A four-part (haptic) "metanique" for improving English pronunciation . . . and teaching!

Since Haptic Pronunciation Teaching started back in 2005, a basic technique was the "Movement, tone and touch technique," the MT3. It consisted of a gesture carried out while speaking a sound, word, phrase or clause, accompanied by a tonal contour (intonation) embodying emotional or affective meanings, concluding with hands touching on the main-stressed syllable of a word. 

A "metanique" (in haptic work) is a teaching technique format that has a basic function or two, such as assisting learners in getting or remembering language and also has one or more components. (Something analogous to a "tagmeme"). The new haptic metanique i the MT4: Movement, tone, tempo and touch technique, adding the component tempo to the earlier MT3. Tempo, in this case, is something close to pace, or simply speed of articulation. That was added for a number of reasons but primarily to help manage and modulate learner "movement" through the readings. The MT4 uses an annotation system similar to music tablature. 

Haptic work involves the use of a wide variety of "embodied oral readings" where typically there is an MT4 assigned to most, if not all, prominent stressed elements in a word, phrase or clause. To get a good sense of how those work, watch some (or all) of the four videos of lessons from the new Haptic English Accent and Pronunciation Course. That should give you a good introduction to KINETIK method and the new "MT4s."

Introduction (45 minutes)

Lesson 1 (30 minutes)

Lesson 1 Follow up/feedback session (45 minutes)

Lesson 2 (30 minutes)

The complete course will be available on Vimeo later this fall!

Keep in touch!

Almost do it yourself (with a little help from Gen AI) English Accent and Pronunciation Course!

The Introduction lesson video will be out on YouTube later this week! (The weekly videos are free on YouTube, posted Wednesday.)  If you want personal feedback on your work and the coursebook, you can sign up for the full course. 

The key feature of the course is the "embodied oral reading," (EOR) where you move/gesture along with a short reading of about 150 words as you give it your best, most expressive rendition--out loud! The last phase of each lesson is where you and Gen AI create your own, personalized EOR containing words, phrases and sounds that are relevant to you, personally. As long as you do the other homework on your own, or maybe with a. partner, doing the weekly "AIEOR" is very straightforward--and much more memmorable than the ones I provide as part of the course!

For example: Lesson 4 focuses on stress in enhanced memory for multi-syllable words (facilitated by full-body engagement!) 

For a student interested in US politics using this prompt: Create a 150 word paragraph on the topic of US politics that includes many words of more than three syllables. (BOLDFACE, mine!) 

"The complexity of American politics stems from its multifaceted constitutional framework and the diverse ideological positions held by its citizens. The two-party system, dominated by Democratic and Republican factions, often leads to intense polarization, making bipartisan cooperation increasingly difficult. Legislative processes in the Congressional branches, while designed to encourage debate, frequently result in legislative gridlock due to conflicting prioritization of policy issues. Moreover, the judiciary's role in interpreting laws adds another layer of institutional influence, particularly in cases of constitutional significance. Public participation in elections, while robust, is often affected by issues like voter suppression and gerrymandering, which further complicate fair representation. The interconnectedness of these dynamics makes the political landscape both challenging and essential for citizens to navigate effectively."

A new, short--but terrific-- course in Haptic Pronunciation Teaching

For all of you whose bodies are just dying to teach pronunciation "whole-bodily" and haptically . . .good news! I'll be offering a special 6-hour KINETIK Method seminar, four saturdays, 12-1:30 EST, October 19th to November 9th. $200 USD. There will be a couple of hours of optional homework assigned and all sessions will be recorded in case you miss one. Here are the topics covered:

• October 19th - Fluency and rhythm
• October 26th - Stress and vowels
• November 2nd - Intonation and consonants
• November 9th - Integration of change in spontaneous conversation

This would be especially good for those teaching CLB levels 4~6. The course will follow the first half of the coming 10-week (Haptic) English Accent and Pronunciation Course.  Will also be offering courses for CLB 1~3 and 7~9 levels next spring. 

Course includes pre-publication draft of "Manual of Haptic Pronunciation Teaching," including access to new v7.0 instructional videos. 

For more information, get in touch--soon!

 wracton@gmail.com. 

More detail shortly! 

(Embodied) Post-grad IELTS Speaking (6.0 or 5.0) to get work in Canada? Bon chance!

Have you seen this? 

Among other actions taken to cut back on the number of international students coming to Canada, there are new langauge proficiency rules going into effect effective in November to get post graduate work  permits (PGWP): 

CORRECTION: AN EARLIER VERSION REPORTED THAT GRADS NEED AN IELTS SCORE OF 6 ON ALL BANDS. THAT IS INCORRECT. THE "OFFICIAL' ANNOUNCEMENT INDICATES THAT ONLY AN "AVERAGE" SCORE OF 6 IS  REQUIRED, MUCH LESS PROBLEMATIC!

University Graduates: IELTS 6  (CLB 7)
College Graduates: IELTs 5  (CLB 5)

That will not directly impact the number of international students coming to Canada (those substantial cuts were put into effect earlier this year) but it will impact graduates getting work in Canada after they graduate. Now IELTS 6.0 Speaking may not sound all that difficult (from IELTS,com) at first,

"The test taker has an effective command of the language despite some inaccuracies, inappropriate usage and misunderstandings.They can use and understand reasonably complex language, particularly in familiar situations."

But just ask anybody teaching in higher ed (in the US as well) and they'll tell you that concern with English proficiency is a relative minor "front end" problem only for them. Once students are in, a virtual panoply of support functions kick in, including testing that does not require much if any real written or oral dexterity, along with Chat-GPT et al. 

Although I have not seen the study, there is no question, based in part on admissions standards, that speaking and writing English are two skills that for many easily degrade for 4 years or so once they get it. I don't teach undergrads but my students who do, report that regularly, the loos of productive skills, especially evident in junior and senior level content couses that used to evaluate oral and written form as well as content. 

Here is the kicker, pronunciation (italics, mine)

The candidate uses a range of pronunciation features but the control is not consistent throughout the test. There might be mispronunciation of words or sounds which reduces the clarity. However, the meaning of what is being said is generally clear throughout the test.

The day of reconning may be at hand for the near abandonment of pronunciation teaching in the discipline, eh! So, universities may eventually be on the hot seat here to stop graduating all those sub-IELTS 6.0 speakers. 

Probably not, HOWEVR, WITH THE 6.0 AVERAGE SCORE REQUIRED, NOT A 6.0 ON ALL BANDS. 

Regarding 6.0 pronunciation in speaking on the IELTS, however, I really like this from "AllearsEnglish,com":

"Pronunciation: This is the easiest place to improve your score. Someone who gets a 5 talks like a robot with no feeling in their voice and all of their words sound exactly the same. To get a 6 you need to put some feeling in your voice. Practice varying your tone of voice in your English conversation practice and you’ll be ready to do in the test."

As utterly goofy as that sounds, I think they have a point, They question is. . . how? They obviously have to practice active speaking . . outloud. In a sense their competence/performnce gaps can be very problematic. What is needed, in many cases, is an approach that is more "body-centered," much like what is done in good public speaking courses. Have been working with learners like this for decades who are capable of carrying on a conversaion or speaking in public . . . but they just haven't had to.

That approach involves extensive (embodied) oral reading, structured self-analysis of recorded spontaneous speaking samples as homework, emphasis on rhythm, stress and intonation--and an occasional consonant or two if really problematic. Embodied here refers to systematic management of movement, gesture and touch in practice, in private, with key carry over to spontaneous speaking, especially when under pressure, like on the IELTS. "It works" by anchoring both the sound or words being spoken more effectively and the emotion or affect, especially the confidence and posturing that is rather easily the focus of the embodied oral reading.

You are asking, how can I sign up for that. Glad you asked! The next one begins on October 3rd! Still time to register. Even if you just have time for half that course, it'll help. "I'll else" wouldn't tell you so, eh!

Email me directly for more info that: wracton@gmail.com 

Bill

(Haptic) English Accent and Pronunciation Course - Begins October 3rd!

In case you missed the course announcement, HERE a quick video guide to it, and THE LINK to the course description! It is a new design, created especially for really busy, disciplined people. 

It is a 10-week, online, almost self-study course, WITH THE FIRST TWO LESSONS FREE! 

It does require a brief Zoom interview to actually join the course. (Just to make sure it is a good fit for you!)  

Enrolment is limited to 30 students. (So sign on soon!) 

For more information or to schedule an interview, email: wracton@gmail.com

Check it out!

New! (Haptic) English Accent and Pronunciation Course!

Better, confident pronunciation in three months 

• Course dates: October 3rd ~ December 18th (10 Lessons)
• Created for students who really want to improve their accent or pronunciation but do not have the time or schedule to attend a regular course--and are pretty good at studying on their own. 
• Fees: $300 USD ($420 CAD) - First two lessons are FREE!

Features of the course:

• Designed for post-secondary-age, nonnative English speaking learners
• Haptic (makes extensive use of body movement, gesture and touch)
• Materials provided'
• 80% attendance required to receive certificate
• Oral interview required to take the course.
• The course is based on the latest neuroscientific research on how the brain and voice and body  must work together for optimal performance and memory

Weekly (online) schedule:

• Thursday, anytime – view 30-minute recorded lecture.
• Daily homework of 20-30 minutes.
• The following Wednesday (at 9 a.m. PST or 6 p.m. PST) attend live, feedback class on Zoom. (You can also view the recorded session, beginning Friday morning.)

For additional information or to schedule an enrollment interview email: wracton@gmail.com.

Bill Acton, PhD, is an internationally recognized expert in the field of pronunciation teaching. His unique style of teaching pronunciation, developed over the last 40 years, the KINETIK Method, makes  leaning and changing pronunciation more efficient, memorable--and fun! For more about Bill's research and publications goto his website: www.actonhaptic.com. 

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Some Definitions:

• Accent could use improvement: Makes you difficult to understand sometimes when you speak quickly or are a little stressed!
• Pronunciation needs improvement: Makes you difficult to understand sometimes, even when you speak slowly.

SO . . . how does this work? How can this work? 

The key is something close to full-body engagement in the process, very much in the spirit of the Lessac method which featured both embodied speaking and extensive oral reading during homework. This course is primarily focused on "hacks," as opposed to "widgets," which come in only the last couple of lessons. Hacks encourage improvement indirectly, the usual stuff of homework, applied outside of conversational interaction, like rhythm exercises or word lists. Widgets, on the other hand are techniques we can use to alter or enhance our speech, moment by moment, without interfering much with thinking or coherence, like slowing down your rate of speaking or modifiing your posture, etc. 

Most of the work in this course involves various types of embodied oral reading, that is text that is synchronized with especially designed. gesture and touch, called Movement, tone and touch techniques (MT3s). MT3s provide an extraordinary quality of ongoing attention and emotional engagement that should strengthen  the learner's ability to change articulation of sounds and sound patterns and recall that later, plus integrate change improvement into their spontaneous speech. In addition, most of the readings involve confidence-building routines and and related voice resonance techniques. 

*Group, class and school rates available. 

Haptic (pronunciation) hacks and widgets!

Doing a fun, one hour, webinar with CATESOL on Friday at noon PST! :

 Embodied Pronunciation Part 2: Haptic Hacks and Widgets

Here is the program description: 

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Following up on Marsha Chan’s webinar of April 19th, Embodied Pronunciation Part 1: Harnessing Your Inner Power, in this session Bill Acton will focus specifically on a core set of embodied pronunciation techniques which use both gesture and touch.

“Hacks” are techniques which are used to indirectly impact speaking accuracy and fluency, such as “fixing” a vowel or consonant, or drills relating to intonation, rhythm and stress.

“Widgets” are techniques which, in principle, can impact the learner’s fluency and intelligibility almost immediately such as moving a “body part” or the entire body--plus touch, to the rhythm of one’s voice as one is speaking, especially in describing a scene in one’s visual field or a highly defined and easily recalled past-experience. (Actors, politicians, voice trainers—and accomplished liars-- often use a range of such “widgets” in their practice.)

See you there!!!

Bill

How do you "get" the rhythm of a new language? Can you?

Clker.com

This is something of a follow up to a 3/10/24 blog post (All you need is rhythm . . . ).Turns out, not surprisingly, that natural "rhythmic sense" may give you an advantage in at least acquiring the pronunciation of a language . . . at least Norwegian! Interesting finding in a new study, Replication of population-level differences in auditory-motor synchronization ability in a Norwegian-speaking population, by Sjuls, Vulchanova & Assaneo of Norwegian University of Science and Technology (summarized in Neuroscience News as: Can rhythm sense predict language skills?).

The research found "pronounced" differences in the subjects of the study in terms of how quickly they could lock on to (or sync their body with) the rhythm of speech samples. Earlier research by the same team had established the general correlation between rhythmic sense and pronunciation accuracy. This study extends those findings considerably, implying that language learning more broadly considered may hang on perception of rhythm. The nexus of connections of rhythmic processing in the brain and grammatical structure has long been recognized and investigated. 

Of course, to quote my favorite Bertrand Russell quip: a difference that doesn't make a difference . . . doesn't make a difference, the critical thresholds on the rhythm perception continuum were not investigated but the existence of such barriers or facilitation points seems obvious. Any experienced language instructor who works with speaking in almost any context "knows" learners who fit both ends of the scale. The question is: what can be done for the naturally "rhythmically challenged?" 

A number of studies have demonstrated the benefit of early focus on the rhythm in acquiring an L2, but the direct connection to the underlying process involved has never been clear. In other words, the implications are that working with rhythm just for rhythm's sake for the FUN of it--not directly tied to the structure of the text in the lesson or specific words or lexical constructions  . . . may still be highly beneficial. So get out your guitar, raps and books of poetry . . .  just for the embodied experience of "getting" the rhythm of the L2. (You knew that!) You now have Neuroscience's permission! Go for it!(and you come join us who do embodied rhythm the haptic pronunciation teaching way, of course!) 

Source: Sjuls, G.S., Vulchanova, M.D. & Assaneo, M.F. Replication of population-level differences in auditory-motor synchronization ability in a Norwegian-speaking population. Commun Psychol 1, 47 (2023). https://doi.org/10.1038/s44271-023-00049-2

What to do for falling student confidence!

One of the joys of teaching is all those times when you stumble on a wonderful technique . . . almost by accident, when the lesson that you designed goes way beyond your objectives for it. The research literature is filled with reports of classroom procedures that inspire/develop confidence, (cf. Cadiz-Gabejan, 2021 . . . but not this one in this field.

For you to be able to do this technique with your students tomorrow, I need to give you little primers on haptic pronunciation teaching (HPT) and Observed Experiential Integration (OEI) therapy.

HPT, basically, uses gesture and touch to enhance memory and expressiveness by generally having a gesture terminate on a stressed syllable where the hands touch. The gesture can have several functions such as rhythmic or intonation patterns, or specific vowels or consonants. (For examples of some of the Movement, tone and touch techniques, goto: www.actonhaptic.com/HaPT.)

One of the techniques, used to create the deep falling tone at the end of a conversational turn, for example, has the learner move one hand from in front of the eyes down to about the level of the solar plexus, with the eyes following. The voice also falls as low as possible, in some creating the "creaky" voice quality. One of the students, in working with the practice dialogs "discovered" that she felt more and more confident by using that move . . . beyond the exercises. Her general demeanor and speaking "presence" made that evident as well from that point on. 

I had seen a somewhat analogous technique used about 20 years ago in observing psychologists working with Observed Experiential Integration (OEI) therapy, where the patient basically followed the hand movement of the clinician across the visual field, terminating about the same place, sometimes along with the clinician's voice, sometimes their own, but the effect was the same: a sense of calm and confidence. That location in the visual field, down and to the right, seemed to act as an anchor for a sense of at least temporarily closing down, calm or resting. 

Many systems use similar anchoring for a myriad of purposes. In this case, we were working with a basic sentence-final falling tone--that just keeps falling until it "hits bottom." Have been using it for the last two years in various ways, such as short passages or conversational gambits, with pretty striking results Here is a short video clip from the KINETIK training video series.  Give it a try and let me know how it works in your class (as I'm CONFIDENT that it will!) 

v7.0 will be available sometime later this spring or early summer. 

Keep in touch!

Bill

The "Fly-Chi": All you need is a little embodied, fluent rhythm--for "supra" vowels and consonants!

About a month ago, I stumbled on to a pair of "haptic" techniques, using "supra-segmentals," that is rhythm, stress and intonation--when used in sequence, that appear to dramatically and quickly improve the pronunciation of some multi-syllable words, including the pronunciation of individual vowels and consonants in them. I know that is a claim and a half! 

Here is the story . . . 

For over 15 years, two of the basic techniques of Haptic Pronunciation Teaching, have been the Syllable Butterfly and the Tai Chi Finger Flow Fluency. (Check out the links to those two from version 2.0.) The Butterfly focused on syllables and rhythm; the Tai Chi, on fluency. In a recent class where learners were trained in the Tai Chi, there was some additional time left at the end where we work on problematic words have noted during the week. The first student had several multi-syllable words, including 'custodial" and "maintenance." There was almost no contrast between stressed and unstressed syllables--and no obvious rhythmic structure. The Tai Chi technique made little difference, other than speeding up his speech a bit. 

For the first time ever in working with vocabulary, I had him do the Butterfly first, which exaggerates both stress contrast and rhythm/length of each syllable, and then the Tai Chi. The student and the class were almost blown away by the improvement. He sounded almost  . . . Canadian! Actually, his pronunciation of the segmentals, per se, did  not change much if at all, but the relative amplitude and length of the syllables certainly did! The same happened on another dozen words or so after that. In subsequent weeks, the final segment of each class has become basically problematic vocabulary done to the tune of the Butterfly and Tai Chi. Have already included the "Fly-Chi" in Lesson 2 of the KINETIK method!

It is well established in the field that if a learner has relatively good rhythm, including contrast between stressed and unstressed vowels, that problems with segmentals (vowels and consonants) should be less  . . . problematic. Actually, and more importantly, with unstressed syllables somewhat backgrounded, vowels tend to be "reduced" and consonant near misses are not only not as noticeable but elide (blend with) adjacent  sounds. The process is very evident developmentally in child language learning, as well as the efficacy of embodied techniques such as handclapping in facilitating enhancement of segmentals, e.g.,  Baills and Prieto, (2023.)

There are "billions and billions" of videos on the web demonstrating the phenomenon and the effect. What those demonstrations do not do, however, is show how to help learners work with the process consistently so that the changes "stick." In preparing for a recent class, I seem to have "discovered" a way . . . The problem with either just using hand clapping with sentences or longer texts, such as songs, or focusing on just one word at a time is that the learner generally not able to take the process out of class effectively, consistently, and remember what was temporarily "embodied" in the process.

Students are using the Fly-Chi now in homework. (I have three weeks of good data so far!) And at least initially, their ability to both change and remember targeted words appears greatly enhanced. Just a fascinating "theory" at this point, Help me test it--and report back! 

Baills, F., & Prieto, P. (2023). Embodying rhythmic properties of a foreign language through hand-clapping helps children to better pronounce words. Language Teaching Research, 27(6), 1576-1606. https://doi.org/10.1177/1362168820986716