"Content-Based Haptic Oral Reading: Enhanced Memory for Text and Pronunciation,":

Workshop to be presented at the TESOL Convention, Wednesday, 23 March, 14:00-15:45 US EST in Room 333 at The David L. Lawrence Convention Center. 

Here is the summary and the proposal: 

This workshop presents an innovative technique, the haptic, embodied oral reading, based on use of adjusted or enhanced targeted language present within typical, written course content or a structured “recast” of spontaneous classroom conversation. The procedure, relying on special gestures and touch, is applicable to learners of all proficiency levels.

Abstract:

Oral reading in its various incarnations may be the oldest and still most frequently employed language teaching and literacy development technique, for both learning and testing. For some learners and classroom contexts, reading out loud can be effective; for others, its applicability is limited. Its place in literacy and early reading instruction with children is well established, unequivocal. Although research on the efficacy of oral reading in language instruction with adult skill development is mixed, it is still seen as essential in oral proficiency testing. The “problem” with oral reading, in part, is that, unless done with attention to more than simply reading the text out loud, there is little empirical evidence that much is gained by the exercise.

This workshop focuses on “embodied” oral reading, that is the practice of performing an oral reading of a “regular” course text excerpt or stretch of spontaneous conversation, such that (a) the rhythm and stress grouping/structure is identified prior to the actual oral reading of the text. Next, (b) some feature of the text, such as intonation or a problematic consonant is briefly “adjusted” or modified. And (c) finally that stretch of speech (typically between 10 and 50 words) is read out loud, synchronized with some type of fluency-oriented gesture, such touching hands on the stressed words in the rhythm groups, creating a more memorable, fluent and semantically anchored experience for the learner, encouraging integration of the adjusted content material.

From conversational analysis (in class!) to L2 pragmatic competence at TESOL 2022!

The full  title of our TESOL 2022 presentation: Spontaneous classroom conversational analysis supporting development L2 pragmatic competence. 

Here is the abstract! (Presentation is on Thursday at 3:30 in room 334.)

This paper reports on research into ways in which an instructor in an EAP Speaking skills course helped facilitate development of pragmatic awareness and competence. The study focused on spontaneous, conversational analysis of student personal anecdotes done in small groups. Results revealed a range of potentially productive strategies and techniques. 

Angelina VanDyke and Bill Acton

50 ways to say "Haptic Pronunciation Teaching is BEST!"

About 30 years ago, at the KOTESOL annual conference, I did a plenary talk, something of a demonstration of the power of using gesture, prosody and expressiveness, entitled: 50 ways to say, good morning! (A take off either on a scene from Cyrano de Bergerac or song by Simon and Garfinkel.) Have continued to use that technique/trick ever since. It came off quite successfully, in fact, with an audience of over 100, where each person had to not only come up with a unique way to say "Good Morning!" but include a gesture to accompany it. One we had done "the 100," I then went back and pointed out something of the range of emotional, prosodic and gestural overlays that were evident. (Try it sometime!) 

CAVEAT EMPTOR: The following is very much fun and decidedly PRO-KINETIK!!! (But, also, pretty much accurate!) 

Now, instead of using the same words with varied overlays, here are 50 REASONs why Haptic Pronunciation Teaching in the new KINETIK method, including the "Embodied Oral Reading/Recast System" (EORRS) is, in my humble opinion, simply the best. 

KINETIK 

1. is "full-body" based and fun
2. is based in embodiment theory
3. develops "mindful" body awareness
4. is based, in part on American Sign Language
5. is based, in part, on Observed Experiential Observation 
6. uses gesture synchronized speech
7. uses gesture-managed, spontaneous speaking
8. is based in the neuroscience of touch
9. is rhythm-based, done first before anything else!
10. includes just the essentials of pronunciation
11. is almost as good online as in person (if not better)
12. is easy to learn to teach with (one technique at a time)
13. is inexpensive to learn to teach with ($500 minimum for complete system)
14. is inexpensive for students (It requires little, if any special materials, just access to online training videos)
15. uses "regular" course content for teaching pronunciation
16. can be applied in any skill area class
17. is great for in class correction and feedback
18. is excellent, with straightforward homework system
19. is great for modeling sentences, phrases, idioms
20. strongly enhances memory for vocabulary 
21. strongly enhances expressiveness
22. requires very little or no background in linguistics or phonetics to use it effectively
23. requires very little or no background in language teaching to use it effectively
24. uses (near revolutionary) "Embodied Oral Reading and Recast System"
25. consistently enhances student confidence in speaking
26. can be applied to a learner's L1 sound system
27. engages better breathing and posture
28. helps develop better abs!
29. facilitates feasible peer correction and feedback
30. is a complete scaffolded, method
31. has highly personalized weekly face to face session (or on Zoom)
32. facilitates development of rapport in the classroom
33. is based on quality dialogic instruction (instructor-student, and student-student)
34. has an amazing technique for [th]
35. has an amazing technique for [r/l]
36. has an amazing technique for linking
37. has an amazing technique for word-final voiced obstruents
38. has an amazing techniques for discourse orientation (prosody between speakers)
39. facilitates enhanced visual presence on screen/zoom
40. creates a relaxed classroom milieu
41. is applicable for learners of all ages
42. is applicable for learners of all proficiency levels
43. is applicable for classes of all sizes
44. is applicable for use in literacy training
45. is based on over 50 years of pronunciation teaching experience
46. is based on about 35 years of kinaesthetic pronunciation teaching
47. is based on over 15 years of effective haptic pronunciation teaching
48. is adaptable for special needs instruction
49. is applicable for accent reduction
50. makes some kinds of drill "great" again

For more information, goto: www.actonhaptic.com/kinetik/ or email me directly: wracton@gmail.com

"Parsing your words!" A key skill for teaching English rhythm!

A few (4) decades ago, in my first TESL course as an undergrad, we had a sentence something like the following, where the "point" was to show students that, in principle, any word in a sentence could be the location of the primary sentence stress, depending on the context and what had preceded in the conversation or story: 

                    My friend and I drove to the party in a rented, blue Ford station wagon. 

In our practicum, one of the assignments was, in fact, to have students repeat the sentence any number of times, even up to 15 in that case, where any word could be the focal or contrastive stress location. (You may have done something similar.) What that accomplished, in addition to massive confusion, is still not clear! In the unmaked condition, where that sentence somehow begins the conversation, on basic parsing would probably be: 

My friend and I / drove to the party / in a rented, / blue Ford station wagon.  

Ciker.com

To the native speaker, or near-native, that unmarked parsing is probably the concensus, and relatively easy to land on. Not so, generally, for the nonnative, however, in part because the decision as to where to parse the text relied on grammatical and discourse competence, not simply on how it "felt" to say it.  (In fact, I have found many native-speaking teacher trainees to be even less successful at producing the unmarked version of the text. They have been generally highly auditory and weak on grammar!) 

Once the "story" and previous preconceptions or events kick in, the stress could shift in any number of ways. There are some rules for guessing at the unmarked, of course, but they are not very helpful, such as:

• Stress tends to fall:
• on content words
• to the right
• on nouns or verbs, but not on prepositions, articles, adjectives or adverbs
• important concepts introduced earlier in the narrative that are contrastive to what is expected on marked constituents (context or previous events based)

So, how does one whose L1 is not English, learn how to parse texts for students, as is the basis of the "Rhythm First" protocol of the KINETIK method, where you parse the text and identify the primary-stressed word in each parse (or rhythm) group. Good question. One way is to take the KINETIK Method Instructor Certificate Course (KMICC) where each week you work on various short texts learning how to effectively parse to the intrinsic rhythm of the written (or spoken) text. At the conclusion of the 10-week course, participants are very good at parsing texts into what we call "embodied oral readings (EORs)," the key building block of the haptic, KINETIK instructional system. 

That sound like / a very good tool / to have on hand? 

Or

That sound / like a very good tool / to have on hand? 

or

That sound like a very good tool/ to have on hand? 

If so, join us: actonhaptic.com/kinetik or email me directly at: wracton@gmail.com

Haptic at TESOL 2022!

Haptic Pronunciation Teaching "Touching Base" at TESOL 2022 Convention in Pittsburgh, March 22~25th! If you will be at the convention, let's get in touch! I am doing one presentation with Angelina VanDyke on the 25th at 3:30, but, other than that, I'll be there just to promote the new, amazing KINETIK Method (www.actonhaptic.com/kinetik/) Alway open for a breakfast, lunch, dinner or later, of course with hapticians and other lovers of "haptic," but as in earlier years, I plan to be in the networking area next to the publishers' booths, both mid-morning and mid-afternoon for an hour or so. Also, if you are a runner, we'll probably be out each morning for 6-8km run around 6! In addition to details # on KINETIK courses, will have some new KINETIK swag as well. See you there! (Email me at: wracton@gmail.com!)

BIG news about Haptic Pronunciation Teaching!

Size DOES matter it turns out, according to research by Masarwa, Kreichman, and Gilaie-Dotan of Bar Ilan University and University College London, summarized by NeuroscienceNews.com as "In visual memory size matters." One of the key features of Haptic Pronunciation Teaching (HaPT) is the use of relatively large sweeping gestures across the visual field in front of the class to represent sounds and patterns of the language. (As students do it along with the instructor, typically.) We have known for a couple of decades that that "larger than life" visual representation of the sounds in communicating with the class is highly effective. 

Now we have a little more evidence as to just why. In the study, simply put, under various experimental conditions, it was demonstrated that the larger image was remembered better. The researchers' conclusion:

" Our study indicates that physical stimulus dimensions (as the size of an image) influence memory, and this may have significant implications to learning, aging, development, etc."

Fascinating study, linked below. In other words, our method is "bigger" than your method. There is actually much MORE to the story, of course! Go here to find out!

and, of course, keep in touch!

Bill

Link to original research: Larger images are better remembered during naturalistic encoding

Confident English Speaking, Fluency and Pronunciation--in 10 weeks!

As announced here on the blog, the new KINETIK English Fluency and Pronunciation Course is on. 

Especially designed for students who do not have much opportunity to practice speaking English outside of class! (But great for everybody else, too, of course!)

Gives you confidence to use what you “know” but may not always be able to access in speaking 

• Applicable for literate adult learners, upper beginner level and above
• Online, on Zoom, 2 hours of "live" class per week and about 2 hours of homework (20 minutes a day is best)
• Weekly live Zoom class: Thursdays, 4~5 p.m. (PST) or recorded
• Weekly live Zoom follow up: Wednesdays, in small groups, by appointment
• Cost: $500USD (or $60 per lesson)
• Use of embodied haptic techniques (using gesture and touch) for improving students’ fluency, memory for course content, vocabulary and intelligibility
• Makes you easier to understand and develops better posture and breathing
• Fixes most important pronunciation problems, or at least gets you well on the way.
• Makes self correction easier
• Includes effective system for continued study after the course
• With some slight modifications is also an excellent professional development system for any instructor, native or nonnative speaking. 

Still time to sign up! February 10th ~ April 24th! Contact me: wracton@gmail.com for required initial  Zoom interview.

Improved pronunciation "in the blink of any eye!"

How important is general/not directly task-based body movement, especially the lack of it, to learning pronunciation, creativity or just learning? In haptic pronunciation teaching learners are encouraged or required to move almost constantly, primarily through speech-synchronized gesture, but also through "Mindfulness-like" practices that monitor the state of the muscles and posture of the body, along with breathing patterns. 

But what about the impact on learning when students' bodies are held more in check, with restricted motor engagement? A new study by Murali and Händel of Julius-Maximilians-Universität Würzburg, Motor restrictions impair divergent thinking during walking and during sitting, summarized by ScienceDaily.com, not only affirms our intuitions about the central role of embodiment in thought and learning, but suggests something more: even while seated, a little movement appears to go a long way in maintaining creativity and attention. (What a shocker, eh? Hope you were sitting down when you read that!)

Ciker.com

The actual protocols of the research, which involved measurement of eye "blinking" responses as indices of degree of engagement, are not described in the summary, but the title of the original piece is interesting. To quote from the summary of the study: "Our research shows that it is not movement per se that helps us to think more flexibly," says neuroscientist Dr Barbara Händel from Julius-Maximilians-Universität Würzburg (JMU) in Bavaria, Germany. Instead, the freedom to make self-determined movements (emphasis, mine there) is responsible for it." 

In other words, messing with the body's incredible range of what appear to be random movements, apparently unassociated with the task being consciously in focus, may have dramatic consequences. An extreme analogy might even be talking with friends who are somewhere on the autism or ADHD spectrums. Their body and eye movements seem to suggest that they are not pay sufficient attention when in fact that is not the case at all. 

Now I am not saying that "thinking more flexibly" at any moment in instructional time is necessarily a good thing, of course, but the principle of allowing the body to also think and create on its own on an ongoing basis, in some sense "non or extra-verbally," if  you will, certainly is. On behalf of all elementary school boys on the planet who have had to sit in/through years of class to learn with girls when we should, instead, have been outside learning with our hands and whole bodies, I can only say, AMEN! 

Think about it. While you were reading this blogpost, what "else" was your body doing? If you can't remember . . . Q.E.D (quod erat demonstrandum)

Keep in touch!

Bill

Original source: 

Supriya Murali, Barbara Händel. Motor restrictions impair divergent thinking during walking and during sitting. Psychological Research, 2022; DOI: 10.1007/s00426-021-01636-w

Body-full-ness and (haptic) pronunciation teaching--make no mistake or at least fewer!

Avoiding, correcting, accepting, embracing errors . . . take your pick in pronunciation (and all) instruction as to how you respond when learners come up with something overly "creative" or slightly outside their optimal L2 target inventory. A 2019 study by Lin and colleagues, "How meditation can help you make fewer mistakes - Meditating just once proves to make a difference," summarized by ScienceDaily.com, draws a fascinating but not surprising connection between meditation (or mindfulness training) and "making fewer errors." 

In essence, subjects that were given 20-minutes of meditation and then, hooked up to brain monitors,  were better at performing an error avoidance task, a "computerized distraction test." This was a simple laboratory experiment, of course, but one implication, for the researchers at least, was more empirical support for the current widespread application of "mindfulness" training in education. 

If you have been following the blog, you'll recall that from a haptic perspective, I see mindfulness training, which basically focuses on body states to hold the conscious, modern neurotic mind at bay, is more accurately described as "body-full-ness" (BFN) training. BFN is the basis of haptic pronunciation teaching, prioritizing body-based rhythm engagement and then changing speech patterns through manipulation of upper body torso movement and gesture. In other words, in Lessac's words, "training the body first," is key to effective and efficient speech change and instruction. 

To learn how to teach more "haptically," in the new KINETIK Method system, goto: www.actonhaptic.com or email me directly: wracton@gmail.com and I'll be happy to Zoom you in!!!

Bill

Source:

Michigan State University. (2019, November 11). How meditation can help you make fewer mistakes: Meditating just once proves to make a difference. ScienceDaily. Retrieved January 9, 2022 from www.sciencedaily.com/releases/2019/11/191111124637.htm

Unemotional, improvement in conscientiousness in school (and homework and pronunciation) !!!

Here is a pair of studies just too good to believe which suggest that you can train subjects (students?) to become more conscientious without much if any conscious buy in, but (SURPRISE) to train somebody to greater emotional stability takes genuine commitment on their part. Part of the "trick" apparently is to do the conscientiousness training very carefully and incrementally (and unemotionally?) so that subjects don't catch on and react negatively. 

A quick summary of the studies by Hudson of Southern Methodist University, as further summarized by our friends at Sciencedaily.com. In the first study, college students were, in essence, asked which personality trait they'd like to improve, conscientiousness or emotional stability. They were then randomly assigned to one type of treatment without being informed as to why. The "conscientiousness" training included tasks such as being better organized. 

Regardless of the students initial selection those who were trained in conscientiousness reported improvement. In a second study, students were asked the same question but some were, instead, purposely assigned to "greater emotional stability," even though that was not their choice. Believe it or not, that intervention did not work for some reason . . . 

Now setting aside the "silly" second study, that you can train students to better emotional stability without their active commitment, the idea that getting students to improve in terms of conscientiousness without their active buy in is, of course, worth considering. Highly successful instructional systems all accomplish that. 

The question is how do you "unemotionally" but effectively and consistently promote conscientiousness, especially more autonomous engagement from that perspective, even when that is not initially a conscious priority for leaners? How does your course presentation and instructional system make that work? How does culture play into that type of discipline? Let us know!

In haptic pronunciation teaching, and especially the v6.0 KINETIK Method, effective homework is critical, at least a total of two hours weekly, to achieve substantial improvement. That is accomplished, in part, by first foregrounding disciple as a key feature of the system in the course introduction and then by proscribing almost minute-by-minute, 20-minute practice routines to be done daily, best case. Be delighted to tell you much more about that, in fact: www.actonhaptic.com/KINETIK

 

Ciker.com

New! 2022 Acton Haptic English Fluency and Pronunciation Courses!

As promised, the new (Amazing!) KINETIK Method student and instructor courses are ready to go! 

KINETIK Method: Embodied fluency, content and pronunciation enhancement

Features

• Instructor training certificate courses (12 weeks) 
• Student courses (applicable for literate adult learners, upper beginner level and above--10 weeks)
• Available for individuals or groups
• Online only, on Zoom, 2 hours of "live" class per week and 3~6 hours of homework
• Cost varies, depending on class size, from $200~$1500
• Use of embodied techniques for improving students’ fluency, memory for course content, vocabulary and intelligibility

For the instructor:

• Training in doing effective in-class feedback and correction
• Requires no previous formal training in pronunciation teaching or basic pedagogical phonetics
• Designed for instructors who do not have enough space in their lesson plans for pronunciation and effective homework assignments
• Designed for instructors who value greater engagement of the body in instruction and general body “consciousness and agency.”
• Provides improved personal “pedagogical voice” in classroom and classwork
• A complete method: one adaptable for most learners and contexts

For the student:

• Makes you easier to understand
• Fixes most important pronunciation problems
• Makes correction easier. . . self correction, correction by teachers and peers
• Increases confidence in speaking in conversationi
• Allows you to use what you “know” but may not be able to use in speaking 
• Especially good for students who do not have much opportunity to practice speaking English outside of class
• Includes effective system for continued study after the course

Why rhythm first, using gesture and touch:

• Rhythm is basic to speaking and understanding language!
• Gesture helps us emphasize rhythm and remember language.
• Touch helps us bring our senses together to learn. remember better and control attention and body movement, in general.
• Rhythm is key to integrating changed sound patterns.

Classes are available, beginning February 1st.

For more information: www.actonhaptic.com/KINETIK or email me directly at wracton@gmail.com

 

Hapticanar #11 - 20 Haptic Techniques (in 30 minutes!)

 If you'd like a preview of the new KINETIK Method Pronunciation Teaching Certificate Course, join us later today at the next Hapticanar, at 6 p.m., PST. Go to: https://www.actonhaptic.com/ to sign up for the free webinar. If you have missed any of the haptic (web) inars, or you can't join us live, you can always get caught up at: www.actonhaptic.com/archives.

For more on the certificate course: https://www.actonhaptic.com/kinetic or info@actonhaptic.com

Bill

KINETIK Hapticanar #5: Double Vowels and (haptic) friends

The next Hapticanar (Haptic webinar) is part two of the haptic system for teaching the vowels of English, at the regular wenbar time, July 13th, at 6 p.m. (PST). To sign up for the series of 12 webinars, go to www.actonhaptic.com. 

The "double vowels" in general North American pronunciation in the haptic system are these: (A common set used in student pronunciation texts.) 

• 1y [iy] “me”
• 11w [uw] “moo”
• 3y [ey] “may”
• 9w [ow] “mow”
• 6y [ay] “my”
• 8y [Ɔy]“boy”
• 6w [aw] “cow”

Their "friends" are simple tense vowels in English: ([i], [e], [u] and [o]. To do the double vowels, students need a little work on the simple tense vowels first. 

As usual, come for the singalong, stay for vowels!

Keep in touch!

Bill

KINETIK Hapticanar #4: Single Vowel-arama! (Or: How I learned to love stress and vowel it!)

Haptic pronunciation teaching does an especially good job of teaching vowels and basic word stress. In this webinar we begin with what we call "single vowels," that is simple, not complex "short" vowel sounds such as in: chicken, cooks, best, with, salt, fat, love, hot. (Later in the system we do work on some other simple vowels such as tense vowels that are not stressed, such as: [i] in 'pronunciation' or [e] in 'atypical'. You'll have to wait for webinar #10 for that, however!)

If you have missed the first four KINETIK hapticanars, Introduction, Rhythm, Fluency and Consonant Supreme 1, you can both get caught up at www.actonhaptic.com and sign up for the coming webinars! 

See you there!

 

KINETIK Webinar #3: Consonants Supreme 1 (The Best, most moving way to teach the pronunciation of 'th' and beyond!)

Duh best, most moving and efficient technique for duh 'th' sound and den some! One reason dat many metodologists advise not making 'th' a priority is dat dey don't know how to teach it well or teach others how to teach it well. Duh Haptic Pronunciation Teaching "Movement, tone and touch technique" (MT3) for 'th', inspired by a close encounter wit a popsicle stick in Japan two decades ago, is wort duh (free) price of admission for next week's webinar!

Seriously, the Haptic MT# for θ/ð is amazing . . we'll also do f/v, and y & w onglides. Don't believe me; come and try it on yourself next Tuesday, July 29th. 

Almost forgot. Bring along a coffee stirrer or popsicle stick. (Most MT3s use one!) 

Go to www.actonhaptic.com, to sign up!

KINETIK (Haptic Pronunciation Teaching) Method Certification Course

 Three ways to take the course!

1. (FREE) Attend the weekly Haptic(web)inars, Tuesdays at 6 p.m. PST. Learn one technique per week. Tomorrow is Week 2. The technique this week is the "TaiChi - Finger-flow-fluency,," a great procedure for encouraging overall fluency and integrating new or changed sounds into spontaneous speaking. To join, go to www.actonhaptic.com and sign up! 

2. Attend the webinars and also get the student training videos and teaching handouts. (at very minimal cost!) 

3. Take the Certification Course (available beginning August 1st!) Here are the details:

KINƐTIK METHOD™applies the basic Movement, Tone and Touch Techniques (MT3 - gesture plus touch routines) of HaPT to enhancing learning and memory for any class content and language, not just specifically pronunciation. It also promotes general intelligibility, using more pronunciation-oriented techniques. The haptic gestures serve to “complement” instruction in all skill areas, speaking, listening, reading, writing, vocabulary, grammar . . . and even pronunciation!

The course contains four modules, three lessons each. (Each lesson takes about a week to complete)

• Module 1

• Lesson One - Syllable Butterfly and rhythm

• Lesson Two - Finger-flow Fluency

• Lesson Three – Haptic phonetics: th/th, f/v, p/b, y, w, consonant clusters

• Module 2

• Lesson One - Single vowels, word stress, and word-final consonants

• Lesson Two - Double vowels and phrasal and sentence stress.

• Lesson Three – Haptic phonetics: n/ng, l, r, s/z/sh/zh, tsh/dzh

• Module 3

• Lesson One - Basic intonation

• Lesson Two - Advanced intonation

• Lesson Three - Baton integration and linking

• Module 4

• Lesson One - Advanced rhythm and fluency

• Lesson Two - Tense, unstressed vowels and secondary stress,

• Lesson Three – KINƐTIC review, advanced integration, and Certification test

The structure of a typical lesson is something like this:

(A) Attend the weekly Hapticanar on that lesson or do the video of it. (About 30 minutes),

(B) Do the training video for that lesson, the same one you would use to train you students (5-10 minutes, but you might want to do it two or three times),

(C) You identify a short section of a text of some kind from your current course content or a previous course, and figure out how you could use the MT3 of that leson with in a short embodied oral reading, usually about 25-50 words.

(D) At the end of the week, you meet for an hour or so with 3 or 4 other instructors like yourself, hopefully who are teaching the same type of students, and ME (or another experienced Haptician) to go over the Embodied Oral Readings that the four of you have come up with.

After Module 4, you take a REALLY easy little certification test where you create a video showing that you can do some of the MT3s and write up a couple of pages telling me how you would sell your KINETIK MT3s to your students, your colleagues and your boss!

The cost will vary, depending on how many students there are in a course. If there are 6 students, the cost will be about $300 per student. (There are a maximum of 6 students per course,) If there are 2 students, the cost will be $800 per student. Special programs are available for schools and larger groups.

For more information, contact info@actonhaptic.com.

The course will be rolled out in Auguet 1, 2021. It will be featured and discussed in Acton Haptic Community on Locals.com. Stay tuned here for more information as it is released!

Haptic Webinar #2: How can a little "TaiChi" enhance uptake and speaking fluency?

Come to the next Haptic(web)inar and find out! To get there, go to the website and register. While you are there, check out videos of the Introduction to KINETIK Method and Webinar #1: The Syllable Butterfly technique!  (And, of course, Keep in Touch!

Where does really great pronunciation teaching begin? "GrammaRhythm-ing!"

Note: This is definitely NOT your "grandma's way" of teaching pronunciation or grammar!

Classroom work using the KINETIK Method of Haptic Pronunciation Teaching always begins with a  grammar and rhythm process, what we call "GrammaRhythm-ing."

1. Breaking up a written text / of some kind / into rhythm groups / of up to seven syllables, / based primarily on grammatical structure./ In other words, /you pause at places / where one grammar structure begins / and another leaves off. 
1. You also identify / what is probably the syllable / in the word with the strongest energy / or stress, usually the one off to the right. 
2. Reading the text together, once through, with hands touching in some way on each stressed syllable--to get the rhythm of the text.

THEN: You work on something in there using gesture and touch, maybe some vowels or consonants, intonation, expressiveness, or maybe just so that the text is remembered better. 

FINALLY: Use a different fluency and integration-oriented gesture as you read the passage together one last time to help encourage uptake of the haptic work. 

To get a good idea of how this done, join us at Hapticanar #1, Tuesday, June 15th at 6 p.m. (PST). Click HERE to reserve a spot for that!  

In case you missed the Introductory Hapticanar this week, check HERE or earlier the Haptic Story Promo, check HERE.

Introductory (Free) Haptic Webinar Tonight!

 6 p.m. PST (1800)! The first of the (free) weekly, one-hour "Hapticanars." Here is the link to tonight's! Just click and you are in!

 The format is (usually) something like this: 

• 30 minutes of "embodied" training on 1 or 2 haptic pronunciation teaching techniques
• 30 minutes of Q&A

Tonight's will involve a little more talk on my part as I introduce haptic to those new to it, but there will be the usual "embodied" engagement and fun that will alway be the case! 

Follow up on the Hapticanar happens at actonhaptic@locals.com. That is free to sign up for to receive updates follow the discussions. (f you decide to support the Acton Haptic Community on Locals.com, you get to join the conversation, post your thoughts and questions and get free swag, like student training videos and Haptic Pronunciation Teaching posters and charts. 

See you tonight!

Bill 

Greatest Hapticanar Ever! Tomorrow!

 Well . . . first one, actually! Just a little over 24 hours before the  Introductory free Hapticanar. No need to register in advance for this one, just go to the Acton Haptic website, and click the button! You can also view the new KINETIC Method video while you are there. 

The weekly free Hapticanars (Haptic Webinar) go live every Tuesday at 6 p.m. (PST). 

The format of the Hapticanar is generally:

• 6-6:30 - Training workshop on one or two haptic pronunciation teaching techniques
• 6:30 - Q&A until 7 or when we are done, whichever comes first!

If you can't make it, email me at wracton@gmail.com and I'll put you on the list to have access to the recording later this week.