Haptic-integrated Clinical Pronunciation Research and Teaching
Wednesday, July 27, 2011
Touching sound to teach it
image credit: yvonbonenfant.com
When contemporary vocal artists, in this case Yvon Bonenfant, create in multi-senses, the interplay between sound and touch often becomes the focal "zonenubergang," the crossover. As has been evident in posts related to haptic interfaces and, more recently, deafblind communication, our touch metaphors, e.g.,"How touching!" connect much more than simple mental concepts. Bonnefant describes the sense of the engagement of touch and sound in his work as best experienced as a silk-like "membrane" between us where the sound passes through into tactile meaning and understanding almost unimpeded. That is a remarkable characterization of what we are after in linking pronunciation with the felt sense of producing it.