New "NewBees'" Haptic Pronunciation course!

Want to teach pronunciation but have no training and no time in class to do it even if you knew how? 

We have a great new course for you: Acton Haptic Pronunciation: Content Complement System (AHP-CCS). 

It has been created so that you can use haptic pronunciation techniques (gesture controlled by touch) to:

• Improve memory for content you are teaching (in speaking, listening, reading, grammar, vocabulary, stories, concepts, etc.)
• Improve expressiveness, emphasis, and intelligibility
• Improve impact of modeling, feedback and correction
• Improve class engagement on Zoom
• Provide a way to work with pronunciation (on the spot) in any type of class

Specifics: 

• (Ideally) You study with another person who teaches the same type of student 
• 12 week course/4 modules/12 lessons. 
• The first ones begin on 3/25 and others can start anytime after when there are minimum of two students who want to do the course. 
• 60 minutes of practice on your own per week 
• 30 minutes of homework (on your own or with your friend) per week
• a 45 minute Zoom session each week, the two you, (Usually on Saturday) working with a  "Haptician" who also has experience teaching students of that age and level 
• Haptician: Trained by Bill Acton in the Haptic Pronunciation Teaching (HaPT)

• Cost: 
• 1 person ($1600 CAD each) - not recommended, but possible. 
• 2 people together ($800 CAD each or $ per 200 module) - best plan, especially if you are friends! 
• 3 people together ($600 CAD each or $150 per module) - OK if you are working together!  
• 4 people together ($400 CAD each or $100 per module) 
• (Locals.com subscription, $5 CAD monthly, also required to take an AHP-CCS course)

Designed for those 

• with little or no previous training in phonetics or pronunciation teaching
• who are teaching content classes or language classes
• teaching students of any age or proficiency
• have a colleague or friend that they can do the class with (if not, maybe we can find one for you!) 
• who have two or three hours a week for the course
• who would like to be part of a community of people who love teaching pronunciation and other things!
• on a tight budget!

More details: 

• Weekly Zoom sessions focus on how to use the pedagogical movement patterns (PMPs) of the lesson in your class
•  Both you and your friend should ideally be teaching or have taught the same kind of students if at all possible
• Certificate awarded after completion of the last Module!
• All materials furnished
• Basic training materials are designed to be used with students of any age and proficiency level, in class or out of class. 

Courses begin on 3/25/2021

For more information: Contact info@actonhaptic.com and go to actonhaptic@Locals.com

Killing Pronunciation 14: One tip at a time (or better still . . . "pho-nunciation")

Nice new book just out by Mark Hancock, 50 tips for teaching pronunciation. Currently it is only available in hardcopy, but you can preview it off that link, the latest addition to Scott Thornbury's "Tips" series. Other than the fact that it has the "wrong" vowel system (British), it is very cool. 

It is, however, also a perfect candidate for the 14th in our "Killing" series. In that spirit, it might also be characterized, to paraphrase the 'death by a thousand cuts' notion as: Death (of pronunciation teaching) by a thousand tips.

 Hancock's book is a pretty comprehensive, self-guided short course in itself in teaching pronunciation. (I have it as recommended in my graduate applied phonology course.) The title is misleading, however. It is not just a random set of techniques; it is a relatively systematic set of principles, "tips," if you will. It is actually, read front to back, a pronunciation teaching method. 

It represents the state of the art in the field today: Go big or go home . . . either you invest a considerable amount of time in training to bring pronunciation teaching into your classroom, so you can integrate it in or teach a free standing class, or you avoid it entirely or use a few relatively ineffective techniques here and there and call it a day. In truth, there is very little middle ground left, especially with curriculum priorities in most teaching institutions, especially K-12, that allow precious little space, if any, for attention to pronunciation.  

So . . . Hancock's book is on the right track: it adds up to a method. (Since we are supposed to be all "post-method" now, Hancock probably didn't dare mention that, but I can, of course!) And the reason I do, is that Haptic Pronunciation Teaching (HaPT) is also a coherent method, one best learned from front to back, but the differences are:

• Although you can "do" our course, yourself, and take it to the classroom, you don't have to. You can just stream the lessons to your students and let me do the initial teaching and you do the follow up. 
• 50 Tips is designed so that you can do it on your own. The HaPT system almost has to be learned "in community." Actually, you go through the course with two or three other newbees, guided by an experienced "Haptician," somebody who is certified in HaPT and is available to help out and "test" you at each benchmark. 
• 50 Tips is great for coming up with quick, mini-lessons, integrating in pronunciation here and there and getting a basic background in pronunciation teaching. HaPT can be used the same (old fashioned way) but it is really aimed at using pronunciation (or what we call "phonunciation") to enhance memory for regular course content, expressiveness, emphasis and (surprise!) pronunciation intelligibility. 
• The new HaPT method, coming out next month,  Acton Haptic Pronunciation: Content Complement System (CCS, for short), focuses on "phonunciation," not pronunciation. You can use it any time you are working with content, a story, a dialogue, a word list, a song, a set of instructions. Basically, you embed HaPT techniques (gestures anchored by touch) in almost anything to enhance it and make it more memorable. 
• CCS has been created for those with no background in pronunciation teaching and (typically) no time during the week to do it effectively. 
• Keep in touch for more announcements. It will roll out first here and then actually go live on Locals. Go join up now and be part of the Acton Haptic Pronunciation Community when it happens! 
• 

Motivation to do Pronunciation work: Smell-binding study!

Rats! Well . . . actually . . . mice who are motivated to (voluntarily) exercise more are genetically set up or developed to have better, more discriminating vomeronasal glandular structure. Is that big, or what? Check out the Neuroscience News summary of this unpublished study by Haga-Yamanaka, Garland and colleagues at UC-Riverside, forthcoming in PLOS ONE, Exercise Motivation Could Be Linked to Certain Smells.   I LOVE the researchers' potential application of the research: 

“It’s not inconceivable that someday we might be able to isolate the chemicals and use them like air fresheners in gyms to make people even more motivated to exercise,” Garland said. “In other words: spray, sniff, and squat.”

Being a runner, myself,  I especially like the study since it uses mice who are what they term "high runners!" Admittedly it is a bit of a stretch to jump to the gym and then to the ELT/pronunciation classroom from the study, but the reality of how smell affects performance is well established in several disciplines--and probably in your classroom as well! 

Decades ago, a colleague who specialized in olfactory therapies and was a consultant in the corporate world on creating good-smelling work spaces, etc., sold me on the idea of using a scent generator in my pronunciation teaching. Required a mixing of two or three oils to get students in the mood to do whatever I wanted them to  better. Back then it seemed to be effective but there was little research to back it up and it was before we have been forced to work in "scent-free" and other things-free spaces.

What is interesting about the study to our work is the connection between persistence in physical exercise and heightened general sensory awareness, and the way smell in this case is enhanced. My guess is that touch, foundational in haptic pronunciation teaching is keyed in similar ways. Gradually as students practice consistently with the gestural gross and fine motor gestural patterns, what we call pedagogical movement patterns, their differential use of touch increases. (An earlier post identifies over two dozen "-emic" types of touch in the system.) In other words, touch becomes more and more powerful/effective in anchoring sound change and memory for it. 

That insight is central to the new haptic pronunciation teaching system, Acton Haptic Pronunciation Complement--Rhythm First, which will be rolled out early in 2021. (For preliminary details on that, check out the refurbished Acton Haptic website! )

Haptic pronunciation teaching workshop at TESOL 2015 in Toronto!

For the 8th year in row, a haptic pronunciation teaching workshop has been accepted for presentation at the TESOL conference in Toronto, March 25th ~ 28th, 2015. Below is the program summary and excerpts from the proposal. We'll also have a "gathering of hapticians" at the conference, as usual. Join us! 

Program summary

This workshop introduces a set of six haptic (movement + touch)-based techniques for presenting and correcting English L2 pronunciation, applicable for intermediate English language learners and above. Guided by research on kinaesthetic approaches to L2 pronunciation instruction, the presenters train participants to use the instructional techniques in their classrooms.
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Participants learn a multiple-modality system, designed to be used throughout the curriculum—not just in stand-alone pronunciation classes. The workshop is predominantly experiential, where a set of six haptic techniques are introduced and practiced in break-out micro-teaching sessions. The sections of the workshop are:

A. Principles of haptic integration
B. Haptic anchoring vowels and word stress
C. Haptic anchoring phrasal stress and rhythm
D. Haptic anchoring of basic intonation contours
E. Haptic anchoring of general fluency

This haptic-based system for pronunciation instruction was formed under the premise that, while our general understanding of L2 phonological development has increased substantially, most methodologists would concur that preparing a new EFL/ESL instructor adequately for pronunciation work remains a challenge. The reason for this, in part, is that there is currently no easily accessible, comprehensive model that integrates pronunciation instruction in general speaking and listening instruction. 

The perspective of this workshop is that systematic use of body movement, especially using haptic anchoring (touch tied to pedagogical movement and gesture) is essential to that synthesis. The techniques presented are designed to be integrated into either general or specific pronunciation instruction whenever use of a problematic sound pattern occurs.

The theoretical basis of this approach is derived principally from four sources: (a) the voice and stage movement work of Lessac (Lesssac,1967), (b) Embodiment theory (Holme, 2012) as applied to TESOL, (c) current neuro-physiological research on the role of movement and touch in learning in general (Minogue & Jones, 2006) and of sound systems in particular (Acton, 2012), and (d) kinaesthetic approaches to L2 pronunciation instruction (e.g., Acton 1984).

By the conclusion of the workshop, participants will be able to use the haptic pronunciation integration techniques in their classrooms.

AHEPS v3.0 "Bees and Butterflies"
(Serious fun!)
The best, fastest, most moving
 and touching way to teach,
learn and correct English pronunciation!

New pronunciation teaching videos by Adrian Underhill!

Credit: Youtube.com

Macmillan has just released the first of Adrian Underhill's new pronunciation teaching video series. Here is the announcement from his blog, AdrianPronChart.wordpress.com. Adrian has always been one very tuned in to the visual/physical side of pronunciation teaching. His Pronunciation Chart is excellent. Aspects of that framework were instrumental in the design of the Essential Haptic-integrated English Pronunciation (EHIEP) framework.

The complete video series, planned to be 35, 3-minute videos should be a good complement to the Acton Haptic English Pronunciation System (AH-EPS) haptic video program. Knowing Underhill, it will, I'm sure, provide a thorough and entertaining presentation for both teachers and learners. (Once a little more of it is available, I'll review it in depth and link it to our work.)

What he typically does well is provide understanding of key elements of (British) pronunciation for learners and instructors, a wide range of applicable techniques--especially kinaesthetic--and practice opportunities/guidelines following from that. If that is what you are looking for, you probably cannot find a better video-based source. (If you are still more dead-tree-bound, Gilbert's work is my recommendation as a good place to begin.)

By contrast, for a number of reasons, AH-EPS:

• Does not do as much explicit explanation and metacognitive management
• Is haptic-based rather than kinaesthetic
• Presents a more restricted set of formal features to work with
• Uses a vowel chart that is the mirror image of the AdrianPronChart
• Focuses on doing some limited teaching for the instructor, in class
• Sets up impromptu, spontaneous modelling and correction of pronunciation
• Is designed primarily for instructors with little or no background in pronunciation teaching

A most welcome addition. Check it out.

NEW! Put some "PIP!" in your Pronunciation! (AH-EPS, one-on-one, Pronunciation Improvement Program!)

New! Acton Haptic Individual (1x1), online Pronunciation Improvement Program (AH-PIP)

In this program (AH-PIP) you do a module in AH-EPS with workbook and DVDs or on Vimeo.com, and then can connect up with an AH-EPS instructor to review what you have done and discuss what to do next. (Followed up by an email report on the consultation within 24 hours.)

We recommend doing an optional 30-minute SKYPE consultation after each module, at least at the beginning of the program.

Course package ($129 CAD, plus shipping) includes: 

(1)  A set of Teacher DVDs, plus one download of the Instructor's Guide.

(2)  A set of Student DVDs, plus one download of the Student Workbook. (You do need a hard copy of the workbook to do the course.) A hardcopy of the workbook is also available for $20 plus shipping: https://www.getonic.com/Popshop/130062/7535

(3)  One Initial, introductory 30-minute SKYPE consultation to evaluate your pronunciation work and explain the program.  

(4) The first, 30-minute SKYPE consultation (To be done after Module #1 work is completed.) 

One module takes about a week to complete, 1.5~2 hours. It is best to do one module per week, followed by an optional consultation, but do at least one module every two weeks.  SKYPE consultations are an additional $25 each. Total cost for the program, doing consultations after every module is $350, plus shipping. 

Also available is the AH-EPS Accent Reduction program for nonnative English speaking professionals and instructors.
For more information, email: info@actonhaptic.com

You can't beat (?) Haptic pronunciation teaching!

A sometimes accurate predictor of a student's ability to catch on to haptic or kinaesthetic teaching is the "baton beat" test. In essence, all the learner needs to do is read aloud a printed dialogue with some words marked in boldface while (a) holding a baton in his or her left hand and (b) tapping the right palm with the baton on the boldfaced words as they are said. (It is not easy; try it!) Some do find it to be exceedingly easy; others couldn't do it well even if their life depended on it. 

Clip art: Clker

In a 2013 study by Tierney and Kraus of Northwestern University, summarized by Science Daily, it was demonstrated that, "People who are better able to move to a beat show more consistent brain responses to speech than those with less rhythm." The review goes on to suggest that rhythmic work may enhance the brain's response to language. Really?

What we do know is that the "baton test," when administered after a couple of months of haptic-integrated pronunciation training, goes much better for most students, demonstrating more fluid upper body motion and speech synchronized gesture. (One of the last techniques in the AH-EPS curriculum is the "Baton Integration Protocol," in fact.) 

You can't beat haptic pronunciation teaching. 

Keep in touch.  

Great moments in pronunciation teaching - "Undercover" haptic burqa work!

Photo credit: socialphy.com

I'm sure that at least some of you have encountered this potential problem. You walk into a room to do some pronunciation work and discover that a significant number of the students are wearing a burqa. That happened to me recently doing 2-hour workshops on basics of haptic pronunciation teaching. The "students" were experienced or in-training teachers. I have often commented that Essential Haptic-integrated English Pronunciation (EHIEP) can be especially effective in large classes where you cannot see the lips or even the faces of students clearly. The gestures themselves, in essence, grab hold of the vocal apparatus and guide the learner's facial muscles, jaw, diaphragm and vocal cords in approximating the target sounds. This was a good field test of that idea.

In that 2-hour workshop format, I did a general orientation to a haptic (gesture + touch) approach to English pronunciation, including: (a) a warm up, (b) lax vowels, (c) tense vowels, (d) tense vowels w/off glides and diphthongs, (e) basic English rhythm, and (f) basic English intonation. For all 6 of those topics, the pedagogical movement patterns (PMP) related to sounds or sound patterns are done with arms and hands touching such that the contrast between any two sounds or sound patterns is both physically and visually very distinct.

All burqas involved snug wrist bands that kept the lower arms of the student covered, even when reaching above the head. The visual effect of several covered students following the PMPs during the session, the synchronized, flowing black burqas was stunning. The degree of abandon in moving with the exercises evidenced by some of them was very much unexpected.

In retrospect, it really shouldn't have been. From both inside and outside the burqa, the attention to motion and touch, not just rich, resonant articulation of the sounds, seemed to be greatly enhanced. For whatever reason, they seemed to readily and enthusiastically "get" or (to use our favourite haptic metaphor) "grasp" what the system was about and its potential application to modelling. anchoring vocabulary and correcting student pronunciation.

Obviously have do more research on what is behind the "haptic burqa" effect!

Haptic Pronunciation Teaching Seminar in Vancouver, British Columbia!

A Haptic Pronunciation Teaching Seminar is scheduled for August 4th through 8th, 2014. It is designed for instructors with little or no background in phonetics or pronunciation teaching. The basic Essential Haptic-integrated English Pronunciation (EHIEP) training program is applicable for and adaptable to instruction in almost any teaching context.

The 5-day training includes both the complete Instructor Certification course and a half-day Teacher Training in Haptic Pronunciation Teaching module. Seminar fees include all materials and limited rights to reproduce and distribute haptic-video-based Acton Haptic English Pronunciation System (AH-EPS).  Enrolment is limited to 20.

Participants should plan to arrive on August 3rd and depart on August 9th. It is also very highly recommended that you build in an additional, well-deserved and relaxing week off after the training in Vancouver or British Columbia, too!

Those experienced pronunciation instructors interested in participating in the training should contact me  directly at: actonhaptic@gmail.com.

Complete details on seminar fees and accommodations will be available shortly. Keep in touch!

New Colour Vowel Clock for haptic pronunciation teaching!

We have just revised the AH-EPS v2.0 vowel clock. I say "we" because Karen redesigned the clock to include all of the key words and symbols. I added a new colour overlay to her design that is, I think, a little more compatible with the general phonaesthetic qualities of the visual field. (See earlier post related to the colour issue with the popular Color Vowel Chart.) Kudos to Karen. Will have various v3.0 sizes available on website, too.

Keep in touch!

Haptic Pronunciation Teaching (v2.0) Rides Again!

This is big. AH-EPS v2.0 and the new ActonHaptic website are ready. On the website are links to everything you need to do "haptic." Reviews on the new system have been great. AH-EPS has been about 10 years in the making. It can be adapted for any group of students, either by letting me do the initial teaching on video for you (See previous "FLIP" post!) or you take a little time to train yourself and do it yourself.
For starters, I'd recommend one of the two sets below. The introductory offer on "AH-EPS v2.0 Package" provides the complete set of tools, including Instructor and Student DVD sets, hardcopies of both books, 4 months of streaming on Vimeo.com and a webcam consultation with me to help you set it up, if necessary--or just share the fun.
The other option, AH-EPS v2.0 Intro Lite, has the same basic stuff but does not include the DVDs and hard copies. This is a good choice if you'd prefer to just get up to speed quickly with the latest developments or even to work through parts of it yourself to tune up your "pedagogical English body and voice" or your accent.
And, if you post one of those GETONIC popshops on your website or blog or social media site, every time somebody purchases what is on that tag you get a 5% commission! Keep in touch!

Flipping over Haptic (video) Pronunciation Teaching!

Nice piece (originally published in Bilingual Basics, August 2013) in TESOL Connections this month entitled, "Three reasons to flip your classroom," by Marshall. A few previous posts have looked at the case for "flipping," that is using video to present concepts and then following up with various forms of in class collaboration and engagement. This is the first that I have seen that specifically addresses "flip" methodology in working with English language learners.

The AH-EPS "method" uses something of the same format:

Clip art:
Clker.com

• a 30-minute haptic video 
• where students "dance along with the model on the screen" 
• as they are introduced to some element of English pronunciation 
• and given a strategy/technique 
• which instructor and student then use later in general classroom instruction 
• to introduce, model, correct or provide feedback
• on pronunciation of sounds, words, phrases or longer pieces of spoken language

If you are not already a "haptician," it may be time to consider flipping . . . Go to the new Acton Haptic website to get started!

Keep in touch!

Exciting pronunciation improvement: the "Harvard way," so to speak!

Note: Decide whether to process "exciting" as a gerund or adjective--or both (preferred) before reading this post. 

Photo credit: LinkedIn.com

After decades of trying to dial down anxiety in pronunciation teaching, having students calm down, relax or get in the zone affectively, leave it to Harvard researchers to "discover" that getting excited is actually a better state of mind to be in when preparing for what would normally be some anxiety-provoking activities or challenges. The results of the experiments, reported by  Brooks of the Harvard School of Business, and reported by Science Daily, demonstrated, "that simple statements about excitement could improve performance during activities that triggered anxiety."

That is big. The basic premise of the studies was the value of having subjects practice saying things out loud like "I'm excited about X," or, alternatively, "I'm calm about X . . . "  Those using the positive approach turned out to be consistently better at performing the task ahead.  Furthermore, Brooks notes that, "  . . . It really does pay to be positive, and people should say they are excited. Even if they don't believe it at first, saying 'I'm excited' out loud increases authentic feelings of excitement." What the "excited talk" subjects experienced was both more excitement up front and lower anxiety during the performance task itself (measured in part by heart rate.)

Such applications of "Positive"psychology" have been around for a long time. The mechanism behind such results is clear: professed motivation, even if somewhat "insincere" and artificial, in some, relatively limited contexts works well. The Harvard studies appear to have focused primarily on public oral performance, such as giving a speech. Speaking. See the connection? The subjects were already speaking more confidently before they had began . . . speaking.

In haptic pronunciation teaching (and probably every good public speaking training system), in part because of the"full body" engagement, we see the same phenomenon: learners do, indeed, get "excited" (or maybe even a bit agitated?) up front, but then demonstrate less anxiety in responding to modelling and during oral practice and error correction. Exciting, eh?

(Haptic pronunciation) movement training: mouse to mouth?

Clip art:
Clker

New study by Kording of Northwestern University and the Rehabilitation Institute of Chicago, summarized by Science Daily, purports to show that " . . . computer use not only changes our lifestyle but also fundamentally affects the neural representation of our movements . . . " Really? The research compared the "movement generalizability" ability of heavy computer users with those who were not. Those proficient "mousers" were, not surprisingly, able to more quickly learn new mouse patterns.

What is of particular interest to haptic pronunciation teaching, however, was that after about two weeks of specifically designed mouse-based computer game playing, the former "non-mousers" had, in effect, caught up. Their brains and hands had achieved what appeared to be the same "broad movement generalization" capability. This helps explain a key phase or problem in haptic pronunciation learning--and suggests something of a solution. 

For some learners, being able to follow along with the pedagogical movement patterns (hand and arm movements across the visual field accompanied by speaking a word or phrase, concluding in hands touching on a stressed syllable) used by instructors can be initially difficult. In our experience it may take up to a month for them to be able to begin easily generalizing a movement pattern of a vowel, for example, in practicing pronunciation of new words.

There are any number of studies reported here earlier considering why that may be the case, from pedagogical to psycho-social to neurological. The concept of training learners to be better at learning movement first, in a low key, maybe even "fun" set of procedures, however, is intriguing. Whatever the cause, if "simple" movement training, rather than more radical intervention--or giving up in despair, can enhance haptic pronunciation learning and teaching up front, that is indeed big. 

Will try designing some kind of analogous "Mini-Mouse Module," or perhaps just require a few minutes of iPhone game work before or during class regularly to keep everybody up to speed!

 Keep in touch!

Haptic pronunciation teaching as theatre, Part Two: EXPRESSIVE

This is Part Two of two that explores how to understand EHIEP and AH-EPS training, based on the Association of Theatre Movement Educators (ATME) characterization of both the physical and expressive dimensions of movement training.

I have excerpted out the basic focus of the four features of theatre movement related to "expressiveness" that follow and have inserted in italics after each one the relevance to haptic pronunciation teaching (HPT): 

• . . . use of the body as an instrument of perception and expression . . . (In addition to enhancing general expressiveness, HPT creates in the learner the ability to "record" and recall words, phrases and sentences based on what it feels like to articulate them and what body movement accompanies each, what is often termed, kinaesthetic memory) 
• . . . externalize and communicate . . . inner state through movement . . . (Any sound or group of sounds can be represented using speech-synchronized gesture systematically in the visual field, terminating in hands touching on the focal or stressed syllable)
• . . . concentration, observation, and sensitivity to others . . . (Perhaps the most striking effect of haptic pronunciation training is the management of attention, if only for brief periods of time, to concentrate on the target sound or word.)



AMPISys, Inc.

• . . . skill, confidence and freedom of expression . . . (Public speaking instructors are generally good at using movement and body-based techniques to promote a feeling of confidence and greater expressiveness. Learners doing EHIEP consistently report increased confidence in speaking and ability to express their feelings more effectively.)

Announcing new AH-EPS v2.0 packages and Demonstration videos!

Along with release of v2.0 of Acton Haptic English Pronunciation System will be a new set of 4, 2-module packages: Vowels and word stress, rhythm and linking, intonation and expressiveness, and fluency and integration. Any one of those packages can be used as a set. Each also includes some basic introductory material to AH-EPS for students as well. 

Also for a limited time, links to Vimeo-streaming demonstrations of the haptic pedagogical movement patterns (PMPs--See the Teaman and Acton paper) are available, included below. Each video will give you an idea of the basic haptic (movement + touch) gesture that is used in presenting, practice and correcting pronunciation in that module.  (If you cannot access Vimeo, email actonhaptic@gmail.com for a demonstration DVD or further information.)

NOTE: Some of the demo links below are now password protected but will be available shortly as part of AH-EPS v2.0, either on the AH-EPS DVDs or as streaming off Vimeo.com. If you would like to view some of the demos, please email me at actonhpatic@gmail.com for a temporary password!

Credit: AMPISys, Inc. 

A module typically includes instructional and student materials, plus a set of videos, including:

(a) A warm up DEMONSTRATION

(b) Demonstration of new PMP

(c) Review of PMP from previous module(s)

(d) Training in new PMP

(e) Practice of new PMP

(f) Practice of new PMP in conversational dialogues

Package 1. Vowels and word stress
(Module 2) Short vowels (lax vowels) DEMONSTRATION
(Module 3) Long vowels (tense vowels, and tense vowels + off glides) DEMONSTRATION

Package 2. Rhythm, phrasal stress and linking 
(Module 4) Syllable grouping DEMONSTRATION
(Module 6) Rhythm training and linking DEMONSTRATION (rhythm training only)

Package 3. Intonation and expressiveness
(Module 5) Basic Intonation DEMONSTRATION
(Module 8) Expressiveness (discourse intonation) DEMONSTRATION

Package 4. Fluency and integration
(Module 7) Conversational fluency DEMONSTRATION
(Module 9) Integrating pronunciation change DEMONSTRATION

Each package includes:
Instructor materials: Complete Instructor's Guide download and Vimeo video streaming of 2 modules (hardcopy and DVDs available)

 Student Workbook materials from 2 modules: Workbook download and Vimeo video streaming of 2 modules (hardcopy and DVDs available)

Cost will be about $35 for download/streaming version, or $90 plus shipping for the hardcopy/DVD version.

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Cost of other packages will range from $50 (consonants) to $400 (including student practice DVD/videos for a class of 12).

In addition to complete AH-EPS packages of Videos and materials (in download or streaming versions), the 2-module packages will be available later this month.

Keep in touch!

Introduction to haptics and some possible applications

If you are new to the idea of haptics and "haptic," here is a neat 6 minute TEDYouth 2012 talk by Kuchenbecker of University of Pennsylvania (Hat tip to Karen Rauser.) Our work in haptic-integrated pronunciation teaching is something of the flip side of this. Whereas Kuchenbecker's work digitizes touch and movement to accompany video, we create the haptic felt sense of sound (through awareness of vocal resonance, upper movement and touch) to accompany the positioning of the hands and arms in the visual field. Have been working on the outlines of a TED talk proposal myself for next year. Keep in touch!

Haptic-integrated pronunciation instruction: Techniques

Here is the abstract and URL for a paper by Brian Teaman and myself just published in the JALT Conference Proceedings: JALT 2012:

In this paper we describe a series of new techniques for the teaching of pronunciation using movement and touch. The “haptic approach” described here assumes that speaking is essentially a physical act that engages the entire body and not just the speech organs. This paper reviews the theoretical foundations of a haptic system, describes 9 haptic-based techniques, and explores the specific application of these techniques with Japanese learners of English.

この論文は、現在開発中の身体の動きと接触を利用した発音指導のための新しいテクニックについて書かれたものである。「触覚アプローチ」とは動作と接触を用いるという意味で、話すこととは、本質的に身体全体を使った身体的行動であり、単なる「発話器官」ではないという考え方に基づいている。この論文では、触覚アプローチのシステムの論理的根拠を考察し、その触覚に基づく９つの教授テクニックを紹介し、なぜ日本人の学習者にそれらのテクニックが効果的かを述べる。

Haptic-integrated pronunciation instruction: Preliminaries

Here is the abstract and URL for a paper by Mike Burri, Amanda Baker, Brian Teaman and myself just published in Proceedings of the 4th Pronunciation in Second Language Learning and Teaching Conference / Iowa State University:

This paper reports on aspects of a haptic (movement plus touch) integrated system for classroom pronunciation instruction. It is based, in part, on established pedagogical practice in the use of somatic/kinesthetic techniques such as gesture in language instruction (Acton, 1984, 2012; Celce-Murcia, Brinton, Goodwin & Briner, 2010; McCafferty, 2004), and management of vocal resonance in singing and voice training (Lessac, 1997). The pedagogical method is designed for use by relatively untrained instructors and is generally best delivered through video with classroom follow up. Relatively recent research and development in haptics, especially in the areas of gaming, prosthetics and robotics, provides a rich source of potential principles and procedures from which to draw in exploring and rethinking the “clinical side” of pronunciation work. The use of haptic integration procedures in various teaching systems, in the form of designated movement patterns accompanied by various “textures of touch” has been shown to more systematically coordinate sensory modalities involved and greatly enhance both effectiveness and pace of instruction. In field testing the basic English pronunciation system to be described, this application of haptic procedures shows promise of also enhancing efficiency in anchoring sounds, words and phrases and in facilitating both recall and integration of targeted material in spontaneous speech.

What comes first? Speaking confidently or confident speaking?

I know . . . trick question. A recent Facebook post by the seriously "positive" Tim Murphey got me thinking. He was commenting on a study commented on by Lynn McTaggart at Positive News.org.uk, commenting on a study done by Michigan State University researchers. (One of my alma maters, by the way, so it must be true!) The point of the article was that people speak in public more confidently when they think about others in their group and not just how nervous they are or whatever. Murphey's point is that when we are connected, we are confident. (In the original study, however,  they seem to have not controlled for the intentional mental focus on anything other than stage/speaking fright--a near fatal flaw--an effect well-established by research and practice in several fields.)

Acton Haptic -
English Pronunciation System

Mea culpa. I tend to be a little skeptical about claims in "confidence before competence" models, especially in pronunciation teaching. An interesting 2007 doctoral thesis by Montha Songsiri of Victoria University, nonetheless, demonstrated, at least in part, how pedagogy can indeed engender confidence in speaking that appears to show up in greater intelligibility and more accurate pronunciation.

And then recently I did a 10-day intensive speaking/pronunciation/accent reduction program using a modified version of the AH-EPS system with pre-MBA nonnative speakers--and may have watched it happen: Beginning with a great deal of speaking in public (oral reading and highly formatted interactions, coupled with public speaking confidence tricks such as posture, breathing)--and concentrating on something other than performance anxiety--seemed to "work!" (In this case, the pedagogical movement patterns of AH-EPS to some extent, I assume.) Where participants' improved pronunciation came from exactly and so quickly is, of course, impossible to say, but the degree of reported improvement alone was almost surprising.  But I am confident in speaking from that perspective, of course!