A Super Somewhat "Solipsistic" Solo Method for Greatly Improving English Speaking Fluency!

COURSE closed! But we are opening another soon! Keep in touch!

I know what you are thinking . . .well, actually,"solipsistically" speaking, I probably don't, of course! But, anyway, this is a remarkable new course offering,  one designed for learners in a somewhat unique but actually very common niche: 

The 9-week online course, Acton Haptic English Fluency Training (HFT), is designed especially for non-native English-speaking adults who 

1. Do not have the opportunity for much, if any English, face-to-face conversation in their daily lives but 
2. Who want to keep improving, nonetheless, 
3. Who have an IELTS reading ability of about 4.0 or above, and 
4. Do not have a lot of cash to work with!

• HFT features Embodied Oral Reading to develop English fluency and confidence 

·       Embodied Oral Reading is done out loud, in private, using stories that are accompanied by special gestures which use concepts and vocabulary that students are already familiar with, essentially, what they can understand, but perhaps may not be able to talk about fluently.  

·     HFT provides the student with a set of skills which once learned they can continue improving with beyond the course. It is especially recommended, for example, for students who do not have access to conversational English currently, such as

o   Undergraduate and graduate students in programs not taught primarily in English

o   Parents whose spoken English is not strong and whose children are in public schools in North America

o   New immigrants and family members who cannot currently access English instruction

o   Students who are in religious studies where they will serve in a language other than English, but where being able to read Scripture in English in public is essential,

o   Retired “senior” English L2 speakers who may be “home alone” in some sense much of the time but would value spending 3-4 hours weekly to develop the clarity of their spoken English.  

·    It is based on extensive research (and decades of teaching experience) in oral reading methodology and the well-known "Lectio Divina" tradition in meditation practice, using extensive oral reading as homework—not in a class.

·    The key neuroscience-based innovation of HFT is the precise use of gestures and touch in the visual field. Synchronized with speech, these multimodality gestures create optimal conditions for attention, learning, retention and recall.

·    Course work is done individually, with four or five, 30-minute homework assignments and a live 75-minute zoom feedback meeting weekly, usually on Friday evening. (which is also recorded for later access, if necessary.)

• The emphasis is on improving the English that learners understand well but do no speak with the same level of success. 

• Learners finish the course being able to speak more rhythmically, more expressively, more precisely and with greater confidence.

• There are several possible story and text types that students can choose to use in their embodied oral readings (EORs):
• General academic English (for high school learners and older)
• General business English (for adults)
• General workplace English
• General seminary/Bible-based English (for students in Christian ministry or training)
• General informal conversation-based English (especially good for parents whose children's English is better than theirs!) 
• General instructional language used in teaching (for non-native English speaking teachers)
• Personalized, story-based English (for those want to improve just for the love of English)
• Course includes:
• Introduction and 8, 1-week lessons which include
• Weekly 30-minute recorded lessons
• Weekly 60-minute follow up, live (or recorded) lesson
• Daily, 20-30 minute homework assignments
• Syllabus
• Week 1 - Introduction
• Week 2 - Rhythm 1
• Week 3 - Fluency 1
• Week 4 - Vowels 1
• Week 5 - Vowels 2
• Week 6 - Consonants (th, w/y,  r/l and f/v)
• Week 7 - Intonation
• Week 8 - Rhythm 2 (Rhythm, linking and pausing) 
• Week 9 - Fluency 2 (Expressiveness and confidence)
• Example Unit:
• Monday, view recorded lesson
• Tuesday, do homework
• Wednesday, do homework
• Thursday, do homework
• Friday, follow up lesson live on Zoom (usually, 18:00 PST)
• Saturday, do homework
• Sunday: TAKE THE DAY OFF!!!
• Homework format:
• Review one part of the video (5 minutes)
• Practice the haptic gesture featured in the weekly lesson (5 minutes)
• Practice the Embodied Oral Reading (EOR) in the course materials (10~15 minutes)
• Record your last practice (about 2 minutes)
• Review your recording (about 2 minutes)
• Find some words or phrases that are not in the lesson to practice the lesson's  haptic gesture with! (5 minutes)
• (Optional) personalized Zoom meetings available for additional fee upon request
• Customized course versions tailored for organizations of almost any size. 
• (Optional) Professional development credit available through Trinity Western University

• Next course: October 9th ~ December 9th. 
• Cost: $350 USD, materials included. 
• To enroll or for more info, contact Bill Acton at wracton@gmail.com

• Further details are available at: www.actonhaptic.com/hft
• Instructors with training in haptic pronunciation teaching are invited to apply to be a collaborating instructor in these HFT courses. (Or offer the course through their school!)

Flicking off unstressed (and less stressed) vowels in English!

Some vowels just get no respect (or much attention in teaching!)--but they should! 

If you are in Des Moines, Washington this Saturday, come to the 2022 WAESOL conference for our workshop, "Stressing and teaching unstressed and secondarily-stressed vowels in English." This is something of an update and reprise of a workshop I did in 2014. Since then the relevance of working with "backgrounded" vowels has become much more evident in the field, e.g., Szigetvár (2021).

There are many occasions when having students work on an unstressed vowel briefly, such as the 'e' in the word 'the' as in the noun phrase, 'in the circus.' Although for some, just being able to hear the vowel quality in that vowel is sufficient for their purposes--many can almost immediately begin using it in speaking. For others, especially those who are highly "auditory-kinesthetic" (such as myself) experience actually producing the sound may be enormously helpful if not essential. 

The "flicking off" refers to the near-haptic, dismissal-like gesture used in anchoring unstressed vowels, something of quick thumb "flick" in the direction of the vowel in a version of the IPA chart used in the KINETIK Method. It is termed "near-haptic" in that the thumb does not actually touch the other hand, as is case in all the usual "Movement, tone and touch techniques" (MT3s) in the KINETIK method. 

If you can't join us, the video will be available on the other side. 

Keep in touch!

Bill

Moving learners to be more positive and work together in (pronunciation) teaching: person or process?

One typical reason often given for not teaching pronunciation has to be something like: I don't feel comfortable having to be so outgoing and interpersonally "invasive" in messing with students' speech. Granted, many (if not near all) of the strongest proponents of pronunciation teaching, mea culpa, tend to be pretty far down the "extrovert" rabbit hole. In more traditional approaches to teaching you almost had to be to drive drill and other mindless practices with enthusiasm, motivation students to stay with it.  Being around someone who is excessively positive and extroverted can also get real annoying, eh!

Turns out, according to a non-significant study by Qui and Ho of Nanyang Technological University, Singapore, that all that extroverted talk and language may not really be contributing much to the process--a proposition that I, being an extrovert, endorse whole heartedly, enthusiastically! (but see below.) Based on a meta-analysis of about three dozen studies of extrovert behavior, they almost discovered that extroverts tend to use more "positive emotion words" and "social process words" than the rest of you. Taken from the Neuroscience News summary: 

"Positive emotion words are defined by psychologists – using text analysis tools – as words that describe a pleasant emotional state, such as ‘love’, ‘happy’, or ‘blessed’, or that indicate positivity or optimism, such as ‘beautiful’ or ‘nice’. Social process words include words containing personal pronouns except ‘I’, and words showing social intentions, such as ‘meet’, ‘share’ and ‘talk’."

Then, their conclusion: "Our results suggest that positive emotion words and social process words are linguistic correlates of extroversion, but they are small in magnitude." 

Really? By "small in magnitude" they mean their findings did not reach an r of 0.05 (0.069 and 0.077.) Normally, I don't report "near misses" like that, but since I like the conclusion, let us run with it a bit. What it "tells" me, is that what many see as the secret to setting up the most effective learning "atmosphere" in class, the use of "pedagogically correct" language that is generally positive, "grouply" discourse, does not depend on being personally . . . extroverted. So what does motivate (move) your students? You, your pedagogy or both? And how does that interaction really function in class? 

We discovered early on that uncontrolled enthusiasm, as great as it is for getting everybody on board, is near toxic in working with gesture, easily letting things get out "hand" or of control or focus--and very likely pronunciation, in general. In part, the reason for that being that the learner's attention can go almost anywhere in the visual field around them, affecting what is remembered from the session, compromising attention to sound, for example. Research (and common sense) has long established that both positive excitement and negative stress can wear you out equally, take you off your game. 

It's certainly about moving . . . moving learners to learn efficiently, metaphorically and physically. Try this: Evaluate your next three or four in-class or on Zoom lessons just in terms of relative quantity and quality of body movement, by both you and the class--a fundamental principle of haptic pronunciation teaching. 

One great way to do that is to record the session and then review it with the sound off. (If you are interested, let me know in the comments section and I'll share with you a rubric for that that we have developed for teacher training.) That will seriously impact/enhance your awareness and work on screen. Guaranteed. 

Achieving intentional, appropriate kinaesthetic engagement is critical in teaching with systematic gesture, as in HaPT. And it can't help but make you and students look and sound better as well! 

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Bottom line: Being an extrovert should NOT be especially advantageous in pronunciation teaching, properly understood . . . like in the new (EXCITING!) iteration of haptic pronunciation teaching (HaPT.) I'm sure you saw that coming! Acton Haptic Pronunciation: Content Complement System (AHP:CCS) official roll out date is now 2/15/21. Check out previous blogpost for more info on that. ,

Original source:
“A meta-analysis of linguistic markers of extraversion: Positive emotion and social process words” by Jiayu Chen Lin Qiu, Moon-Ho Ringo Ho. Journal of Research in Personality