HICPR: Essential English Pronunciation--Is that all there is to love?

Monday, January 2, 2012

Essential English Pronunciation--Is that all there is to love?

Clip art: Clker

Pronunciation work should be exceedingly rewarding--and often downright fun--for both learner and instructor. If not, it probably is just not going far enough. There is general agreement in the field today on what elements of English pronunciation are essential for developing intelligibility. For example, here is the Jenkins model of essential Global English. Here is a relatively concise list for Vietnamese learners and an hour video of Gilbert's version @New School (also linked in a previous post on a different topic) that includes more than the essentials--and some I consider decidedly nonessential--but worth watching.

Where there is some consensus in how to
(1) prioritize those various "bits and processes,"
(2) which techniques are most effective in specific learning contexts,
there is far less (or even any discussion) as to how to
(3) anchor and
(4) integrate those elements into spontaneous speaking--along with creating a
(5) consistent routine and
(6) "phonological acquisition readiness."

HICP is really more about the last four than the first two. In principle, any theoretically grounded schema today (such as that of Jenkins, Gilbert or Tran) can be used in identifying the critical elements for a specific learner population. (See earlier posts on the "end" of pronunciation methodology!) Likewise, once the foundation is established, the course of further instruction is quite open. EHIEP protocols (12 basic teaching techniques) should be applicable in virtually all classroom or personal development settings. Hence the "haptic-integrated" in EHIEP and the "clinical" in HICP, beginning where most contemporary methodology leaves off or (typically) consigns to the learner how to figure out and manage. To paraphrase Buzz Lightyear: To ESSENTIAL AND BEYOND!

3 comments:

Bill ActonJanuary 2, 2012 at 5:00 AM
I should note that EHIEP does have it own "inventory," something of a hybrid between Gilbert and Jenkins--and Morley. The techniques, however, are all haptically grounded (involve movement and touch.)
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beatmanJanuary 2, 2012 at 4:08 PM
Great video! Judy Gilbert, is the master of simplicity. At 45:30 on the video she is struggling for a word in reference to the use of the rubber band. She ends up by saying she doesn't know what to call it, but she believes in it! I think she could have said that the rubber band serves as an "anchor" or the rubber band "haptically grounds" the idea of lengthening the key syllable. What do you think Bill?
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Bill ActonJanuary 2, 2012 at 7:46 PM
It is anchoring, B-man, just not quite the kind I am recommending (See my 2011/11 post titled "Hands on." It works well on demonstrating vowel lengthening before voiced consonants--just not the approach I'd use generally in anchoring words, etc.
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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)