HICPR: Hippopotomonstrosesquipronunciaphobia: liberating pronunciation

Thursday, February 9, 2012

Hippopotomonstrosesquipronunciaphobia: liberating pronunciation

Gattegno, in his 1975 book, On being freer (linked above), makes the point that our goal as teachers is not just to "liberate" our students, as many today argue, but rather to continually enable them to become "freer," as they learn language or any area of study or personal development. The irony in our work is that whereas learning the pronunciation of a language should be enormously liberating, often the experience is precisely the opposite: fear of the process and the classroom dominate. There is probably no better measure of a method than that, especially one dealing with integrated speech production in public. From Gattegno's perspective, the felt sense of true learning is being continually "freer" to understand and do more. That beautifully describes the look of students who have successfully passed beyond the simple "intelligibility" threshold into where their L2 "spirit" or "language ego" or "L2 identity" is beginning to emerge as a, freer, autonomous persona. HICP should not only be a freer . . . but liberating as well. It is easy to assist learners in expecting and perceiving incremental progress from that perspective. In other words, the "freer," the better.

4 comments:

Angelina Van DykeFebruary 10, 2012 at 10:13 AM
So are we to understand that L2 language ego develops primarily through haptic training?
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Bill ActonFebruary 10, 2012 at 10:41 AM
Not primarily. But body-based or "embodied" work is recognized in many disciplines today, especially in Gender studies, as being at least a strong complement to . . . words alone in developing a strong, confident personal center or identity . . . I'll have much more to say about the genius of Alexander Guiora and others, back in the 70's in using that concept of "language ego," as opposed to a more Jungian or Freudian general notion of ego, in L2 research and pedagogy. Back to the future, yet again . ..
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ruthmariesmith@gmail.comFebruary 10, 2012 at 5:17 PM
From Lessac to Gattegno - thanks for the Lessac infusion and the link to Gattegno. I love the metered poetic prose of Kahlil Gibran who also speaks on such things...'Speak to us of love, and he looked upon the people and he answered...'

I think the more consciously free we are, the more autonomous we become and the more autodidactic we learn. 'Know thyself'.

Thomas Edison once said something like this when he was asked how he patented so many inventions...each are dressed in overalls, many experimental failures, and an unwillingness to give up.

Each individual must have the INNER DESIRE to explore, experiment, and educate themselves. And as Charlie Brown so aptly put it,'NEVER,NEVER, EVER GIVE UP!'

Thanks again for the opportunity to explore Lessac and Gattegno.
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Bill ActonFebruary 10, 2012 at 6:32 PM
Lessac and Gattegno's frameworks on freedom and "freer-ing" do form an intriguing synthesis, doesn't it? Your observation that " the more consciously free we are" is certainly Gattegno in spirit. Lessac might reply that we are still "freer" when noticing is either unnecessary or impossible.
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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)