HICPR: deictic gesture

Showing posts with label deictic gesture. Show all posts

Sunday, September 1, 2019

To gesture or not to gesture (to provide spontaneous correction in language teaching) Part 1

A new study by Nakatsukasa (2019) demonstrates that using simple gesture to correct grammar (use of the 'ed' past tense) may not work. Amen to that. Signalling with a deictic/metaphorical gesture as the instructor recasts (repeats) the piece of language correctly when there is a error--and not requiring any kind of response from the learner--and furthermore still expecting some kind of meaningful uptake or noticing is . . .well . . . silly, but good to see that proved conclusively.

From the study:

"When the participants did not use the past tense in the obligatory context in two tasks, the researcher consistently provided recasts with or without gestures (pointing back over shoulder with thumb) immediately following the participants’ utterances, depending on learners’ assigned conditions."

clker.com

Now that, in principle, sounds like a pretty good signalling technique, one which I have seen used "repeatedly" over the years by teachers (Hudson, 2011). But . . .

"For the VR condition (verbal recast w/o gesture), the researcher provided recast only verbally, putting her hands down next to the side of her body to avoid gesturing."

Now, does that (standing motionless w/hands at sides) sound like anything close to natural teacher behavior/gesture? Really? I have got to see a video of that! In fact, I’d really have to see a video of everything that went on, to make sense of the study.

"In addition, the researcher tried not to stress any part of the recast in either condition to keep consistency."

Wow. How could you provide anything close to effective, meaningful feedback without stressing the part of the defective sentence or phrase that is being corrected?

"In all the instances, learners had the opportunity to modify their output; however, production of modified output was not enforced in the present study, to keep the flow of interaction and the saliency of feedback as equal as possible across conditions."

Not requiring at least some minimal "embodied" verbal response to such a gesture seems about as disembodying as you can get! Apparently, it was.

The research on the use of simple recasts, as Nakatsukasa points out, is pretty clear that they are, for the most part, not worth wasting your time on. So, "pointing out" a basically ineffectual recast with a disembodied gesture is supposed to make it more effective? It didn't. Surprise.

This is an important study, however, in that it represents quite accurately, I think, the way in which many researchers and practitioners view the place of gesture in language teaching, or even human communication for that matter: "add ons" that can be understood out of context and disembodied (not demanding a corresponding physical response in the body and mind of the other--the learner, as if gesture can be understood independent of the meaningful interaction in which it occurs.)

Something of a “How not to” guide of sorts.

What then is the "right" embodied and contextualized way to use gesture in teaching? Thought you were never going to ask! See Part 2, The right (haptic) way to use gesture in (at least) pronunciation teaching. Forthcoming, shortly!

Source:
Nakatsukasa, K. (2019). Gesture-enhanced recasts have limited effects: A case of the regular past tense, Language Teaching Research (11)1-29.

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)