Sunday, November 1, 2020

Managing distraction in (haptic pronunciation) teaching: to block or to hype . . . or both!

New study by Udakis et al:  Interneuron-specific plasticity at parvalbumin and somatostatin inhibitory
synapses onto CA1 pyramidal neurons shapes hippocampal output,
 characterized by Science Daily as a  . . . a breakthrough in understanding how memories can be so distinct and long-lasting without getting muddled up." Normally, I wouldn't take a shot at connecting research in basic neuroscience to haptic pronunciation teaching, but this one, describing the basic mechanisms by which some memories get stored so that they are recalled vividly later, points to a couple of principles that should underlie all instruction, not just haptic pronunciation teaching. 

In essence what were identified are two key "circuits," in effect, one that basically intensified the event and another that served to block out distraction, or put another way functions to inhibit other "learning" that might cover over or undermine an experience. One interesting implication of that model is that the brain, in some sense, is "intentionally" managing distraction. Now the conditions that have to be in play for an experience to be "protected" are, of course, myriad, but the concept that highly systematic attention to distraction, not just increasing excitement or emotional engagement in a "teachable moment" is critical is worth considering. 

Clker.com

In the comment on the earlier post on distraction, the observation was made that, at least in one program, distraction was not seen as having any relevance in instruction, whatsoever. My guess is that that is the case in many systems as well. In our haptic pronunciation teaching workshops one of the questions we must explore is how teachers explicitly and intentionally deal with in class distractions, of all kinds, but especially extraneous kinetic (movement in the room), visual (elements in the visual field of learners), auditory (any noise coming in from outside or being generated in the room), olfactor (odors), airborne (pollution, etc.), temperature fluctuations and furniture comfort and distribution. 

Any one of those can seriously undermine instruction, of course. In haptic work which is based on systematic control of movement and gesture and utilization of the visual field, you can see how any distraction, in addition to just naturally "wandering students minds" can undermine the process. Consequently, we attend to ALL of them in our initial assessment of the classroom setting that learners are about to enter. 

Just the use of gesture and movement synchronized with speaking will capture the attention of learners at least temporarily mediating the surrounding potentially distractions, but the idea is that in addition to learners being "captivated" by the lesson content, activities and instructor delivery, attention to or control of select environmental features may be extraordinarily important. Assuming you can not control everything at once, I'd suggest you use our basic heuristic: adjust . . . at least just one or two intentionally . . . each class--without letting learners know what you are up to.  Then maybe do some kind of warm up, maybe not like this one of mine, but you get the idea!


Source: 

University of Bristol. (2020, September 8). Research unravels what makes memories so detailed and enduring. ScienceDaily. Retrieved November 1, 2020 from www.sciencedaily.com/releases/2020/09/200908131139.htm

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