Showing posts with label HaPT-E. Show all posts
Showing posts with label HaPT-E. Show all posts

Thursday, May 24, 2018

Paying attention to paying attention! Or else . . . !

Two very accessible, useful blogposts, primers by Mike Hobbis, PhD student in neuroscience @UCL on attention in teaching worth a read, one on why there should be more research on attention in the classroom, and a second, which I like a lot, on attention as an effect, not a just cause.

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Hobbis' basic point is that attention should be more the "center of attention" in methodology and research today than it is. Why it isn't is really good question. In part, there are just so many other things to "attend to"  . . .

I was really struck by the fact that I, too, still tend to use attention more as a cause, not an effect, meaning: if students are not paying attention in some form, my lesson plan or structure can not possibly be at fault: it is probably the continuous "laptopping" during the class or lack of sleep on their parts. The research on the impact of multitasking at the keyboard in school on a whole range of subjects and tasks, for example, is extensive . . . and inconclusive-- except in teaching pronunciation, where, as far as I can determine, there is none. (If you know of some PLEASE post the link here!)

There is, of course, a great deal of research on paying attention to pronunciation from various perspectives, per se, such as Counselman 2015, on "forcing" students to pay attention to their pronunciation and variance from a model. But, the extent to which variable attention alone contributes to the overall main effect is not pulled out in any study that I have been able to find.

Now I am not quite to Counselman's level of "forcing" attention, either by totally captivating instruction or capturing the attention and holding it hostage along the way, but Hobbis makes a very good point in the two blogposts that must go in both directions, if not simultaneously but at least systematically. In haptic pronunciation work--or most pronunciation teaching for that matter-- the extensive use of gesture alone should function at both levels. The same applies to any movement-enhanced methodology such as TPR (Total Physical Response) or  mind-body interplay, as in Mindfulness training. The question, of course, is how mindful and intentional in methodology are we.

There has been a resurgence of attention to attention in the last decade in a number of sub-disciplines in neuroscience as well. Have you been paying attention--either to the research or in your classroom? If so, share that w/us, too! (The next blogpost will focus on the range of attention-driven, neuroscience-grounded best practice classroom techniques.) Join that conversation. You have our attention!




Thursday, April 27, 2017

"De feet" - a new, winning (haptic) strategy for teaching English rhythm

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Alert: This post is best read while standing barefoot with some of your favorite dance music in the background or while walking or jogging to it. New research by Greene and colleagues at New Mexico Highlands University summarized by Science Daily, demonstrates just how you can ensure that your brain is really "pumped" about what follows.

Next Friday morning (at 8:30 A.M. no less!) at the annual BCTEAL (British Columbia) conference in Vancouver, we'll be rolling out the new v5.0 version of the "Rhythmic Feet Fight Club". If you are new to haptic pronunciation teaching here is the 2009 version and here is the 2013 version.

If you are new to what the rhythmic feet of English are about, here is a (somewhat technical) but nice set of slides by Goldstein at USC or this straightforward one from a "handbook" at Emory University. "Feet" are,  in essence, groups of syllables that determine the flow of English speech, each grouping having one (stronger) stressed syllable that creates foregrounding or focus in that grouping.

There are hundreds of techniques on the web that use something like dance, where one foot or the other lands on stressed syllables of words or phrases; some, such as Jazz Chants, that have learners clapping hands while they do. v5.0 is a bit like that. Haptically, along with the feet touching the floor, the hands either squeeze something or rhythmically (in boxing gloves) hammer at the boxing gloves of another learner, as in the (relatively "foot-loose") 2009 version above.

What is "new" in v5.0 is the explicit (fun) inclusion of light, enthusiastic foot stomping--while doing something like shadow boxing--on stressed syllables of rhythmic feet. (We'll post a video of that session next week.) I realize that sounds a bit too "full body" and cognitively complicated for 8:30 a.m., but it is actually quite easy to master, as long as you carefully ramp up with each of the "body parts" involved as you do.

Before I take off the gloves, in fact, I'm going to have a serious, f2f "conversation" with the conference scheduler who put us (Shine Hong and myself) in that pre-conscious-pre-coffee early presentation slot. (It should be a "knock out" of a session, nonetheless!)

Join us.

Key citation:
Experimental Biology 2017. (2017, April 24). How walking benefits the brain: Researchers show that foot's impact helps control, increase the amount of blood sent to the brain. ScienceDaily. Retrieved April 26, 2017 from www.sciencedaily.com/releases/2017/04/170424141340.htm

Sunday, April 9, 2017

TESOL 2018 Convention Haptic Pronunciation Teaching Proposals

It's that time again! Proposals are due June 1st! A number of topics have been suggested for us Hapticians. If you see one you like and want to participate in, let us know SOON!
  • Half-day pre-convention institute - Basic training in haptic pronunciation teaching
  • Research colloquium on haptic pronunciation teaching - This year's colloquium was very successful. Much more to report on next year. 
  • Embodiment and the body in TESOL - This is a broader topic, one that has been suggested to me repeatedly. Reasonably certain it will be proposed.
  • Unstressed vowels (a haptic approach) - The haptic pedagogical movement pattern system for unstressed vowels, especially schwa, is innovative and effective, used now primarily in accent reduction.
  • Visible gesture in pronunciation instruction - With the recent publication of a couple of articles, this topic is finally getting some serious discussion. (This deals with visual signalling, more than the anchoring of gesture in the body of the learner.)
  • Haptic pragmatics - I have done three successful workshops on this topic with Angelina VanDyke. The model has developed considerably.
  • Haptic discourse intonation teaching basics - This one follows somewhat from the Haptic Pragmatics workshop. 
  • Haptic pronunciation in literacy work - This would be a follow up on one of the presentations in this year's haptic research colloquium. 
  • Haptic pronunciation for kids - The haptic model is used by many elementary school teachers.
  • Haptic pronunciation teaching for volunteer teachers - The current haptic pronunciation teacher certification course developed out of work with volunteer teachers
  • There will be a publishers session on v5.0 of the Haptic Pronunciation Teaching Certification course. 
Those could be in any of several formats, colloquia, workshops, teaching tips, etc.

Keep in touch - and check in if interested by May 1st!

Friday, February 24, 2017

Haptic phonetics: bridging from L1 to L2 pronunciation!

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Please join Eileen McWilliams and myself in our 90 minute workshop tomorrow at the annual 2017 BCTEAL Island Conference at Camosun College in Victoria, British Columbia. Here is the program summary:

"Some familiarity with phonetics is essential to pronunciation teaching, both for student and teacher. This workshop presents a basic haptic (gesture+touch) phonetic framework for helping students better understand and work with the relationship between key aspects of their L1 vowels and consonants and those of English. In addition to an introduction to haptic cognition and haptic pronunciation teaching, “bridging” techniques from 8 L1s are demonstrated. Participants are provided with basic materials for haptic bridging and access to web-based demonstration videos."

Saturday 25, 2017, 1~2:30

 See you there. We'll post the presentation to Slideshare and Research Gate next week.

Keep in touch!

Sunday, January 15, 2017

"Haptenings" at the TESOL 2017 Convention in Seattle!

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If you'll be in Seattle in March for the 2017 TESOL Convention, please join us at one of the "haptenings" (haptic pronunciation teaching happenings):
  • Haptic Pronunciation Teaching (workshop) (Kielstra, et al.) - Basics of the method. No prior training in phonetics or pronunciation teaching necessary. 
  • Teacher cognition about haptic pronunciation teaching (colloquium) (Acton, et al.) - Reports on 5 recent studies of haptic pronunciation teaching in the classroom
  • Rhythm and focal stress (poster session) (Teaman, et al.) - Haptic and other techniques for teaching rhythm and focal (sentence and discourse level) stress
A few other convention asides:
  • As usual, we'll also set up some kind of networking session in the "networking" area late in the convention. 
  • We will also video those sessions and make them available on Vimeo.com once we get home.  
  • I'll be tweeting (@WmActon) as will other hapticians, I'm sure. 
  • v4.5 of the Haptic Pronunciation Course will be out by then, with revised videos and coursebook additions.
  • I'm also on a panel on research in L2 homework in which at least some of my data comes from haptic homework as well. 
Keep in touch! (So will we!)

Sunday, November 13, 2016

(New) Haptic cognition-based pronunciation teaching workshop at 2016 TESL Ontario Conference

If you are coming to the 2016 TESL Ontario Conference later this month (November 24 and 25 in Toronto) please join us for the Haptic Pronunciation Teaching Workshop, on Thursday, 3:45 to 4:45. This will introduce the new "haptic cognition" framework for (amazingly) more efficient and integrated pronunciation modeling and correction that we have been developing for the last year or so. (See previous post on the applicability of a haptic cognition-based  model to pronunciation teaching in general.)
HaPT-E, v4.0

Haptic cognition defined: 
  • The felt sense of pronunciation change (Gendlin, 1996) – somatic (body) awareness and conscious, meta-cognitive processing 
  • Change activated consciously and initially through body movement pattern use (Lessac, 1967) 
  • Haptic (movement+touch) uniting, integrating and “prioritizing” of modalities in anchoring and recall (Minogue, 2006)
Modalities of the model:
  • Meta-cognitive (rules, schemas, explanations, conscious association of sound or form to other sounds or forms)
  • Auditory (sound patterns presented or recalled) 
  • Haptic
    • Kinesthetic (movement patterns experienced/performed or mirrored by the body, gesture, motion patterns)
    •  Cutaneous (differential skin touch: pressure, texture, temperature)
  • Vocal resonance (vibrations throughout upper body, neck and head)
  • Visual (visual schema presented or recalled: graphemes, charts, colors, modeling, demonstrations) 
 General instructional principles:
  • Get to "haptic" as soon as possible in modeling and correcting.
  • Use precise pedagogical movements patterns (PMPs), including tracking and speed in the visual field.
  • Insure as much cutaneous anchoring as possible.
  • Go “light” on visual; avoid overly “gripping” visual schema during haptic engagement.
  • Use as much vocal resonance as possible.
  • Repeat as few times as possible.
  • Insure that homework/follow up is feasible, clear—and done (including post hoc reporting of work, results and incidental/related learnings).
  • Use haptic PMPs first in correction/recall prompting, before providing oral, spoken model.
The elaborated, audio-embedded Powerpoint from the workshop will be available later this month.

KIT







Tuesday, November 8, 2016

The "myth-ing" link in (pronunciation) teaching: Haptic cognition

Nice piece from The Guardian Teacher Network, Four neuro-myths still prevalent in schools, debunked, by Bradley Bush (@Inner_Drive). Now granted, The Guardian is not your average  refereed, first-line journal, but the sources and research cited in the readable piece are credible. Just in case you need a little more information to help your colleague finally abandon any of them, check it out. The four myths are:
Haptic Wolverine, 2016
  • Learning styles are important in teaching and instruction
  • We use just 10% of our brains.
  • Right vs left brain is a relevant distinction in understanding learning and designing instruction
  • Playing "brain" games makes you smarter and should have a more prominent place in instruction
So, if those popular "teacher cognitions" are lacking in empirical support, especially the first and third, how should that affect design of instruction? (The fact that the second and fourth just seem so "right" at times when in the classroom, notwithstanding!)

One helpful framework, cited by Bush (and this blog earlier) is Goswami (2008), which argues that learners learn best, in general, when taught using a  multi-sensory, multiple-modality approach. From that perspective, for example, when teaching a sound or process or vocabulary word, as many senses as possible must be brought to the party, either simultaneously or in close proximity:
  • Auditory (sound)
  • Visual (imagery)
  • Kinesthetic (muscle movement and memory)
  • Tactile/cutaneous (surface skin touch)
  • General (somatic) sensation of vocal resonance throughout the head and upper body. 
  • In addition, the potential impact of that is conditioned by the degree of meta-cognitive engagement (conscious awareness on the part of the learner of all that sensory input, plus existing schemas, such as rules, experience and connections to related sounds and language bits and processes). 
How to best do that consistently is the question. The concept of "haptic cognition" (Gentaz and Rossetti, in press) suggests why haptic awareness can function to bring together all those modalities in learning. From the conclusion:

"Taken together, this suggests that the links between perception and cognition may depend on the perceptual modality: visual perception is discontinuous with cognition whereas haptic perception is continuous with cognition." (Emphasis, mine.)

In other words, visual schema, such as charts, colors and even text itself, may actually work against integration of sound, resonance, movement and meaning in pronunciation teaching. Research from a number of fields has established the potentially problematic nature of visual modality overriding auditory, in effect disconnecting sound from meaning. On the contrary, the haptic modality generally serves to unite sensory input, connecting more readily with cognition based in sound, resonance and meaning. 

Another myth then, that of visual explanatory schemas (images and text) being a good approach in pronunciation teaching in textbooks and media--as opposed to active experience of sound, movement and awareness of resonance, plus some visual support, needs serious reexamination. What Gentaz and Rossetti are asserting (or confirming) is that visual imagery may not always effectively contribute to conscious, critical, cognitive integration and awareness in learning--the ultimate goal of all media advertising!

In other words, pronunciation instruction should be centered more on comprehensive haptic cognition. If you are not sure just how that happens . . . ask your local haptician!

(Coincidentally, the name of our company is: Acton Multiple-Modality Pronunciation Instruction Systems, AMPISys, inc.!)




Saturday, October 15, 2016

(Really) great body-enhanced pronunciation teaching

If you are interested in using gesture more effectively in your teaching, a new 2016 study by Nguyen, A micro-analysis of embodiments and speech in the pronunciation instruction of one ESL teacher, is well worth reading. The study is, by design, wisely focused more on what the instructor does with her voice and body during instruction, not on student learning, uptake or in-class engagement.

The literature review establishes reasonably well the connection between the gesture described in the study and enhanced student learning of language and pronunciation. I can almost not imagine a better model of integrated gestural use in pronunciation teaching . . . The instructor is a superb performer, as are many who love teaching pronunciation. (Full disclosure: From the photos in the article I recognize the instructor, a master teacher with decades of experience in the field teaching speaking and pronunciation.)

From decades of work with gesture, myself, one of the most consistent predictors of effective use of gesture in teaching is how comfortable the instructor feels with "dancing" in front of the students and getting them to move along with her. The research on body image and identity and embodiment are unequivocal on that: to move others, literally and figuratively, you must be comfortable with your own body and its representation in public.

Knowing this instructor I do not need to see the video data to understand how her personal presence could command learner attention and (sympathetic, non-conscious) body movement, or her ability to establish and maintain rapport in the classroom. Likewise, I have not the slightest doubt that the students' experience and learning in that milieu are excellent, if not extraordinary.

The report is a fascinating read, illustrating use of various gestures and techniques, including body synchronization with rhythm and stress, and beat gesture associated with stress patterning. If you can "move" like that model, you got it. When it comes to this kind of instruction, however, the "klutzes" are clearly in the majority, probably for a number of reasons.

The one popular technique described, using stretching of rubber bands to identify stressed or lengthened vowels is often effective--for at least presenting the concept. It is marginally haptic, in fact, using both movement and some tactile anchoring in the process (the feeling of the rubber band pressing differentially on the inside of the thumbs.) In teacher training I sometimes use that technique to visually illustrate what happens to stressed vowels or those occurring before voiced consonants, in general. There is no study that I am aware of, however, that demonstrates carry over of "rubber banding" to changes in spontaneous speech or even better memory for the specific stressed syllables in the words presented in class. I'd be surprised to find one in fact.

In part the reason for that, again well established in research on touch, is that the brain is not very good at remembering degrees of pressure of touch. Likewise, clapping hands on all syllables of a word or tapping on a desk but a bit harder on the stressed syllable should not, in principle, be all that effective. That observation was, in fact, one of the early motivations for developing the haptic pronunciation teaching system.  By contrast, isolated touch, usually at a different locations on the body, seems to work much better to create differentiated memory for stress assignment. (All haptic techniques are based on that assumption.)

I, myself, taught like the model in the research for decades, basically using primarily visual-kinesthetic modeling and some student body engagement to teach pronunciation. The problem was trying to train new teachers on how to do that effectively. For a while I tried turning trainees into (somewhat) flamboyant performers like myself. I gave up on that project about 15 years ago and began figuring out how to use gesture effectively even if you, yourself, are not all that comfortable with doing it, a functional . . . klutz.

The key to effective gesture work is ultimately that the learner's body must be brought to move both in response to the instructor's presentation and in independent practice, perhaps as homework.(Lessac's dictum: Train the body first!)  Great performers accomplish that naturally, at least in presenting the concepts. The haptic video teaching system is there for those who are near totally averse to drawing attention to their body up front, but, in general, managed gesture is very doable. There are a number of (competing) systems today that do that. See the new haptic pronunciation teaching certificate, if interested in the most "moving and touching" approach.

Citation:
Nguyen, Mai-Han. (2016). A micro-analysis of embodiments and speech in the pronunciation instruction of one ESL teacher. Issues in Applied Linguistics. appling_ial_24274. Retrieved from: http://escholarship.org/uc/item/993425h1

Friday, September 2, 2016

Haptic (10-year pronunciation teaching) birthday party!

v1.0
v4.0
We are planning a couple of parties next month, celebrating 10 years of haptic pronunciation teaching. If you are a haptician in the Vancouver or Kamloops areas of British Columbia, please join us. (More specifics on that soon!) Should you not be (either in the area or a haptician by practice) you'll still be invited to join us "virtually" in celebrating! That will include:
  • New video released describing the history and development of  Essential Haptic-integrated English Pronunciation (EHIEP).
  • Birthday webinar/party  (We'll post a series of "success stories" before that happens. If you have one you'd like to contribute, please pass that on to me.)
  • Release of new student self-study course.
  • Recognition of "shrewdnesses, pandemoniums and zeals" of hapticians worldwide! (Each local group needs to choose its respective collective noun, based on which best describes their collective "personality", of course.) 
  • v3.0
    v2.0
  • We are also working on setting up a new professional organization or "shrewdness" of Hapticians or reviving the earlier International Association of Haptic-integrated Pronunciation Teaching Researchers and Instructors (IAHPTRI) from a few years ago. (If you belonged back then, we'll be in touch.) 
It has been an amazing "haptic" decade. It all began with the discovery that kinaesthetic, gesture work in pronunciation teaching could be considerably enhanced with just a "touch of touch!"

Keep in touch!

Bill

Saturday, August 13, 2016

Haptic Pronunciation Teaching Certificate Course (v4.1) Preview - FREE!

HaPT-E v4.1
v4.1 includes several new "touching" features. The Preview includes:
  • Modules 1 and 2 (of the 10 modules system)
  • 1 month free access to the course videos
  • The Instructor's manual
  • SKYPE consultation upon completion of the Preview.
  • Option to purchase the course at a reduced price (until January 2017)
For more detail on the system itself, check out the Certificate Description, including the Certificate Forum. v5.0 is now scheduled to be available in January or February, 2017.

If you purchase v4.1 you will automatically be given access to the new v5.0 beta videos as they come on line for field testing this fall. 

To get the preview, contact: info@actonhaptic.com


Sunday, July 24, 2016

Pronunciation "workabouts": brain train or drain?

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There are decades of research on the potential effects of exercise of various kinds on the brain, from cognitive training (such as Luminosity) to physical training such as jogging or working out in the gym.  Interesting recent study (Summarized by ScienceDaily.com) by Chapman, Aslan, Spence, Keebler, DeFina, Didehbani, Perez, Lu, and D'Esposito of the University of Texas explores the relationship between exercise (mental and physical), decision making and memory"Distinct Brain and Behavioral Benefits from Cognitive vs. Physical Training: A Randomized Trial in Aging Adults."

 A key finding was how the two complement each other: "Aerobic activity and reasoning training are both valuable tools that give your brain a boost in different ways." In essence what they found, not surprisingly, was that mental training/exercise, like Luminosity, improves executive functions (planning and decision making); whereas physical exercise enhances memory.

So, how might enhancing general cognitive and physical conditioning improve learning pronunciation? As opposed to other dimensions of language learning, pronunciation involves a unique degree of physical engagement. In adults, that must generally be balanced with effective conscious, cognitive involvement (explanation, insight, discovery, planning, communicative practice, etc.) What the research suggests is that although cognitive training and engagement should be good for the brain (and pronunciation), without sufficient, "body engagement and training" learners, especially adults, may not be able to remember well what they have been taught.

My guess is that before long we will be doing much more specifically non-language related cognitive and (and even aerobic) physical training in preparing students and maintaining optimal brain conditioning for learning. Many programs and methods do that now randomly or intuitively, but the research points toward much more systematic and targeted training approaches.

For example, Marsha Chan's entertaining "Pronunciation workout" videos attempt to use high energy, highly kinaesthetic exercises to get the body and motivation activated in learning sounds and selected prosodics (e.g., rhythm and stress). What the cognitive/physical training study suggests is that "fun" may motivate and present aspects of pronunciation well, but the critical connection to that sound pattern may be weak, at best, in part because kinesthetic/body experience is remembered more as a whole--not just isolated pieces of the "moving" event. As Willingham (2005) puts it: "What is critical is that the child is taught in the content's modality." (not simply in her preferred or isolated modality such audio or visual or kinesthetic.)
 
What cognitive science has taught us is that children do differ in their abilities with different modalities, but teaching the child in his best modality doesn't affect his educational achievement. What does matter is whether the child is taught in the content's best modality. - See more at: http://www.aft.org/ae/summer2005/willingham#sthash.CvS6lakm.dpuf
What cognitive science has taught us is that children do differ in their abilities with different modalities, but teaching the child in his best modality doesn't affect his educational achievement. What does matter is whether the child is taught in the content's best modality. - See more at: http://www.aft.org/ae/summer2005/willingham#sthash.CvS6lakm.dpuf
And what is the "content modality" of pronunciation in teaching? A delicate balance of cognitive and kinesthetic engagement. In practical terms, one implication of the research is that we too often, to paraphrase Damasio (2005), commit "Decartes' error" of separating mind from the body ("I think, therefore, I am learning pronunciation!") For most learners, understanding and insight (at least in pronunciation teaching) must be well-integrated with physical, experiential learning and practice if new sound is to be efficiently remembered and available later in spontaneous speaking and listening.

A complementary approach balanced with Nike's nonsequitur--"Just do it!, is essential. If you are not sure about how to make that happen in your classroom, one way is to "Just ask (your neighborhood haptician)!" 

Citation:
Center for BrainHealth. "Mental, physical exercises produce distinct brain benefits." ScienceDaily. ScienceDaily, 18 July 2016.




Thursday, July 14, 2016

Why your avatar (could/will) make a better pronunciation teacher than your are!

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Since the emergence of Second Life in 2003, I have been fascinated with the prospect of avatars teaching language. At the time, for technical reasons, I could not get my avatars to respond quickly enough with good audio to do much and gave up. (From recent reviews, it appears that most of those issues, including monitoring of offensive content, have been resolved and I may give it another look.)

A 2016 study of avatars teaching math to kids by Cook, Friedman, Duggan, Cui and Popescu provides an interesting perspective. The focus of the study was to attempt to isolate the effect of gesture, independent of facial expression, body motion and other features of the presenter's persona. As the researchers note, one of the problems with identifying the impact of gesture (from the abstract) is that it is "known to co-vary with other non-verbal behaviors, including eye gaze and prosody along with face, lip, and body movements . . . "

The avatars presented a fixed background such that only the hand movement varied. (The voice used and various graphic figures remained constant.) The effect was "pronounced". The subjects who viewed the gesturing avatar not only learned the concepts more successfully but also were later able to apply the material better. (That is not really surprising since a number of studies have established that students just learn better when teachers gesture more.) But avatars bring something more to the party--or less!

In principle, how much of pronunciation could an avatar teach (either with or without gesture assist)? Probably most of it. (And I predict that that day is not far off.) One reason for that, mentioned above by Cook et al. is the fact that gesture tends to co-vary with other "non-verbal behaviors" such as . . . prosody? (Prosody is nonverbal? Really?)The basis of effective gesture use in instruction often depends critically on the learners' attention being "locked" on the cuing or anchoring motion; the gesture in tern is also strongly associated with a sound or process.

As reported in several previous posts, loss of attention or distraction is a most important variable in haptic (gesture plus touch) pronunciation teaching as well. The video models that we use now are for the most part black and white, with black background and no subtitles on screen, designed to focus learner attention on the movement and positioning basically of my hands, not the model's face or body. Addition of color, extraneous movement, or additional graphics will always pull at least some learners away from the focus of the lesson embodied in the pedagogical gestures. (Research on competition between visual, auditory and kinaesthetic or haptic, has demonstrated consistently that visual displays almost always trump the others, even in combination.)

For gesture-based pronunciation or other kinds of instruction for that matter, interactive "thinking" and responding Avatars offer real promise. The technology has been around for over a decade, in fact. Advantages of avatars include:
  • Individualized, more affordable computer-based instruction 
  • Systematic application of gesture in instruction, especially providing consistent placement of gesture in the visual field.
  • More effective attention management, neutralizing potential visual distractions
  • Emotionally "comfortable" instruction for a wider range learner personalities
  • Avoids unconscious transmission of:
    • Instructor "bad day" images and attitudes
    • Typical "hyperactive" pronunciation teacher behavior
    • Overreactions, positive or negative, to student miscues or "victories"
    • Instructor bias toward "teacher pets" or gaze avoidance in eye contact patterning during instruction
 Time to reactivate my Avatar. Will upload a demo later this summer.  

 Cook, S. W., Friedman, H. S., Duggan, K. A., Cui, J. and Popescu, V. (2016), Hand Gesture and Mathematics Learning: Lessons From an Avatar. Cognitive Science. doi: 10.1111/cogs.12344


Wednesday, June 29, 2016

Temporary Mind-FILL-ness in (pronunciation) teaching: Weil's 4-7-8 technique

A few months ago I sat through a good presentation on a technique for "fixing" the English rhythm of adult Japanese learners--in relatively big classes. At the time I was very interested in research on the role of attention in learning. Later, over coffee I asked the presenter something to the effect of "How do you know that the students were paying attention?" (I had earlier taught for over a decade in a seemingly very similar context in Japan, myself.) His response was: "Good question . . . Almost everybody was looking at me and more than half of the lips were moving at the appropriate time . . . "

How do you establish, maintain and manage attention in your teaching? (Anybody looking for a great MA or PhD topic, take note!) Based on my recent survey of the research literature, I'm preparing a conference proposal on the subject now. This is a follow up to the earlier post on how pronunciation should be taught "separately", in effect partitioned off from the lesson of the day and the distractions of the room and surroundings.

One problem with efficient attention management  is often in the transitions between activities or just the initial set up. Some tasks require learners to be very much "up"; others, decidedly "down" and relaxed. 

The popularity of Mindfulness training today speaks to the relevance of managing attention in class and the potential benefits from many perspectives. Most of the basic techniques of Haptic Pronunciation Teaching are designed to require or at least strongly encourage at least momentary whole body engagement in learning and correcting articulation of sound in various ways. I have experimented with a number of Mindfulness-based techniques to, in effect, short-circuit mental multitasking and get learners (sort of) calmed down and ready to go . . .

Powerful, effective stuff, but it is not something that most teachers can just pick up and begin using in their classes without at least a few hours of training, themselves, especially in how to "talk" it through with students and monitor "compliance" (manage attention.) I'd recommend it, nonetheless.

I recently "rediscovered" an amazing focus technique, suggested by Dr Andrew Weil (Hat tip, this month's issue of Men's Health magazine!), that works to create very effective boundaries without requiring any special training to administer. One of the best I have ever used. Simple. "Mechanical" (not overly cognitive or "hypnosis"-like) and quick. Takes maximum of 90 seconds. Anybody can do it, even without having seen it done:

A. Breath in with mouth closed, a slow count of 4
B. Hold the breath for a slow count of 7
C. Blow out through the mouth softly for a slow count of 8

*Do that four times. It basically lowers the heart rate and helps one focus. May take a two or three times for 4-7-8 to get to full effectiveness, but it does quickly, almost without fail. You can use 4-7-8 two or three times per class period. If you don't have a warm up that gets everybody on board consistently, try this one. I'd especially recommend it before and after pronunciation mini-lessons.

Pronunciation, and especially haptic techniques, are very sensitive to distraction, especially excessive conscious analysis and commentary. 4-7-8 is not necessarily the answer, but it will at least temporarily get everybody's attention. After that . . . you're on!




Sunday, June 26, 2016

Why pronunciation should be taught "separately" (and the 15 second rule)!

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The pendulum is swinging back, my friends. A central concern among pronunciation teachers is that what is "taught" in class, in whatever form, is so often not integrated well (or at all) into spontaneous speaking. One reason for that, I am convinced, is the general reluctance to correct spontaneous speech today.

This one is for all of you who teach a successful, stand-alone pronunciation course in the face of current theory that seems argue that pronunciation should generally be integrated in instruction, any skill concentration--not taught in isolation.

When a pronunciation problem just "pops up" in class, what do you do? Correction of pronunciation is again an important focus of research in the field. In fact, it is coming to be seen as more and more central to effective instruction. (From a haptic perspective, as developed in this blog and elsewhere, correction, especially during spontaneous speaking activities, is key to successful pronunciation work.) The other option, I suppose, is still that instruction is done so well early on that few errors in spontaneous speech occur . . . That was the dream of some early structuralist and behavioral approaches. They just forgot to factor in sufficient boredom and fear.

In-class instruction and practice is not sufficient in many contexts. Ongoing, effective feedback is essential. Research, however, has consistently revealed a strong reluctance on the part of instructors to correct learner pronunciation in any instructional context, in part a legacy of communicative language teaching and the current de-emphasis on pronunciation teaching in general (Baker, 2014; Saito, 2016).

Some of the most recent research on spontaneous correction of pronunciation in the classroom (See my blogpost focusing on delaMorandiere, 2016) has begun to point to two key features of effective correction (a) a link back to earlier instruction is "remembered." and (b) that link is used by the instructor in various ways, including a quick reference to the concept or explanation or reminder (or a question to the learner). In other words, correction works best when it is anchored back to an earlier consciously constructed schema, not just by a simple prompt, such as repeating the "correct" pronunciation.

So what does that mean in the classroom? Effective, corrective feedback on pronunciation generally depends upon good "prior knowledge" of the correct form that can be reactivated or reinforced . . . That does not suggest that rhythm, intonation and stress should not be attended to in other areas of language instruction; they should, if only to reinforce learning of meaning, structure and vocabulary. But to CORRECT some aspect of any of those, something other than or in addition to simply "repeat after me" has to be employed. In the case of adults, that should generally refer back to well-conceived explanation and focused practice, both controlled and meaning-based.

Now that can, for example, be accomplished by teaching one chapter of a student pronunciation text occasionally as part of a speaking or conversation course, but the experience of more and more intensive English programs, particularly, is that a designated pronunciation class that is used as a point of reference for all other instructors in the program to refer back to in in-class correction is far and away the best approach. In that context as well, research has identified the types of classroom interaction where such intervention by both instructor and other students is most appropriate (small group discussions, prepared oral readings, impromptu speeches, etc.)

To be in a position to intervene, interrupting the flow of conversation, generally requires an expectation that important errors will be addressed continually in an atmosphere of confidence and trust--and even collegial fun and support. Spontaneous error correction in pronunciation should be received with genuine appreciation and "uptake". The conditions for that to happen consistently are not that complicated but require for some a rethinking of the form of pronunciation instruction and its place in (virtually) every class. I think most would agree, however, that it is often exceedingly challenging to temporarily switch on and off that "safe" classroom mode or milieu in any setting other than one focused only on pronunciation. (Pronunciation classes are generally rated as the most useful and enjoyable by students.)

What research is suggesting is that effective "spontaneous" correction is very important to helping learners integrate changed forms--and that it is actually not all that spontaneous, in the sense that it relies on rapid recall of not just previously taught forms, structures, phonemes and specific words, but a concise, explicit understanding of the issue as well. That level of clarity can require more than just a brief note or simply drawing attention to a feature of pronunciation in class: a previously completed,  designated pronunciation class session or something analogous, such as complete modules, either online or f2f. 

That is a fundamental principle of most public speaking systems and, from our perspective, the Lessac method, upon which much of my work is based: explanation and practice must be carefully partitioned off from performance, so that errors in performance can be efficiently recognized at least post hoc (after the fact) and effectively recast by the learner in real time. For many pronunciation issues--and especially integration of change into spontaneous speaking-- that is best facilitated by a team approach as well, where the instructor briefly refers the learner back to not just the correct sound but also its structure and rationale (SSR), and the learner momentarily "holds that thought" and physically experiences what it feels like to produce words or phrases to be used more appropriately the next time they occur.

It is not necessary to do all three SRR components every time, of course, but the intervention used must in some sense reconnect to the in-class instructional experience in toto. Just repeating a word or phrase might accomplish that on some occasions, but the research suggests that more cognitive involvement accompanying a verbal recast is essential. I could not agree more, only adding that more somatic (body-based) engagement is essential as well.

The best option, I think, despite its limitations, is still something like the "traditional" pronunciation class taught by a well-trained and experienced instructor, where correction of all kinds, done right, is seen as immensely valuable and productive--and relatively speaking, stress-free!

Haptic work attempts to create the experience of that classroom by linking earlier training in systematic gesture to the pronunciation of the word or expression, which could also have been done in a separate class or class meeting or online, independently. The key is that it be conceptually partitioned off, by itself, without demanding thorough content and context integration, and also not requiring a  "seasoned" instructor to do the presentation, instruction and practice. (More later on the importance of such seemingly counter-intuitive conceptual partitioning to subsequent recall and utilization. In the meantime, consult your local neuroscientist or hypnotist!)

Try the 15-second rule: During spontaneous speaking and interaction with students, only pause to correct what can be effectively reconnected to previous (brilliant) instruction--which may include a bit of SSR--and practiced three times in 15 seconds. That will get you a better sense of how well your initial teaching of pronunciation "bits" is going, too.

However you approach correction and facilitating integration of pronunciation change, it should at the very least be more than just "spontaneous."




Saturday, June 11, 2016

Gesticulate your way to better pronunciation teaching?

If you have never seen Howard Keel do "Gesticulate" from the 1953 musical, Kismet--especially if you are an aspiring "Haptician"-- it is a must. I'm going to kick off an upcoming half-day Haptic Pronunciation Teaching workshop September 30 at the BC TEAL Interior Regional Conference at Thompson Rivers University, here in British Columbia with it!

In haptic pronunciation teaching the focus is first on hand position and movement across the visual field, not on what the arm, head, voice and torso are doing. The idea is that the hand in some sense becomes the "conductor" of what the rest of  the body is doing. It is, of course, far more than just "gesticulating" but Keel's performance does certainly make the point!

Enjoy! And if you are in the Kamloops area at the end of September, please join us!

Sunday, June 5, 2016

Are you an "upstanding" pronunciation teacher?

If not, you should be, but take your time . . .  (We'll give you 4 weeks, in fact!) More evidence as to why, when doing pronunciation work, you should at least get your students on their feet as much as possible (or, of course, just switch to haptic pronunciation teaching (HPT) where almost all training is done standing, regardless!)

I have reported on this topic and the work of the researchers at Texas A&M Health Science Center School of Public Health previously. Here is a quick summary of their latest study, summarized by Science Daily (full citation below).

They looked at call center employees who either used a desk where they could stand while working or didn't. Not surprisingly, those who could stand up performed better. After about a month the effect kicked in, making them about 46% more productive! Earlier studies looked at cognitive function, gluteus maximus.
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attention, health benefits, etc., coming to pretty much the same conclusion: we are not design to work best parked too long on our

What is interesting in that study for us is that it apparently took a while, about a month for the subjects to become "acclimated" to the new desk structure. Their evidence for that explanation is purely speculative, however. How the "full body" process of speaking and thinking and problem solving is enhanced just by standing is a fascinating question that is not really addressed. (I work on my feet for at least an hour every morning with coffee. Not sure it is always my best stuff, but in terms of organization and clarity, it often seems so.)

We have seen something analogous in HPT. Assuming the typical pacing of a course, one 30-minute module plus about 90 minutes of homework per week, it is typically after Module 4 that it all "clicks", when generally everybody "gets it", and begins to see tangible progress. Look at the sequence:

Week 1 - Introduction to haptic learning (50% done while standing)
Week 2 - Short vowels and word stress (about 75% standing)
Week 3 - Long vowels and word stress (about 75% standing)
Week 4 - Rhythm and phrase stress (almost entirely done while standing)
Week 5 - "Aha, I get it!"

I have always assumed that it, the "Aha! I get it!" point, was primarily because of the path of the syllabus or that the patterns and techniques had become more second nature. But there may be more going on there, perhaps much more.

If you think that you got the answer . . . stand up!

Full citation:
Texas A&M University. (2016, May 25). Boosting productivity at work may be simple: Stand up: Research shows 46 percent increase in workplace productivity with use of standing desks. ScienceDaily. Retrieved June 5, 2016 from www.sciencedaily.com/releases/2016/05/160525220539.htm