Bill Acton's Embodiment Blog: TESL Canada 2014

Showing posts with label TESL Canada 2014. Show all posts

Saturday, March 29, 2014

Good report on haptic presentations at TESOL 2014!

Haptic Thursday
at TESOL 2014

As mentioned in an earlier blogpost, on the first day of the conference we did all 4 "haptic" pronunciation teaching sessions back to back. (Fellow hapticians had submitted about 16 proposals; that 25% were accepted is about the average for TESOL.) A few general notes on the sessions and responses we received:

A. Audience response was, as usual--and for the most part--very enthusiastic!
B. In two of the sessions, the basic haptic workshop and fluency demonstration, the rooms were jammed with about 100+ people, with many not being able to get in.
C. In the haptic research session and the nonnative-speaker intonation sessions, there were between 30 and 50 participants. (The reference list from those is now available on the website." Many great comments and networking followed for the rest of the conference.

My favourite comments: "That was just . . . fun!" and "Best workshop I've gone to in years!" If you missed us, join us at Cornerstone University next weekend, BCTEAL and TESL Canada in May--or TESOL 2015 in Toronto next March!

Keep in touch!

Wednesday, January 15, 2014

TESL Canada 2014 haptic pronunciation teaching proposals accepted!!!

Credit: TESLCA

This is big! We will be doing at least four "haptic" presentations at the upcoming TESL Canada annual conference in Regina, Saskachewan, May 8, 2014:

Workshop: Basics of Haptic (movement + touch) Integrated Pronunciation Instruction”
Rauser, VanDyke, Lam and Acton

Teaching linking with touch and Taichi
Hong, Kliuyeva and Hoekstra

Haptic phonetics for pronunciation teaching
McWilliams and Makarova

Using haptic-integrated pronunciation with the Academic Word List

Moulden, Peace and Zeng

If you are going to be there, join us! If not, be happy to send you a copies of the proposals or connect you up with the presenters. As reported earlier, there are also going to be 4 haptic pronunciation teaching presentations at TESOL in Portland in March:

Workshop: Essentials of haptic (kinesthetic+tactile)-integrated pronunciation instruction Kielstra, Baker, Burri, Rauser, Teaman and Acton

Practice-oriented session: Speak fast; speak easy: The Fight Club technique
Burns, Serena and Kielstra

Research-oriented session: Exploring research supporting haptic (movement + touch) pronunciation teaching
Rauser, Acton and Burri

Workshop: Teaching basic English intonation by non-native English speaking teachers
Lam, Zeng, Hong, Takatsu and Donkor

Keep in touch! (AH-EPS v2.0 will roll out next week!)

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)