Bill Acton's Embodiment Blog: pronunciation change

Showing posts with label pronunciation change. Show all posts

Thursday, June 4, 2020

CPR for Pronunciation homework and teaching . . . that works!

Clker.com

Excellent study by Martin, "Pronunciation Can Be Acquired Outside the Classroom: Design and Assessment of Homework-Based Training," a real MUST READ for you if you are serious about pronunciation teaching, demonstrating that at least one kind of (computer-mediated) homework system is not only effective, but may work as well as classroom-only instruction.

The basic process in the homework phase was what is termed, iCPR, computer-based, intelligibility focused cued pronunciation reading. Learners are provided with explicit instruction, explanation and then both perceptual and production training and practice, with feedback in the perceptual phase/practice only.

The study involved adult learners of German, extending over 10 weeks, with the equivalent of about 30 minutes of instruction either in class or out of class. The in-class lessons seemed to closely mimic the process and time allocation of the homework. From a number of perspectives, either treatment showed equally significant improvement and student satisfaction. Methodologically, the project seems tight, although the use of the term, homework, is probably a little misleading today when the learner never really "leaves" the web in some form during the day except for sleep . . .

In corresponding with the researcher, my only question was: How (on earth) did you get the students to DO their homework? Surely it had something to do with the "sell" up front, the allocation of grade points (easily accounted for in the computer-mediated system) and (probably) early student awareness to some degree of the program's efficacy. So . . . it looks well conceived, a highly detailed blueprint of how to set up a similar system.

Setting aside the question of just how readily the process can be adopted and adapted for the moment, what this shows or means is that Martin has given us another intriguing picture of the future of pronunciation teaching: pronunciation work handled outside of in-class instruction.

To paraphrase Lincoln Steffens: "I have seen the future (of pronunciation teaching) and it works. [remark after visiting the Soviet Union in 1919]” or maybe even Marshall McLuhan: "If it works, it's obsolete." . . . The field is changing fast. Pronounced change, to put it mildly!

Source:

The Modern Language Journal, 0, 0, (2020) DOI: 10.1111/modl.12638 0026-7902/20/1–23 National Federation of Modern Language Teachers Associations

Thursday, August 18, 2011

Magic pronunciation change: Look at that sound in your ear!

One of the great mysteries (or complexities or frustrations) of working with multi-sensory or multiple modality pronunciation learning systems is understanding the relative contribution of one sense to the effectiveness of the process. As you might guess, some research reveals that the senses are in some contexts highly integrated; in others, quite the opposite: the incoming data is interpreted and remains relatively partitioned. In looking at the range of possible configurations of learner cognitive styles (e.g., visual, auditory, kinesthetic--and all possible combinations of those three where one is dominant and the other to some degree less prominent, such as: visual-auditory, auditory-visual, auditory-kinesthetic, kinesthetic-visual, etc.) the puzzle becomes even more complicated. What some research suggests, such as this 2009 study by Jacobs and Sham, is that some degree of separation or isolation of the senses might work for us in changing pronunciation.

An earlier post, Change the Channel Fallacy, focused on how difficult it can be to change "the channel," for example, modify auditory output by doing simple repetition of the correct sound, without engaging a learner's nondominant modalities, perhaps visual or kinesthetic.What that could mean is that the best avenue or potential impact might be through nondominant modalities, not catering to the learner's preferred modality as is the common practice.

So, for the visual-auditory learner, emphasize auditory; for the auditory-visual, visual; for the kinesthetic-auditory, auditory, etc. And for almost any combination of the three main senses, try teaching more through haptic (adding touch to movement), which is generally even more outside of conscious awareness, less likely to disturb ongoing communication or thought. EHIEP methodology is not magic, but it certainly does involve a focus of attention away from the problem channel to a parallel modality where change can take place less obtrusively, a nice, haptic "slight of hand", if you will . . . and you should!

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)