Bill Acton's Embodiment Blog: ego permeability

Showing posts with label ego permeability. Show all posts

Monday, September 16, 2013

Famous "Alcohol/L2 pronunciation study" mystery solved: Here's (NOT) looking at you, kid!

Clip art: Clker

If you have done some formal study of second language pronunciation teaching and learning, you have almost certainly ran across the 1972 "Alcohol" study done by Guiora and colleagues. Explanations as to exactly why drinking about an ounce and half of alcohol seemed to improve subjects' ability to imitate an audio recording of Thai sentences have run from Guiora's theoretical construct of "enhanced ego permeability" to simply "muscle relaxation" (Brown 2006 and elsewhere.) If you have followed this blog some you are aware of the critical importance of limiting visual field distraction to effectiveness of haptic pronunciation teaching techniques. (That observation is backed up by any number of studies in general "haptic" learning that demonstrate how visual modality consistently overrides auditory and tactile engagement.)

In Guiora's study, subjects sat facing an experimenter who operated the tape recorder. I have long wondered what would have happened had the imitation phase been done in a lab, rather than face to face. (In a 1980 attempt to replicate the alcohol study later--in which I was on the research team, the attractive "social presence" of one of the (female) experimenters appeared to demonstrate the added impact of a face on the effect.)

A new study by Gorka, Fitzgerald, King, and Phan at University of Illinois at Chicago College of Medicine, reported by Science Daily, Alcohol attenuates amygdala–frontal cortex connectivity during processing social signals in heavy social drinkers, suggests another, related explanation for the improved performance of subjects on the imitation task: desensitization to "threatening" features in the visual field in front of them. In the current study, "heavy social drinkers." given an appropriate size drink, were significantly slower in reacting to pictures of "threatening" facial expressions. The bottom line: the alcohol served to somewhat disconnect the connection between the (emotion-related) amygdala and the pre-frontal (visual) cortex.

There are many ways to functionally do the same thing in pronunciation instruction, restricting the emotional/social/visual impact on learner's attention. The field (pronunciation teaching) has figured out how to deal with the social and emotion milieu reasonably well but generally does not focus on the potentially disruptive effect of what is going on, on an ongoing basis, in the visual field. In our work, that is essential--a given. SEE what I mean?

Apologies to Bogart for the take off on his famous line from Casablanca in the post title.

Tuesday, January 3, 2012

A rhinoceros in jello: the pronunciation warm up as venue for assessment of learner ability and progress

Clip art: Clker

a post from a "Poemrepairworkshop" blog which makes a point worth exploring briefly: the idea that in the process of leading a pronunciation warm up you can (literally) evaluate the readiness of individual learners for the work ahead. (The post ends with a recommendation to warm up as a rhino in jelly--which I like very much--which suggests to me something important about where the field is right now as well!)

I have assumed that the warm up is a very rich source of data for years, myself, but have never systematically developed a protocol to use it from that perspective. Just observing the range of body mirroring and openness to stretching the voice and personality in the opening minutes of a class is often a highly reliable indicator of what is to come or possible that day for all involved--myself included. The current 4-minute EHIEP warm up could certainly be used for that purpose. I'll work on that a bit and report back. In the meantime . . . just watch how you warm up!

Monday, December 5, 2011

New L2 identity and new pronunciation in 40 days!

Photo credit: Mens Health

40 is something of a magic number when it comes to persistence (For example, staying afloat that long in an ark!) Turns out there may be something to it. Reported on the Mens Health website is a summary of a study by Rutgers researcher, Philips, of subjects who took on a personal development project that required considerable discipline and commitment. One finding was that,

“If a person performs a behavior regularly and for long enough [40 days in this study], the behavior becomes part of the person’s self-identity or self-concept . . . For example, if I made a goal to start running and succeeded, I’d begin to see myself as a runner."

What a coincidence! EHIEP basic training (exclusive of the introductory session) is also 6 weeks long, 42 days--a total of about 24 hours (including both in class training and homework.) No wonder students begin to hear themselves differently who manage to stick with the practice regimen to the end. As they say, "Life (and apparently new L2 identity) begins @40!"

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)