Bill Acton's Embodiment Blog: learner cognition

Showing posts with label learner cognition. Show all posts

Tuesday, March 28, 2017

Killing pronunciation 5: Deliberate (boring) practice and the Passion-Practice paradox

Pronunciation enthusiasts can be some of the most energetic, entertaining and gesticular among us . . . unfortunately. (Mea culpa!)

Require your students to do boring and repetitive pronunciation in class or homework much? (Do you hold them accountable for quality practice outside of class?) If you have been following the blog for a while, you know that I am a big fan of James Clear. If you need to change something--most anything--and you probably still don't need a coach or therapist to help get you there, his website is worth a visit. His latest post, "The Behavior-change paradox", combined with Eduardo Briceno's TED talk on "How to get better at things you care about" forms a nice program for change of sorts--even pronunciation change!

"Deliberate practice" is back in vogue. One of the great "myths" of our time is that most anything can be learned at near light speed, relatively speaking. The typical pitch from quick-change methodologists (and con artists) such as "change your accent FAST!" reflects that legacy of both behaviorism and technology, especially the latter--and marketing, of course.

The two pieces of the Clear-Briceno model are (simply) consistent, incremental change and focused passion. You need both. Clear's analysis of why we often fail to make change in our habits is simple, but striking, and captures the passion-practice paradox: the more we try to change in the short term or the harder we go at it, the more resistance we encounter. Effective change over time is generally based on disciplined alteration of key practices at the day or even hour-by-hour level.

Clker.com

In other words, in pronunciation teaching, motivating learners, impacting their "cognition", assisting them in planning or thinking about their personal goals and objectives can be pretty much pointless, or worse, unless they know how to practice effectively on a near daily basis. Furthermore, that work is for the most part not sexy or exciting, but often boring--and most importantly--progress at that level is generally not perceptible, although over time it will be.

Do you do that? How is your "passion-practice" balance, especially in assigning homework or getting learners charged up, self-directed and autonomous? If you function in a language lab or do a lot of pronunciation on the web, you may be off the hook somewhat, of course. Now we know why the lab and technology are making a serious comeback in the field--and may eventually replace us all!

In the meantime, if you are having issues with your diet, exercise, budgeting or metaphysical discipline, check out the Clear post (and maybe even download is longer, more detailed instructions on how to get your act together.) Then have a focused, professional talk with your students on incremental, manageable practicing of their pronunciation and their L2 in general . . . regularly.

Before you do, you might also want to check with your local personal fitness training coach or "haptician" on some effective ways to do that!

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)