Bill Acton's Embodiment Blog: physicality

Showing posts with label physicality. Show all posts

Wednesday, November 13, 2013

Embodied cognitive complexity--with haptic-integrated pronunciation!

I'm doing a plenary at the BCTEAL regional conference next week. Here is the abstract:

Credit: Villanova.edu

"This interactional presentation focuses on three of the most influential ideas in research in the field today: e-learning, embodiment and cognitive complexity. Taken together, the three help us address the question: How can students effectively acquire a second language--and especially pronunciation and high level cognitive functions--when more and more of their learning experience is mediated through computers?"

The point of my talk will be the power of haptic anchoring (as a form of embodiment), both in developing technologies such as the iPhone and in representing and teaching very complex concepts--even pronunciation! Those two perspectives are converging rapidly today, especially when it comes to dealing with today's media-immersed and media-integrated learners. Ironically, embodied methodologies, where explicit training and control of the body and management of its immediate physical milieu, provide both great promise and great cause for "a sober second look," as Canadians often remark.

I'll spend more time on the former but will return to the latter here in a later post. If you'd like to initiate that discussion now, feel free! (Note: Unfortunately, I have had to switch to moderating all comments on this blog. If you do propose a comment, I'll review it quickly. Promise!)

Sunday, December 4, 2011

Thinking about pronunciation (with our hands)

Clip art: Clker

Linked above is the website of Antle of Simon Fraser University. The end of her URL says it all: "/Physicality/ThinkingWithHands." There is obviously much we can learn from researchers in the area of arts and technology. This new article, listed on the website is particularly interesting. "Antle, A.N. Exploring how children use their hands to think: An embodied interactional analysi s, Behaviour and Information Technology, accepted." Not surprisingly, one of the most striking findings is the contrast between the type (and quality of) thought engaged when physically manipulating objects as opposed to that evident during similar mouse-based or visual protocols.

The effect of using the hands in HICP in pedagogical movement patterns across the visual field, especially on listening comprehension and problem solving related to interpreting the expressive dimension of English speech, is well worth exploring systematically. "Off handedly," I could relate any number of anecdotal observations in that regard, but for the time being . . . let's just keep it handy and think about it!

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)