Showing posts with label reinforcement. Show all posts
Showing posts with label reinforcement. Show all posts

Wednesday, January 30, 2019

Use it or lose it or feel good about it: myths, habits and pronunciation

Clipart by
Clker.com
*Tigger warning: Research on rats generalized to people who appear to be losing it!

Two fascinating studies which challenge two "sacred cows" of behavior change and skill development (especially as related to pronunciation teaching!)

(A) Use it or lose it (forever)!
(B) Habit change requires some positive reinforcement (or good feelings)
 
Study A, by Schwartz of University of Massachusetts, short version: Found that you don't lose it (muscle memory), not really; it can be reawakened faster than learning it first time.
     Details: Studies with "rodents and insects" establish that (from the Neurosciencenews summary) " . . . nuclei are not lost from atrophying muscle fibers, and even remain after muscle death has been initiated . . .This suggests that once a nucleus has been acquired by a muscle fiber, it belongs to the muscle syncytium — probably for life."
     Implications for (pronunciation) teaching: If learners can pronounce a sound right sometimes, even if only in oral reading carefully, they can be guided into using it spontaneously . . . believe it or not! The muscle "memory" for the action is nearly permanent; you just have to get back to it. There are a myriad of ways to do that, regular, disciplined practice being one!

Study B by Ludvig of Warwick University and colleagues, short version: Found that establishing a good habit depends more on how often you do the action rather than any inherent satisfaction you might get from it.
     Details: Another study with (digital) rodents, established that (from the Neurosciencenews summary) " . . . habits themselves are a product of our previous actions, but in certain situations those habits can be supplanted by our desire to get the best outcome.”
      Implications for (pronunciation) teaching: Regular drill and practice, done rationally and with strong "felt sense" (focused awareness on what it feels like to say the targeted words or processes.), develops effective habits and improvement, NOT whether or not it feels good prior to when the habits are firmly established. In other words, trust the method or instructor, at least temporarily, until sitting down (or standing up in haptic work) is nearly automatic, something you are just committed to.

How long does it take to establish a habit? Generally about a month in fitness training (See James Clear!), maybe a little less in pronunciation work, but not much . . . trust me.

Learners need to be motivated to practice, in part by being informed about and understanding this and related research--and practicing what you assign them--all the way to progress and the satisfaction and warm feeling that comes with it. 

Citations:

Frontiers (2019, January 25). Muscle Memory Discovery Ends ‘Use It or Lose It’ Dogma. NeuroscienceNews. Retrieved January 25, 2019 from http://neurosciencenews.com/muscle-memory-dogma-10637/

University of Warwick (2019, January 28). Train the Brain to Form Good Habits Through Repetition. NeuroscienceNews. Retrieved January 28, 2019 from http://neurosciencenews.com/repetition-habit-training-10652/

*On this blog, "Tigger warning" refers to "paper tigers", such as the Tigger of Winnie the Pooh!

Monday, January 29, 2018

Anxious about your (pronunciation) teaching? You’d better act fast!



Probably the most consistent finding in research on pronunciation teaching from instructors and student alike is that it can be . . . stressful and anxiety producing. And compounding that is often the additional pressure of providing feedback or correction. A common response, of course, is just to not bother with pronunciation at all. One coping strategy often recommended is to provide "post hoc" feedback, that is after the leaner or activity is finished, where you refer back to errors, in as low key and supportive a manner as possible. (As explored in previous posts, you might also toss in some deep nasal breathing, mindfulness or holding of hot tea/coffee cups at the same time, of course.) Check that . . .

A new study by Zhan Slow Is Also Fast: Feedback Delay Affects Anxiety and Outcome Evaluation, published in Frontiers in Human Neuroscience, adds an interesting perspective to the problem. What they found, in essence, was that: 

Learners who tended toward high anxiety responded better to immediate positive feedback than such feedback postposed, or provided later. The same type of learners also perceived overall outcomes of the training as lower, were the feedback to be provided later.
Learners who tended toward low anxiety responded equally well to immediate or delayed feedback and judged the training as effective in either condition. There was also a trend toward making better use of feedback as well.
Just why that might be the case is not explored in depth but it obviously has something to do with being able to hold the experience in long term memory more effectively, or with less clutter or emotional interference.






I'm good!

So, if that is more generally the case, it presents us with a real a conundrum on how to consistently provide feedback in pronunciation teaching, or any teaching for that matter. Few would say that generating anxiousness, other than in the short term as in getting "up" for tests or so-called healthy motivation in competition, is good for learning. If pronunciation work itself makes everybody more anxious, then it would seem that we should at least focus more on more immediate feedback and correction or positive reinforcement. Waiting longer apparently just further handicaps those more prone to anxiety. How about doing nothing?


This certainly makes sense of the seemingly contradictory results of research in pronunciation teaching showing instructors biased toward less feedback and correction but students consistently wanting more

How do you provide relatively anxiety-free, immediate feedback in your class, especially if your preference is for delayed feedback? Do you? In haptic work, the regular warm up preceding pronunciation work is seen as critical to that process. (but we use a great deal of immediate, ongoing feedback.) Other instructors manage to set up a more general nonthreatening, supportive, open and accommodating classroom milieu and "safe spaces". Others seem to effectively use the anonymity of whole class responses and predictable drill-like activities, especially in oral output practice.


Anxiety management or avoidance. Would, of course, appreciate your thoughts and best practice 0n this . . as soon as possible!


Citation: Zhang X, Lei Y, Yin H, Li P and Li H (2018) Slow Is Also Fast: Feedback Delay Affects Anxiety and Outcome Evaluation. Front. Hum. Neurosci. 12:20. doi: 10.3389/fnhum.2018.00020

Friday, November 3, 2017

Operant conditioning rides again in language teaching!

Clker.com
 "The major difference between rats and people is that rats learn from experience." B.F Skinner

Quick quiz: What is "operant conditioning" and of what value is it to you in understanding language learning and teaching? If you can't answer either part of that question, unfortunately, you're not alone. Your formal training may well have lacked any thoughtful consideration of the concept of "operant conditioning". Following Chomsky's devastating attack on it and behaviorism and the ascendancy of cognitive/constructivist theory, it has in most learning frameworks appeared to have been at least dismissed, at best. Not really, according to an excellent new piece by Sturdy and Nicoladis, "How Much of Language Acquisition Does Operant Conditioning Explain?" -- it has just gone underground.

Their basic argument: "Researchers have ended up inventing learning mechanisms that, in actual practice, not only resemble but also in fact are examples of operant conditioning (OC) by any other name they select."

According to the meta-analysis, the most persuasive cases or contexts discussed are (a) socialization, (b) ritualization and (c) early child language learning. At least for one whose "basic training" in psychology as an undergraduate happened in 1962, it is a breath of fresh (familiar) air, not exactly vindication, but pretty close. It applies especially to the more embodied dimensions of pronunciation instruction, such as physical work on articulation and the felt sense of sound production in the vocal mechanism--and, of course, haptic engagement.

But it also is fundamental to understanding and using context-based feedback that is critical to socialization or social constructivism, including the role of ritual, pragmatics and long-term reinforcement mechanisms.

If you don't get a full-body, warm fuzzy from this piece, read it again holding a cup of hot tea or coffee. 

Required reading.


Citation:
Sturdy CB and Nicoladis E (2017) How Much of Language Acquisition Does Operant Conditioning Explain?. Front. Psychol. 8:1918. doi: 10.3389/fpsyg.2017.01918


Monday, December 19, 2016

Tired of just "horsing around" with pronunciation? Key principles of equestrian training applied to pronunciation teaching

Clker.com
If you have followed this blog for a bit, you know that some of my favorite models for understanding key aspects of body-biased/haptic pronunciation teaching come from golf (Hank Haney) and horse training (Griffin, University of Kentucky), two disciplines where "training the body first" (Lessac) are a given. Recently I spent a pleasant evening with trainers of "cutting" quarter horses.

The commonality of effective training concepts was striking. One reason for that is that both disciplines require at least understanding of how to train the body, relatively independent of language and meta-cognitive involvement. Here are some of the principles from Griffin's list, along with my informal extrapolation to pronunciation teaching (in italics):

  • "Research has shown that horses work harder and maintain higher response rates when reinforcements are not on a predictable schedule. You should avoid becoming routine when reinforcing responses." Question: How do you reinforce appropriate pronunciation? My guess is that you have a very limited repertoire of responses, at best. Record yourself or have a colleague observe you in action . . . weep!
  • "Long, concentrated learning sessions are an inefficient method of training horses. A more effective training method is to have more training sessions per week of shorter duration. Work on different maneuvers each day. Refrain from repetitive drilling on a maneuver after the horse has learned it well." This is the gold standard of integrated instruction, especially with multi-level classes, requiring consistent preparation and follow up. That last note is especially revealing, what is known as the "delearning effect." (In haptic instruction that is particularly relevant.)
  • "Inherent emotionality is a horse's (general) psychological state.  . . . A good trainer quickly recognizes the emotional state of the horse and adjusts training regimens accordingly." Pronunciation teaching/learning is perhaps the most emotionally problematic aspect of language learning. Research (e.g. Baker, 2012) has established that a surprising number of instructors avoid pronunciation for that reason alone.
  • "  . . . An older horse may have a decreased learning performance, most likely because it has learned to ignore the type of stimuli often utilized in learning." This actually goes back to the first point: balance between variety and consistency. Pronunciation techniques have the (probably deserved) reputation of being boring in the extreme, with drill and meaningless "speaking" or oral reading. There are, of course, other ways to anchor new patterns and sounds. (See the right hand column, for instance . . . )
  • "Horses have very good memory . . . Recent research in this area has shown that horses learn to learn. The learn-to-learn phenomenon is simple: The more tasks a horse learns to perform, the easier it will be for that horse to learn new tasks. These new tasks may be tasks that the horse will never use, but they will aid in learning ability." This one is critical for pronunciation instruction: It is not absolutely essential that everything presented is recognized by learners as being immediately applicable or "relevant" to their use of the language. Learning, itself, enhances ability to learn, in effect. Recent research on "simple" memorization, for example,  has demonstrated that the very practice itself helps learners develop better memories and aptitude for learning in general--and memory for longer lists of procedural "steps" as well.
The parallel is remarkable. With the advent of more and more web-based instruction, learners are by default being forced to learn more by reading text and listening, along with often exceedingly "disembodied" speaking in response. Haptic pronunciation teaching, of course, is one approach, as are several others, requiring more or less instructor explicit management of body movement and presentation/control.

Saddle up!

Wednesday, June 5, 2013

Haptic error correction: Don't just tell me I'm wrong . . .

Clip art: Clker
Interesting new study on motor memory by Shadmehr and Vaswani of Johns Hopkins University School of Medicine, summarized by our friends at Science Daily. What they discovered, in effect, was that the impact of training deteriorated when subjects were given positive reinforcement for responses that were even slightly off the target. In other words, being informed that a response was seemingly "close enough," the brain tends to "recalibrate" the coordinates of the target. "See" the implications of that for pronunciation teaching, especially error correction?

It calls into question the whole idea of how we respond to evolving interlanguage forms in teaching. If, for example, you simply model the correct response for a learner and then provide a "good" when something close is offered in return, according to the research, you may have just further confused the learner. If, on the other hand, you are able to demonstrate or repeat the error for the learner first and then go on to provide the model, clearly indicating the "distance" or difference, you may have accomplished more. (Many experienced pronunciation instructors do just that, in fact.)

In haptic pronunciation work, it is relatively easy to visually (and haptically) model off target rhythm, stress, intonation and some consonant problems. In initial instruction, if you have a homogenous group and have some basis in phonetics, it is a great idea to begin with a visual/haptic walk through of at least the vowel system of the L1. (Even better if you understand the basic intonation or pitch movement patterns of the L1 as well.)

Best case, do it haptically. Otherwise, at least watch your gratuitous "Goods!"


Saturday, November 10, 2012

ESP: "Social rewards" to encourage pronunciation practice and change!


Clip art: Clker
Clip art: Clker
How's this for a conclusion? " . . . a person performs better when they receive a social reward after completing an exercise. There seems to be scientific validity behind the message 'praise to encourage improvement'. Complimenting someone could become an easy and effective strategy to use in the classroom and during rehabilitation."  Really?

As self-evident and "Pavlovian" as that may sound, there is actually an interesting twist in the research by Sugawara, Tanaka, Okazaki, Watanabe and Sadato, entitled, " Social rewards enhance offline improvements in motor skill," as reported by Science Daily. Two key terms there: offline and motor, meaning performance on a keyboard finger dexterity task. Those who were praised after a trial, regardless of their relative performance, tended to do better on the next one; those who weren't, tended not to, at least not as much. (Their earlier research had established the concept that a cash reward had about the same effect--in the same area of the brain.)

The extensive research on the effect of praise for behaviour other than "offline motor" skills is ambiguous as best. Verbal reinforcement, like all instruction, must be thoroughly contextualized and situated. How and when to provide praise, as opposed to "corrective" feedback in pronunciation work, is a skill that develops with experience and constant, informed reflection on classroom practice (such as watching yourself teaching on video regularly!)

To the extent that pronunciation change is "motor-based" the research is certainly relevant. That is, of course, especially the case in "haptic" work, where learners are given feedback initially (almost exclusively) on accuracy of pedagogical movement patterns (which are done simultaneously as the sound, word or phrase is spoken)--not accuracy of articulation of the sound in question. The explicit movement, touch and body resonance focus in EHIEP, for example, provides an analogous framework for such timely "social rewards" . . .  We need to "cash in" on this, so to speak.

 "Embodied social praise" (ESP!) I like that! Looking good!








Monday, December 19, 2011

Three points: reinforcement for less reinforcement

Clip art:
Clker
Shooting a 3-point shot successfully from 22 feet out in basketball is certainly a "haptic" event, requiring both exquisite (depending on your appreciation of the game) movement and touch. It is a rush of the first order for most, even professionals.Turns out, however, that making one does not predict whether you'll make another--to the contrary. According to this research by Loewenstein and Neiman at the Hebrew University, summarized by Science Daily (Hat tip to Charles Adamson), you have a better chance at making one if you missed on the previous try. In other words, reinforcement is not always the best guide. We learn as much from our mistakes or at least in that context we tend not overgeneralize as much.

That principle, of course, is at the very heart of behaviorist learning theory. Three points from a HICP perspective: (1) repetition does not insure success--anchor it quickly and move on, (2) context is critical--the phonotactic environment of a sound in a word or phrase is all important, not just the felt sense of the sound itself, and (3) the affective or emotional charge that often accompanies our attempts to "just make it fun and enjoyable"--or even communicative--can work against the learner, creating an event that involves so much visual and experiential "clutter" that the essence of the great move is nearly inaccessible later, inapplicable elsewhere. Shoot . . . that makes it a new ball game . . .