foster faster learning." ScienceDaily. ScienceDaily, 14 August 2014. .

    Friday, April 18, 2014

    Basics of Haptic Pronunciation Teaching

    In addition to the v3.0 Instructors' Guide, here is your recommended reading list!

    Acton, W., Baker, A., Burri, M., and Teaman, B. (2013). Preliminaries to haptic-integrated pronunciation instruction. In J. Levis & K. LeVelle (Eds.). Proceedings of the 4th Pronunciation in Second Language Learning and Teaching Conference, Aug. 2012. (pp. 234-244). Ames, IA: Iowa State University

    Teaman, B. and Acton, W. (2013). Haptic (movement and touch for better) pronunciation. In N. Sonda & A. Krause (Eds.), JALT 2012 Conference Proceedings (pp.402-409). Tokyo: JALT. Umeå universitet. (2012, October 26).

    http://hipoeces.blogspot.ca/2014/09/more-than-gesture-when-to-use-gesture.html
    http://hipoeces.blogspot.ca/2014/03/anchoring-with-touch-in-haptic.html
    http://hipoeces.blogspot.ca/2014/03/deep-learning-giving-haptic.html
    http://hipoeces.blogspot.ca/2014/02/pre-and-post-haptic-englsh.html
    http://hipoeces.blogspot.ca/2014/01/hapic-teachable-moments-in.html
    http://hipoeces.blogspot.ca/2013/12/haptic-pronunciation-teaching-as.html
    http://hipoeces.blogspot.ca/2013/12/haptic-pronunciation-teaching-as_17.html
    http://hipoeces.blogspot.ca/2013/12/why-out-of-body-haptic-pronunciation.html
    http://hipoeces.blogspot.ca/2013/11/giving-aural-comprehension-hand-in.html
    http://hipoeces.blogspot.ca/2013/11/when-is-ah-eps-haptic-pronunciation.html
    http://hipoeces.blogspot.ca/2013/11/when-is-ehiep-haptic-pronunciation.html
    http://hipoeces.blogspot.ca/2013/11/pay-attention-to-pronunciation.html
    http://hipoeces.blogspot.ca/2013/11/pronunciation-anxiety-dont-worry-be.html
    http://hipoeces.blogspot.ca/2013/11/minding-your-ps-and-qs-pronunciation.html
    http://hipoeces.blogspot.ca/2013/10/aha-change-uptake-versus-practice-of.html
    http://hipoeces.blogspot.ca/2013/10/hmm-correcting-english-pronunciation.html
    http://hipoeces.blogspot.ca/2013/10/guidelines-for-using-haptic-gesture-in.html
    http://hipoeces.blogspot.ca/2013/10/use-of-haptic-gesture-in-pronunciation.html
    http://hipoeces.blogspot.ca/2013/10/the-touch-ture-of-haptic-pronunciation_3.html
    http://hipoeces.blogspot.ca/2013/07/dealing-with-problem-pronunciation.html
    http://hipoeces.blogspot.ca/2013/05/in-search-of-touch-for-pronunciation.html
    http://hipoeces.blogspot.ca/2013/05/paying-attention-to-touch-in.html
    http://hipoeces.blogspot.ca/2013/05/haptic-cinema-and-ehiep-tic.html
    http://hipoeces.blogspot.ca/2013/05/better-pronunciation-with-grit-tenacity.html
    http://hipoeces.blogspot.ca/2013/04/more-hard-hitting-evidence-as-to-why.html
    http://hipoeces.blogspot.ca/2013/04/why-practicing-pronunciation-in-group.html

    "In theory there is no difference between theory and practice; in practice, there is." (Yogi Berra)

    Keep in touch!

    Thursday, March 13, 2014

    Deep learning: Giving (haptic) pronunciation teaching a hand!

    A little applause, please! In a 2014 University of Chicago study by Novak and colleagues, reported in UChicago News by Ingmire (Sorry that I can't afford to pay the 6-vente-latte-equivalent to get the original article!), kids who hand-gesture more (of a certain kind) gain a " a deep understanding of the {math} problems they are taught . . . " That did not happen if they, instead, did some kind of "acting" or mime while trying to solve a math problem, however. Furthermore, “Abstract gesture was most effective in encouraging learners to generalize the knowledge they had gained during instruction (italics, mine), action least effective, and concrete gesture somewhere in between . . ."

    The protocols of the study as described in the summary look like they were ripped off directly from our haptic-integrated pronunciation teaching pedagogical movement patterns: movements that had some symbolic meaning that connected to the problems at hand. (In HPT the connection is to sounds and sound patterns.)

    One of the key issues in understanding how gesture works in supporting learning of any kind is unpacking in more "depth" just how/when the gesture is contributing or directing the process. In earlier posts I have looked at research in haptics that basically positions haptic as the "exploratory" sense. In this study we see how gesture itself--without explicit reference to whether touch--was involved: linking not just to abstract concepts but apparently facilitating later generalization from the event. Haptic anchoring--and I'm certain there was some of that involved--would further intensify the effect of the gestures.

    As we get more field tests and research on the basics of haptic pronunciation teaching, we should also feel continually "freer" to generalize from research in several other fields as to the power and efficacy of haptic engagement.

    Keep in touch!


    Thursday, February 27, 2014

    New Colour Vowel Clock for haptic pronunciation teaching!

    We have just revised the AH-EPS v2.0 vowel clock. I say "we" because Karen redesigned the clock to include all of the key words and symbols. I added a new colour overlay to her design that is, I think, a little more compatible with the general phonaesthetic qualities of the visual field. (See earlier post related to the colour issue with the popular Color Vowel Chart.) Kudos to Karen. Will have various v3.0 sizes available on website, too.

    Keep in touch!