Bill Acton's Embodiment Blog: discourse

Showing posts with label discourse. Show all posts

Thursday, March 3, 2022

More than just a gesture: Non-referential gesture in children's conversation and (haptic pronunciation) instruction

Interesting study, summarized on Technologynetwork.com, one pointing the way to potentially greater, systematic application of gesture in instruction: Children use non-referential gestures in narrative speech to mark discourse elements which update common ground, by Rohrer, Florit-Pons, Vilà-Giménez and Prieto of Pompeu Fabra University and the University of Girona. What they were looking at is the use of "nonreferential" gesture by children, ages 6 to 9. Specifically those gestures were not iconic (representing an object of image) or deictic ("pointing" in the direction of a referent), but were synchronized with the rhythm or stress patterning to mark information structure in narrative discourse. For example, (from the paper)

"A non-referential gesture would be to simply move the hands up and down rhythmically or raise the eyebrows and move the head. These movements do not express the specific meaning of the verbal content. They are often made by politicians during their speeches to emphasize important points."

These gestural discourse markers can have many functions but, in essence, the speakers are using the body to focus the listener's attention in some way. In KINETIK, haptic pronunciation teaching, in principle, a gesture can be mapped on to any rhythm group or phrase, providing structure (that is indication of word grouping) emphasis, expressiveness, greater clarity, or, additional multisensory connectedness to enhance memory.

Nice piece, I think! ("And a little child shall lead them . . . ") Will be reporting on this research both at TESOL Arabia next week and the TESOL Convention, March 23rd! Join us then if you can!

Keep in touch!

Bill

Reference: Rohrer PL, Florit-Pons J, Vilà-Giménez I, Prieto P. Children use non-referential gestures in narrative speech to mark discourse elements which update common ground. Front. Psychol. 2022;12. doi: 10.3389/fpsyg.2021.661339

Tuesday, September 20, 2011

Marking the territory: What wolves can teach us about integrated anchoring and learning of L2 pronunciation

Clip art:
Clker

There are many who report using haptic anchoring in teaching pronunciation, techniques such as clapping hands, stomping feet, tapping on the desk or pulling at rubber bands-- coordinated with stressed words or rhythm groups in speaking. Such "marking of the territory" does certainly help to reinforce the goal of the activity, but it is not "haptic-integrated," in the sense that we use it here.

In the 2003 study of the marking behavior of wolves in Poland, by Zub, Theuerkauf, Jędrzejewski, Jędrzejewska, Schmidt and Kowalczyk, an elaborate system was revealed such that each incidence of territorial marking could only be interpreted by considering three parameters simultaneously: (a) significance, (b) variability, and (c) relationship to other marking(s). In other words, the efficacy and meaning of the "mark" was dependent entirely upon its relative place in an integrated, multi-dimensional map of the territory.

In the same sense, haptic anchoring of new pronunciation only contributes effectively when it is thoroughly integrated into speaking, listening, reading or writing tasks. If it is experienced outside of meaningful discourse, narrative and task sequencing, as traditional, isolated pronunciation exercises inserted in the midst of a lesson--no matter how vividly or dramatically the haptic anchoring is executed, chances are it will not be all that different or memorable in principle than when the wolves, themselves, employ the same marking "technology" for other, more mundane functions in the Bialowieza woods . . .

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)