New "NewBees'" Haptic Pronunciation course!

Want to teach pronunciation but have no training and no time in class to do it even if you knew how? 

We have a great new course for you: Acton Haptic Pronunciation: Content Complement System (AHP-CCS). 

It has been created so that you can use haptic pronunciation techniques (gesture controlled by touch) to:

• Improve memory for content you are teaching (in speaking, listening, reading, grammar, vocabulary, stories, concepts, etc.)
• Improve expressiveness, emphasis, and intelligibility
• Improve impact of modeling, feedback and correction
• Improve class engagement on Zoom
• Provide a way to work with pronunciation (on the spot) in any type of class

Specifics: 

• (Ideally) You study with another person who teaches the same type of student 
• 12 week course/4 modules/12 lessons. 
• The first ones begin on 3/25 and others can start anytime after when there are minimum of two students who want to do the course. 
• 60 minutes of practice on your own per week 
• 30 minutes of homework (on your own or with your friend) per week
• a 45 minute Zoom session each week, the two you, (Usually on Saturday) working with a  "Haptician" who also has experience teaching students of that age and level 
• Haptician: Trained by Bill Acton in the Haptic Pronunciation Teaching (HaPT)

• Cost: 
• 1 person ($1600 CAD each) - not recommended, but possible. 
• 2 people together ($800 CAD each or $ per 200 module) - best plan, especially if you are friends! 
• 3 people together ($600 CAD each or $150 per module) - OK if you are working together!  
• 4 people together ($400 CAD each or $100 per module) 
• (Locals.com subscription, $5 CAD monthly, also required to take an AHP-CCS course)

Designed for those 

• with little or no previous training in phonetics or pronunciation teaching
• who are teaching content classes or language classes
• teaching students of any age or proficiency
• have a colleague or friend that they can do the class with (if not, maybe we can find one for you!) 
• who have two or three hours a week for the course
• who would like to be part of a community of people who love teaching pronunciation and other things!
• on a tight budget!

More details: 

• Weekly Zoom sessions focus on how to use the pedagogical movement patterns (PMPs) of the lesson in your class
•  Both you and your friend should ideally be teaching or have taught the same kind of students if at all possible
• Certificate awarded after completion of the last Module!
• All materials furnished
• Basic training materials are designed to be used with students of any age and proficiency level, in class or out of class. 

Courses begin on 3/25/2021

For more information: Contact info@actonhaptic.com and go to actonhaptic@Locals.com

Killing pronunciation 5: Deliberate (boring) practice and the Passion-Practice paradox

Pronunciation enthusiasts can be some of the most energetic, entertaining and gesticular among us . . . unfortunately. (Mea culpa!)

Require your students to do boring and repetitive pronunciation in class or homework much? (Do you hold them accountable for quality practice outside of class?) If you have been following the blog for a while, you know that I am a big fan of James Clear. If you need to change something--most anything--and you probably still don't need a coach or therapist to help get you there, his website is worth a visit. His latest post, "The Behavior-change paradox", combined with Eduardo Briceno's TED talk on "How to get better at things you care about" forms a nice program for change of sorts--even pronunciation change!

"Deliberate practice" is back in vogue. One of the great "myths" of our time is that most anything can be learned at near light speed, relatively speaking. The typical pitch from quick-change methodologists (and con artists) such as "change your accent FAST!" reflects that legacy of both behaviorism and technology, especially the latter--and marketing, of course.

The two pieces of the Clear-Briceno model are (simply) consistent, incremental change and focused passion. You need both. Clear's analysis of why we often fail to make change in our habits is simple, but striking, and captures the passion-practice paradox: the more we try to change in the short term or the harder we go at it, the more resistance we encounter. Effective change over time is generally based on disciplined alteration of key practices at the day or even hour-by-hour level.

Clker.com

In other words, in pronunciation teaching, motivating learners, impacting their "cognition", assisting them in planning or thinking about their personal goals and objectives can be pretty much pointless, or worse, unless they know how to practice effectively on a near daily basis. Furthermore, that work is for the most part not sexy or exciting, but often boring--and most importantly--progress at that level is generally not perceptible, although over time it will be.

Do you do that? How is your "passion-practice" balance, especially in assigning homework or getting learners charged up, self-directed and autonomous? If you function in a language lab or do a lot of pronunciation on the web, you may be off the hook somewhat, of course. Now we know why the lab and technology are making a serious comeback in the field--and may eventually replace us all!

In the meantime, if you are having issues with your diet, exercise, budgeting or metaphysical discipline, check out the Clear post (and maybe even download is longer, more detailed instructions on how to get your act together.) Then have a focused, professional talk with your students on incremental, manageable practicing of their pronunciation and their L2 in general . . . regularly.

Before you do, you might also want to check with your local personal fitness training coach or "haptician" on some effective ways to do that!

Haptic (10-year pronunciation teaching) birthday party!

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We are planning a couple of parties next month, celebrating 10 years of haptic pronunciation teaching. If you are a haptician in the Vancouver or Kamloops areas of British Columbia, please join us. (More specifics on that soon!) Should you not be (either in the area or a haptician by practice) you'll still be invited to join us "virtually" in celebrating! That will include:

• New video released describing the history and development of  Essential Haptic-integrated English Pronunciation (EHIEP).
• Birthday webinar/party  (We'll post a series of "success stories" before that happens. If you have one you'd like to contribute, please pass that on to me.)
• Release of new student self-study course.
• Recognition of "shrewdnesses, pandemoniums and zeals" of hapticians worldwide! (Each local group needs to choose its respective collective noun, based on which best describes their collective "personality", of course.) 



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• We are also working on setting up a new professional organization or "shrewdness" of Hapticians or reviving the earlier International Association of Haptic-integrated Pronunciation Teaching Researchers and Instructors (IAHPTRI) from a few years ago. (If you belonged back then, we'll be in touch.) 

It has been an amazing "haptic" decade. It all began with the discovery that kinaesthetic, gesture work in pronunciation teaching could be considerably enhanced with just a "touch of touch!"

Keep in touch!

Bill

Sub-par, gesture-enabled (pronunciation) teaching?

Clipart:
Clker.com

FORE! Never quite gotten into the "swing" of using movement and gesture in pronunciation, vocabulary, speaking or general instruction? Being an occasional golfer, myself, this promo for Hank Hanley's stuff immediately resonated. I think it will with you as well. Here's what the great golf swing (as taught by Tiger Woods' former swing coach) teaches us about the effective application of gesture (or movement) to teaching, especially pronunciation teaching. (Hanley's 4 principles)

• Find your "swing plane". (Use gestures that are visually and physically consistent, that is track through the visual field on the same path--every time.)
• Tighten your turn. (Carefully manage all other extraneous body movement or random thought during execution of the pedagogical movement pattern.)
• Finish your bunker swing. (Follow through after using a gesture to anchor a sound or sound pattern by instructing learners as to how to uptake the key feature of that "teachable movement" whether by quickly replaying it right then, writing a quick note or practicing it as homework.)
• Don't fight the putter. (Putting is about touch. Touch is the centre of haptic anchoring, using touch to focus attention on the stressed syllable of a word or the multi-sensory experience.)

It should be required for continuing certification, that every professional language instructor practice and continue to improve their "swing," whatever form that takes, whether dance, singing, musical instrument, painting, calligraphy or sport. Doing haptic pronunciation teaching well requires--or fosters--continual refining of the "swing," our physical-pedagogical presence in the classroom.

As we say, "See you in the movies!" (or: Keep in touch!)

Haptic-pronunciation-assisted vocabulary teaching

New book chapter in the TESOL "New Ways" series by Michael Burri (Wollongong University) on using haptic pronunciation anchoring in teaching vocabulary. (Burri is probably the second-best haptician I have ever worked with!) His doctoral study on pronunciation teacher cognition includes for the first time examination of teacher response to haptic pronunciation teaching.


We have just begun to work systematically with using the haptic pronunciation protocols for enhancing memory and recall of vocabulary. All 10 of the basic techniques of AHEPS v3.0 could be used for that. The one that Burri uses in that chapter, based on the AHEPS Rough/short vowel pedagogical movement pattern, is especially effective, putting a strong haptic anchor (touch of both hands) on the vowel in the stressed syllable of a word or phrase.

Credit: TESOL

Keep in touch!

Full citation:
Burri, M. (2014). Haptic-assisted vocabulary and pronunciation teaching technique. In A. Coxhead (Ed.), New ways in teaching vocabulary (2nd ed.). (pp.189-191). Alexandria, VA: Teachers of English to Speakers of Other Languages, Inc.

Pronunciation "Flow-ency!"

Ran across an interesting note on prerequisites for speaking fluently, posted on the website of the "Effortless English Club": "To speak English fluently, of course you must understand instantly and speak without thinking." It then goes on to pitch its program:"After only 5 hours, most of my seminar students show improvement with their English speaking. They speak more quickly and more clearly. How? Mostly by changing their feelings and beliefs– by developing strong confidence in their English speaking ability." After only 5 hours . . . Wow.

Actually, they may be on to something. We could take the idea of "speak[ing] without thinking" in several directions, including the use of mindless drill,  but what is intended (I think) is closer to "flow," as proposed by Csíkszentmihályi, the experience of "completely focused motivation" -- or being in the zone.

ClipArt:
Clker

We have all had the experience of at least temporarily speaking very well about something that we believe in so strongly that the words seem to flow from us almost "without thinking." (One of the parameters of holistic lie detection, on the contrary, is evidence of the interviewee "making things up" on the fly.) In our work, a protocol called the "Rhythm Fight Club"is designed to give the learner a feel for what "being centred, confident and on a roll" is like. (Preliminary findings of a research project on the process are again confirming that effect.)

A couple of nights ago, for the first time, I tried to do a 3-minute talk about haptic research and teaching using RFC "Flow-ency" accompanying or driving everything I said. In part because I had rehearsed the talk a number of times--and it is something that I probably have "completely focused motivation" about, it went very well (at least from my perspective, if not that of the audience!) At least a couple of very partisan observers agreed with that assessment!

I have experimented with the "Flow-ency" technique with learners for a number of years. Will now get it operationalized and more "teachable" as an extension of RFC. If you still haven't signed on as a haptician, try that for a couple minutes sometime with a topic that you are truly passionate about. And keep in touch.

Flipping over Haptic (video) Pronunciation Teaching!

Nice piece (originally published in Bilingual Basics, August 2013) in TESOL Connections this month entitled, "Three reasons to flip your classroom," by Marshall. A few previous posts have looked at the case for "flipping," that is using video to present concepts and then following up with various forms of in class collaboration and engagement. This is the first that I have seen that specifically addresses "flip" methodology in working with English language learners.

The AH-EPS "method" uses something of the same format:

Clip art:
Clker.com

• a 30-minute haptic video 
• where students "dance along with the model on the screen" 
• as they are introduced to some element of English pronunciation 
• and given a strategy/technique 
• which instructor and student then use later in general classroom instruction 
• to introduce, model, correct or provide feedback
• on pronunciation of sounds, words, phrases or longer pieces of spoken language

If you are not already a "haptician," it may be time to consider flipping . . . Go to the new Acton Haptic website to get started!

Keep in touch!

Haptic pronunciation teaching as theatre, Part One: PHYSICAL

Probably the best source on the web for connecting up to the wide range of disciplines that work systematically with body movement is the Association of Theatre Movement Educators (ATME). This is Part One of two that explores how to understand EHIEP and AH-EPS training, based on the ATME characterization of both the physical and expressive dimensions of movement training. 

The description of a movement specialist could, with a little (haptic) lexical substitution describe an

Clip art: Ckler

EHIEP "haptician" as well:

" . . . the movement specialist/teacher works with the development of the intuitive and kinaesthetic understanding of the performer. . . . devise(s) a process for creating an articulate body that demonstrates technical proficiency, full physical commitment and ease, along with the integration of physical skills." 

Among the (9) specifics are: (Italics are mine!)

• Teaching of movement skills . . . to increase strength, flexibility, control . . . and as elements of improvisation (Haptic work is especially valuable in integrating new pronunciation and vocabulary into spontaneous speech.) 
• . . . training the body to be emotionally and physically connected to the specifics of the text (This is done in EHIEP with movement, vocal resonance and touch of hands in the visual field, as the text, word or phrase is articulated.) 
• . . . (developing) the ability to inhabit a physical and experiential reality other than one’s own . . . (Although the 3rd parameter, becoming an "actor" in the L2 physical culture, is not an explicit goal of EHIEP work, it is reported consistently by those who work through the complete system. The connection of body representation to identity is foundational in many fields.)

Does that sound like fun? Keep in touch. (AH-EPS v2.0 will be "center stage" shortly!)

Pronunciation anxiety? Don't worry, be "haptic!"

Have done several previous posts that "touch" on the effects of interpersonal touch, such as "healing touch." In our kind of haptic pronunciation teaching, for a number of reasons, we use only "intra-personal" touch, typically the hands touching or hands touching the arms and shoulders or the outside of the hips. Generally, that's it. A new study by Koole and colleagues at the University of Amsterdam, reported in Science Daily in a summary entitled, "Touch may alleviate existential fears in people with low self esteem," re-opens that intriguing area of research and development for me.

Credit: AMPISys, Inc. 

I earlier explored interpersonal touch in private work, for example where a couple or two female learners practiced the EHIEP pedagogical movement patterns together, where one touched the hand of the other on stressed syllables in anchoring new pronunciation. (Have also had reports from instructors who work with child L2 learners that various group-based hand clapping or "give-me-five" gestures seem to work well, too.) The reports from the students were quite positive. Have always wanted to get back to figuring out culturally and interpersonally appropriate use of interpersonal touch.

There are certainly good reasons for that. Koole's work suggests that even our "intra-personal" touch gesture work may "work" better than we thought! Although this is close to being filed in our "Well . . . duh! file" (a study that empirically validates common sense), in essence, interpersonal touch, even touching inanimate objects, for some people, lowered anxiety--and anxiety can easily cancel out any kind of instruction, let along haptic engagement. What caught my eye was the last sentence: "The researchers are currently exploring the possibilities of simulated interpersonal touch through the use of a "haptic jacket," which can electronically give people the feeling that they are being hugged."

Hug your local haptician . . . and bring your teddy bear to class today. 

Haptic pronunciation teaching presentations at TESOL 2014 in Portland!

There were at least a dozen explicitly "haptic" pronunciation teaching proposals that were submitted for the convention that I am aware of. (See earlier blogpost on that.) There are also always a number of other "near-haptic" presentations that focus on kinaesthetic techniques and those that involve touch+movement-based procedures indirectly. I'll report on those later, once the program is published. This year, four being done by myself and "haptician" colleagues were accepted:

Workshop: Essentials of haptic (kinesthetic+tactile)-integrated pronunciation instruction

    Kielstra, Baker, Burri, Rauser, Teaman and Acton

Practice-oriented session: Speak fast; speak easy: The Fight Club technique 

   Burns, Serena and Kielstra

Research-oriented session: Exploring research supporting haptic (movement + touch) pronunciation teaching

   Rauser, Acton and Burri

Workshop: Teaching basic English intonation by non-native English speaking teachers

   Lam, Zeng, Hong, Takatsu and Donkor

If you know of any others, please let us know!

See you there!