To resonate or not to resonate . . .

clip art:
Clker

All  effective voice training systems are based on the concept of using body resonance for anchoring, that is the "feeling" of sounds, not simply what come back through the ears from what we speak (which is of relatively little use for the most part.) Here is the engaging website of "The Voice Guy." It does an especially good job of explaining body resonance and how to develop it in three areas: (a) general  resonance in the head and throat, (b)  chest-focus resonance and, (c) the highly concentrated "Y-buzz" (see earlier posts on Lessac's model.)

The richer and more sensual the learner's experience of the sounds being learner or "adjusted," the better. And when that felt sense is linked with haptic anchoring, as in HICP/EHIEP work, it is almost too much like fun . . .