Bill Acton's Embodiment Blog: L1

Showing posts with label L1. Show all posts

Monday, May 22, 2017

Metacognitive competence: Know thy L1, L1C and inner parts to better acquire L2 and L2C

Clker.com

As reported in the Journal of Cognitive Enhancement (and summarized by medicalxpress.com), Böckler of the Max Planck Institute and Maxmilians of the University of Würzburg seem to have established empirically yet again--or maybe for the first time--what the ancient Egyptians had observed: "Man, know thyself, and you are going to know the gods". Well, their study is a bit more modest. You should at least be capable of gaining a better understanding of the "mental state" of others.

In the 3-month study that focused on "perspective taking" skills, including their "superpersonalities" and (I like this) their "inner parts" subjects developed enhanced ability to understand the position of the Other--which should result in improved engagement and learning. Psychologically healthy empathy operationalized, not just the ability to "sync" with others but beginning from a realistic and grounded understanding of who we are.

Have been unable to find any recent research or even reports on current practice where learners first go through a systematic "pre-language learning" program, gaining formal metacognitive and experiential knowledge of their L1 and L1 culture before actually getting to the L2. (My only first hand experience with that was the 3-months or so of military basic training that I went through in the US Air Force prior to beginning a one-year ALM experience in Russian language. Near perfect preparation!)

There are, of course, hundreds of studies looking at learner readiness and aptitude. In addition, most of us would contend that we continually do things and set up conditions that work toward enhancing learning, in effect accomplishing the same thing, in some sense like the B&M study. Culture and pragmatics are now thoroughly integrated (in theory) in instruction; L1 usage and reference are now much more widely accepted as well.

Many programs and courses place importance on general cultural awareness; some use the structure and sound system of the L1 as a point of departure as well. In haptic pronunciation teaching (EHIEP), for example, it is recommended, whenever possible, to train learners in the basics of the L1 sound system before introducing them to English or at least early on in the process.

In our MATESOL program we are now using for the first time a "know thyself" instrument, the Strength Deployment Inventory, that shows promise in developing some of the same kind of "metacognitive competence". Tell us how you get at the same target in your pronunciation (or any other kind of) teaching! That is if you are aware of it . . .

Anne Böckler of the Max Planck Institute for Human Cognitive and Brain Science and Julius Maximilians University Würzburg in Germany

Read more at: https://medicalxpress.com/news/2017-05-thyself.html#jC

nne Böckler et al, Know Thy Selves: Learning to Understand Oneself Increases the Ability to Understand Others, Journal of Cognitive Enhancement (2017). DOI: 10.1007/s41465-017-0023-6

Read more at: https://medicalxpress.com/news/2017-05-thyself.html#jCp

Friday, February 24, 2017

Haptic phonetics: bridging from L1 to L2 pronunciation!

Clker.com

Please join Eileen McWilliams and myself in our 90 minute workshop tomorrow at the annual 2017 BCTEAL Island Conference at Camosun College in Victoria, British Columbia. Here is the program summary:

"Some familiarity with phonetics is essential to pronunciation teaching, both for student and teacher. This workshop presents a basic haptic (gesture+touch) phonetic framework for helping students better understand and work with the relationship between key aspects of their L1 vowels and consonants and those of English. In addition to an introduction to haptic cognition and haptic pronunciation teaching, “bridging” techniques from 8 L1s are demonstrated. Participants are provided with basic materials for haptic bridging and access to web-based demonstration videos."

Saturday 25, 2017, 1~2:30

See you there. We'll post the presentation to Slideshare and Research Gate next week.

Keep in touch!

Monday, September 26, 2011

Developing a touch for discriminating between objects (and sounds!)

How about this from Science Daily: "New research from the University of Notre Dame shows that people's ability to learn and remember information depends on what they do with their hands while they are learning.

Clip art: Clker

According to a study . . . people holding objects they're learning about process detail and notice differences among objects more effectively, while keeping the hands away from the objects helps people notice similarities and consistencies among those things." That suggests just why a "hands on" haptic approach to learning sounds and words, especially distinctions between L1 and L2 sounds, should work -- and why maintaining a "hands off" attitude toward pronunciation instruction . . . may not! "Now just hold ON!" (I can hear your saying.) Exactly.

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What is haptic pronunciation teaching?

Basically, it is using gesture, touch and movement to teach pronunciation of English (or any language). What makes this method unique is that it is based on controlled and systematic use of gesture in doing that. (Often the problem with gesture use in language learning is that it can be "crazy" or random or intimidating or inconsistent, or not well-developed and tied to clear outcomes.)

The earlier "Essential Haptic-integrated English Pronunciation (EHIEP) approach," now KINETIK, does a better job of enhancing presentation, modelling, feedback and correction. The method is simple and easy to follow. Once a 30-minute module is finished, teacher and students have a set of techniques to use in class anytime a pronunciation problem or opportunity comes up!

Haptic Preliminaries

I often begin workshops or papers with the comment that in about 40 years in the field I have had just one idea: that the systematic use of body movement is essential to effective and efficient pronunciation instruction. That has never been more relevant than today, with the general deemphasis on pronunciation and introduction of technology into the field. From both perspectives, the "haptic" perspective approach developed here offers great promise. I can at least promise you a "moving" experience!

What is the KINETIK Method?

KINETIK is the name of the new v6.0 haptic pronunciation teaching system. About six years earlier we were using the acronym, "Haptic Integrated Pronunciation for Other/Extended Circle English Speakers" (HIPOECES)--still there in the url of this blog!

Haptic-integrated clinical pronunciation is:

A different way to learn pronunciation, based in part on Arthur Lessac’s notion of “Training the body first.” It is also based on research in the use of movement and touch in learning and training. It:

Looks somewhat like a combination of aerobics, sign language and Taichi

Provides a basic foundation for continued, self-directed pronunciation learning and classroom instruction

Designed for use by relatively untrained teachers but appropriate for all teachers (and learners) of all levels

Focuses on pronunciation used in conversation (not all words in English)

Is a highly “brain-and-body-friendly” system that promotes efficient learning of integrated tasks in general

Designed to promote integrated classroom pronunciation instruction and enable integration of conscious pronunciation work into spontaneous speaking.

Introduction

This blog was formerly named: HIPoeces (pronounced 'hI-pƏ-cIs), basically an approach to teaching English pronunciation to speakers of "outer and expanding" circle Englishes (including that population commonly termed: non-native speakers) but also compatible with the use of local models other than simply Standard" American" or RP. Using Kachru's "Inner, expanding and outer circles" model to characterize the breadth of Englishes and speakers of those, HIPoeces (now HICP) systems focus on developing haptically-centered pedagogical models and methods which can be adapted for teaching the pronunciation of various Englishes as they are spoken and taught by "owners" of those varieties.

In theory, the underlying principles can be applied to teaching the sound system of any language. Most language instructors intuitively use a great deal of movement and tactile anchoring in the classroom. The essential question is how to use that resource systematically, especially so that those learners who are less "haptic" in nature are also "moved" by the method.

Simply put, the HICP model/method is based on the idea of speaking along with arm and hand movement, not all that different from that used in sign languages. Most movement patterns are taken from either typical classroom pronunciation instruction practice or from related fields, such as psychotherapy or sports.

Most blog posts link to research that relates to the general HICP model, that is studies dealing with the role of gesture, touch, movement, learning modalities, learning in output, use of the visual field in learning, and experiential learning.

DEFINITIONS:

"Haptic" techniques- procedures that involve both movement and touch (Obvious examples include clapping hands, tapping feet, or holding an object and shaking it to the rhythm of a poem.)

"HICP techniques" - procedures that are haptic and also explicitly coordinated with phonological structures and/or discourse prosody (For example, clapping hands on primary stressed syllables in multi-syllable words, or doing a dance step on key words in conversational turns.)

"Haptic integration"- The haptic dimension probably functions as much to anchor visual and auditory material as it does to assist the learner in getting the "felt sense" of the sound or sound process. Lack of integration into spontaneous speech being such a serious potential shortcoming of instruction, haptic engagement seems a promising bridge to more accurate fluency.

"Visual field" - in HICP extensive use is made of the visual field in front of the learner. (For example, a modified version of the IPA vowel chart is anchored haptically in the imagination of the learner, directly in front of the upper body, and used for several purposes throughout the program.)